EMM Jan 1973 # 1.1
p 1:
Editorial.
author: J.M. Thomson
p 3:
On the performance of 15th century chansons.
author: Howard Mayer Brown
p 11:
Percussion instruments of the Middle Ages and Renaissance.
author: James Blades
p 18:
Stanesby flute, Kirckman harpsichord.
[Sale Room Record]
p 19:
Renaissance through Japanese eyes; record of a strange triumphal journey.
author: Eta Harich Schneider
p 27:
Early pianos; their history and character.
author: C.F. Colt
p 34:
Where the wind blows.
author: Christopher Monk
p 37:
International recorder and early music ensemble competition; Bruges 1972.
EMM Apr 1973 # 1.2
p 66:
Vivaldi's church music: an introduction.
author: Denis Arnold
p 77:
The cittern.
author: Robert Hadaway
p 81:
The cittern repertoire.
author: George A. Weigand
p 84:
Capriole's revenge; a conversation between James Blades and Jeremy Montagu wherein the pupil instructs the master..
p 93:
Playing early pianos - a lost tradition.
author: Madeau Stewart
p 97:
The London Salerooms in 1972.
[Sale Room Record]
author: Graham Wells
p 101:
Where the wind blows.
author: Christopher Monk
p 107:
Recorder modifications; in search of the expressive recorder.
author: Alec Loretto
p 111:
Stanley Sadie: Handel Concertos.
[Book Review]
reviewer: Hutchins
p 112:
Edwin M Ripin, ed.: Keyboard instruments.
[Book Review]
reviewer: Stewart
p 112:
Francis Routh: Early English organ music.
[Book Review]
reviewer: Langley
p 113:
E.H. Fellows, revised by J.A. Westrup: English cathedral music.
[Book Review]
reviewer: Thomson
p 113:
Lyndesay G. Langwill: An index of wind instrument makers.
[Book Review]
reviewer: Baines
EMM Jul 1973 # 1.3
p 129:
Editorial.
author: J.M. Thomson
p 131:
The choice of instruments in baroque music.
author: Robert Donnington
p 139:
The crumhorn: historical sources.
author: Marcus Wells
p 142:
An introduction to the crumhorn repertoire.
author: Bernard Thomas
p 147:
Recorder modifications 2; how to make blocks.
author: Alec Loretto
p 152:
New types of flute embouchure sections.
author: Raoul J. Fajardo
p 154:
Where the wind blows.
author: Christopher Monk
p 167:
David Johnson: Music and Society in Lowland Scotland in the 18th century.
[Book Review]
reviewer: Stewart
EMM Oct 1973 # 1.4
p 193:
Editorial.
author: J.M. Thomson
p 195:
The art of courtley love.
author: David Munrow
p 201:
The Shaekespeare-Purcell Fairy Queen; a defense and recommendation.
author: Roger Savage
p 223:
On the reconstruction of a medieval tabor.
author: Alan Mynett
p 229:
Recorder modifications 3.
author: Alec Loretto
p 233:
Where the wind blows.
author: Christopher Monk
p 239:
Frederick Crane: Extant medieval musical instruments: a provisional catalogue by types.
[Book Review]
reviewer: Brown
p 241:
Willi Apel: The history of keyboard music to 1700 (tr Tischler).
[Book Review]
reviewer: Caldwell
p 243:
Nigel Wilkins: One hundred ballades, rondeaux and virelais from the late middle ages.
[Book Review]
reviewer: Jeffrey
p 245:
Paula Johnson: Form and transformation in music and poetry in English renaissance.
[Book Review]
reviewer: Walls
p 245:
Philip J. Bone: The guitar and mandolin.
[Book Review]
reviewer: Ford
p 246:
C. van Leeuwen Boomkamp, J.H. van der Meer: The Carel van Leeuwen Boomkamp collection of musical instruments, a descriptive catalogue.
[Book Review]
reviewer: Stewart
EMM Jan 1974 # 2.1
p 1:
Editorial.
author: J.M. Thomson
p 2:
The Old Hall manuscript.
author: Margaret Bent
p 15:
Playing from original notation.
author: Joscelyn Godwin
p 20:
Early percussion techniques.
author: Jeremy Montagu
p 25:
A checklist of music for the cittern.
author: James Tyler.
p 31:
Where the wind blows.
author: Christopher Monk
p 35:
The London Salerooms in 1973.
[Sale Room Record]
author: Graham Wells
p 39:
Raymond Russell: The harpsichord and clavichord.
[Book Review]
reviewer: Clark
p 41:
Howard Mayer Brown, Joan Lascelle: Musical iconography: a manual for cataloguing musical subjects in western art before 1800.
[Book Review]
reviewer: Montagu
p 43:
Jerome Roche: The madrigal.
[Book Review]
reviewer: Brown
p 45:
Alec Robertson: The church cantates of J.S. Bach.
[Book Review]
reviewer: Darlow
p 45:
Louise Cuyler: The emperor Maximilian I and music.
[Book Review]
reviewer: Brown
p 45:
Maud Karpeles: An introduction to English folk songs.
[Book Review]
reviewer: Stewart
p 53:
A note on recorder block making.
author: Gordon Wood
EMM Apr 1974 # 2.2
p 1:
No index available for April 1974.
EMM Jul 1974 # 2.3
p 149:
Editorial.
author: J.M. Thomson
p 151:
Playing the crumhorn: first steps.
author: Bernard Thomas
p 157:
Unfamiliar sources - or cooking with music.
author: Madeau Stewart
p 160:
16th century ensemble viol music.
author: Michael Morrow
p 164:
Common 16th century dance forms: some further notes.
author: Peter Walls
p 166:
An aspect of medieval fiddle construction.
author: Christopher Page
p 169:
A guide to the restoration of woodwind instruments.
author: Michael Zadro
p 176:
London Salerooms report.
author: Graham Wells
p 178:
Where the wind blows.
author: Christopher Monk
p 183:
Warren Kirkendale: L'aria di Fiorenza id est il Ballo del Gran Duca.
[Book Review]
reviewer: Schott
p 185:
Ann Livermore: A short history of Spanish music.
[Book Review]
reviewer: Sage
p 187:
Edgar Hunt, ed.: The English harpsichord magazine and early keyboard instrument review.
[Book Review]
reviewer: Schott
p 189:
Ian Spink: English song, Dowland to Purcell.
[Book Review]
reviewer: Walls
p 191:
John Stevens: Medieval romance.
[Book Review]
reviewer: J.M. Thomson
EMM Oct 1974 # 2.4
p 217:
Editorial.
author: J.M. Thomson
p 219:
Guillaume Dufay and the early renaissance.
author: Howard Mayer Brown
p 235:
An introduction to renaissance viols.
author: Ian Harwood
p 247:
First steps on the dulcimer.
author: David Kettlewell
p 254:
Where the wind blows.
author: Christopher Monk
p 256:
Ernest Closson: History of the piano.
[Book Review]
reviewer: Colt
p 261:
London Salerooms report.
author: Graham Wells
p 265:
Nuremberg conference on restoration.
author: Jeremy Montagu
EMM Jan 1975 # 3.1
p 2:
The renaissance flute.
author: Bernard Thomas
p 11:
Renaissance and baroque recorders: choosing an instrument.
author: Christopher Ball
p 19:
The Roessler recorder.
author: K.J. Sayers
p 21:
Playing the serpent.
author: Alan G. Moore
p 25:
Giovanni Gabrieli: a guide to the performance of his instrumental music.
authors: Clifford Barlet, Peter Holman
p 33:
Introducing the hurdy-gurdy.
author: Francis Baines
p 39:
Wanda Landowska and her repertoire: a note.
author: Timothy Bainbridge
p 42:
Maximilian I and his instruments.
author: Christine K. Mather
p 47:
The diversity of medieval fiddles.
author: Mary Remnant
p 51:
Reply to Remnant.
author: Christopher Page
p 52:
Bruges harpsichord week 1974.
author: Howard Schott
p 58:
Rovetta and Tunder - misattribution or plagiarism.
author: Jerome Roche
p 61:
London salerooms.
author: Graham Wells
p 63:
Where the wind blows.
author: Christopher Monk
p 75:
Instrument restoration (see Zadro).
[Correspondence]
author: Montagu
p 75:
When is an appoggiatura not an appoggiatura.
[Correspondence]
author: Donnington
p 77:
7/8 metres (see Kettlewell).
[Correspondence]
author: Young
p 77:
7/8 metres (see Young).
[Correspondence]
author: Montagu
p 77:
Complacent viols? (see Hallifax).
[Correspondence]
author: Morrow
p 77:
Complacent viols? (see Morrow).
[Correspondence]
author: Hallifax
p 77:
Recorder voicing (see Hubbard).
[Correspondence]
author: Loretto
p 79:
Aeolian harps.
[Correspondence]
author: Hunt
p 79:
Apology (to Stimulus).
[Correspondence]
p 79:
Crumhorn sounds.
[Correspondence]
author: Moeck
p 79:
Engagements wanted.
[Correspondence]
author: Suzanne
p 79:
Family origins (Halliday).
[Correspondence]
author: Halliday
p 79:
Glass harmonica wanted.
[Correspondence]
author: Cleeve
p 79:
Plea for (imitation) ivory bank.
[Correspondence]
author: von Huene
p 79:
`In seculum viellatoris'.
[Correspondence]
author: McAlpine
p 83:
David Boalch: Makers of the harpsichord and clavichord 1440-1840, 2nd ed.
[Book Review]
reviewer: Schott
p 85:
Betty Bang Mather: Interpretation of French music from 1675 to 1775, for woodwind and other performers.
[Book Review]
reviewer: Preston
p 89:
David Brown: Wilbye.
[Book Review]
reviewer: Timms
p 101:
Instrument case wanted.
[Correspondence]
author: Hill
EMM Apr 1975 # 3.2
p 107:
Graces of play in renaissance lute music.
author: Diana Poulton
p 115:
John Dowland and English lute music.
author: Anthony Rooley
p 119:
Three English lute manuscripts (Mynshall, Sampson, Board).
author: Robert Spencer
p 124:
Checklist of some recently discovered English lute manuscripts (Sampson, Board, Trumbull, Hender Robarts, Mynshall, Burwell).
author: Diana Poulton
p 126:
Buying a harpsichord - 1.
author: Trever Pinnock
p 132:
The first steps towards playing the cornett - 1.
author: Christopher Monk
p 134:
Woods used for woodwind instruments since the 16th century - 1.
author: Michael Zadro
p 140:
London salerooms.
author: Graham Wells
p 143:
Where the wind blows.
author: Christopher Monk
p 147:
Edwin Ripin: The instrument catalogs of Leopoldo Franciolini.
[Book Review]
reviewer: Schott
p 149:
Charles Jacobs: Francisco Correa de Arauxo.
[Book Review]
reviewer: Mayer Brown
p 151:
Brussels Museum: Ruckers Genootschap Antwerpen 1969-1974.
[Book Review]
reviewer: Schott
p 151:
Denis Arnold: Giovanni Gabrieli.
[Book Review]
reviewer: Parrott
p 153:
Johann Altenburg: Essay in an introduction to the heroic and musical art of the trumpeter and kettledrummer.
[Book Review]
reviewer: Smithers
p 155:
Hermann Moeck: Spazierstockinstrumente Czakane, Englische und Wiener Flageolette.
[Book Review]
reviewer: Bate
p 157:
Ernst Pohlmann: Laute, Theorbe, Chitarrone.
[Book Review]
reviewer: Rooley
p 157:
Martin Battestin: The providence of wit.
[Book Review]
reviewer: Thomson
p 173:
Stimulus and satiety at Washington.
author: Joscelyn Godwin
p 175:
Lute construction and playing, a reply.
[Correspondence]
author: Harwood
p 175:
Lute construction and playing.
[Correspondence]
author: W. Williams
p 185:
Crumhorns.
[Correspondence]
author: Douglas Leonard
p 185:
Crumhorns.
[Correspondence]
author: Hermann Moeck
p 187:
Re-quilling a harpsichord.
[Correspondence]
author: Ian Bond
p 189:
Restoration and the Brussels Museum.
[Correspondence]
author: Nicolas Meeùs
p 191:
High standards at the London College of Furniture.
[Correspondence]
author: J.M. Thomson
p 199:
The lute worldwide - 1; Australia.
author: Helen Richmond
p 199:
The lute worldwide - 1; Holland.
author: Gusta Goldschmidt
p 199:
The lute worldwide - 1; USA.
author: Donna Curry
EMM Jul 1975 # 3.3
p 221:
Secular musicial practice in sacred art.
author: Emanuel Winternitz
p 227:
Performance practices in the frottola (16th century Italian solo secular song).
author: William Prizer
p 240:
Bend the finger at all three joints; a first-hand record of Landowska's teaching methods.
author: Ruth Dyson
p 242:
Talking points 1; the 'authentic' sound of early music.
author: Jeremy Montagu
p 244:
The first steps towards playing the cornett - 2.
author: Christopher Monk
p 249:
Woods used for woodwind instruments since the 16th century - 2.
author: Michael Zadro
p 252:
Performing early music on record - 1; the Italian Trecento.
author: David Fallows
p 261:
Where the wind blows.
author: Christopher Monk
p 263:
Rameau's Les Boréades.
author: Robert Donnington
p 265:
International lute week 1975.
author: Michael Lowe
p 269:
Francis Collinson: The bagpipe.
[Book Review]
reviewer: Baines
p 271:
Irving Sloane: Guitar repair.
[Book Review]
reviewer: Saunders
p 271:
Nicolo Pasquali: Thorough-bass made easy, facsimile of the 1763 edition.
[Book Review]
reviewer: Donnington
p 273:
Peter Williams, ed.: The organ year book.
[Book Review]
reviewer: Langley
p 273:
Sebastien Virdung: Livre plaisant (1529) & Dit is een seer schoon boecxke; early music theory in the low countries.
[Book Review]
reviewer: Thomson
p 289:
Instrument restoration.
[Correspondence]
author: Michael Zadro
p 291:
Instrument restoration, a reply.
[Correspondence]
author: Jeremy Montagu
p 293:
Interpretation of French music.
[Correspondence]
author: Betty Bang
p 295:
On lute bridges and frets.
[Correspondence]
authors: Eph Segerman, Djilda Abbott
p 297:
5/4 metres, a reply.
[Correspondence]
author: Jeremy Montagu
p 297:
5/4 metres.
[Correspondence]
author: Ralph Leavis
p 297:
Maximilian I's instruments.
[Correspondence]
author: Claudio Stern
p 297:
Serpent problems.
[Correspondence]
author: Alan Lumsden
p 299:
Crumhorn sounds.
[Correspondence]
author: Jim Balmer
p 299:
The shakuhachi.
[Correspondence]
author: Dan Mayers
p 323:
American instrument research and performance.
author: Bruce Bellingham
EMM Oct 1975 # 3.4
p 331:
Dance under Louis XIV and XV; some implications for the musician.
author: Meredith Little
p 341:
The renaissance guitar 1500-1650.
author: James Tyler
p 348:
On playing the lute; Julian Bream in conversation with J.M. Thomson..
p 353:
How to hold a lute: historical evidence from paintings.
author: Robert Spencer
p 355:
Instrument makers - 1, luthiers; Howard Schott visits the workshops of David Rubio and Michael Lowe..
p 358:
Two more Dufay songs reconstructed.
author: David Fallows
p 361:
The medieval recorder.
author: Horace Fitzpatrick
p 365:
Buying a harpsichord - 2.
author: Trever Pinnock
p 368:
London salerooms.
author: Graham Wells
p 370:
The stringing of the five course baroque guitar.
author: Donald Gill
p 373:
Performing early music on record - 2; continental sacred music of the 16th century.
author: David Fallows
p 379:
Orlando Gibbons: an index of the full and verse anthems.
author: Paul Vining
p 383:
Lute Society profile.
author: J.M. Thomson
p 387:
The lute worldwide - 2; Argentina.
author: Gerardo Huseby
p 387:
The lute worldwide - 2; Switzerland.
author: Peter Reidemeister
p 389:
The lute worldwide - 2; Italy.
author: Mirko Caffagni
p 393:
Where the wind blows.
author: Christopher Monk
p 399:
Laurence Picken: Folk musical instruments of Turkey.
[Book Review]
reviewer: Jeremy Montagu
p 401:
Frank Harrison: Time, place and music: an anthology of ethnomusicological observation 1550 to 1800; source materials and studies in ethnomusicology I.
[Book Review]
reviewer: Raymond First
p 405:
Guillermus Dufay: Festival of Flanders programme book.
[Book Review]
reviewer: David Fallows
p 415:
Collegia in American universities, a reply.
[Correspondence]
author: Joscelyn Goodwin
p 415:
Collegia in American universities.
[Correspondence]
author: Edward Kottick
p 417:
Details of Victor Nerinckx's bagpipes.
[Correspondence]
author: Frans van de Hurk
p 417:
On the sound of early 16th century lutes.
[Correspondence]
authors: Djilda Abbott, Eph Segerman
p 417:
Trumpet like crumhorn tone.
[Correspondence]
author: James Furner
p 419:
Authenticity.
[Correspondence]
author: Carl Willetts
p 419:
Making early keyboards.
[Correspondence]
author: J. Braga
p 427:
Bruges 1975. J.M. Thomson.
p 429:
Early music at Kirchheim.
author: J.M. Thomson
EMM Jan 1976 # 4.1
p 3:
On re-reading Couperin's L'art de toucher le clavecin.
author: Ralph Kirkpatrick
p 12:
Singing early music.
author: Andrea von Ramm
p 15:
An 18th century view of the harpsichord.
author: Laurence Libin
p 19:
Domenico Scarlatti and Spanish folk music; a performer's re-appraisal.
author: Jane Clark
p 22:
French harpsichord playing in the 17th century - after Le Gallois.
author: David Fuller
p 27:
Early music for harpsichord - 1.
author: Howard Schott
p 31:
Making reeds for the baroque oboe - 1.
author: Bruce Haynes
p 35:
Choosing brass instruments.
author: Jeremy Montagu
p 39:
Geneviève Thibault, Madame H. de Chambure; an appreciation.
author: Jean Jenkins
p 41:
Musick of sundrie kindes; an important new anthology of 16th century music by the Consort of Musicke directed by Anthony Rooley.
author: Howard Mayer Brown
p 44:
Reading ligatures from their ground state.
author: Irving Godt
p 47:
Where the wind blows.
author: Christopher Monk
p 50:
Early music throughout Europe; the present state of music in northern Europe, in particular the Netherlands.
author: Marie Leonhardt
p 53:
London salerooms.
author: Graham Wells
p 55:
François Couperin: L'art de toucher le clavecin - the art of playing the harpsichord (tr Halford).
[Book Review]
reviewer: Schott
p 59:
Raymond Meylan: La flûte - les grandes lignes de son développement de la préhistoire à nos jours - Grundzüge ihrer Entwicklung von der Urgeschichte bis zur Gegenwart.
[Book Review]
reviewer: Bernard Thomas
p 61:
E. Ridley: Wind instruments of European art music.
[Book Review]
reviewer: Philip Bate
p 63:
Helen Rice Hollis: The piano: a pictorial account of its ancestry and development.
[Book Review]
reviewer: Howard Schott
p 67:
Andrew Hughes: Medieval music, the sixth liberal art.
[Book Review]
reviewer: Howard Mayer Brown
p 75:
Authenticity.
[Correspondence]
author: Andrew Parkinson
p 75:
Authenticity.
[Correspondence]
author: Rodney Eastwood
p 77:
Authenticity.
[Correspondence]
authors: Eph Segerman, Djilda Abbott
p 79:
Authenticity, a reply.
[Correspondence]
author: Howard Mayer Brown
p 81:
Authenticity.
[Correspondence]
author: J.D. Beasley
p 81:
Authenticity.
[Correspondence]
author: Norm Sohl
p 83:
Instrument restoration.
[Correspondence]
author: Michael Zadro
p 85:
Buzzers on lutes and fiddles.
[Correspondence]
author: Jeremy Montagu
p 85:
Renaissance and baroque guitar.
[Correspondence]
author: Shelagh Godwin
p 85:
When is a cornett not a cornett.
[Correspondence]
author: Ph. de Waal
p 87:
Belgian folk instruments.
[Correspondence]
author: G. Warren
p 87:
Crumhorns.
[Correspondence]
author: David Strother
p 87:
Lute dehydration.
[Correspondence]
author: Howard Schott
p 87:
When is a cornett not a cornett, a reply.
[Correspondence]
author: Christopher Monk
p 89:
Architecture and music in Zadar, Yugoslavia.
author: Igor Pomykalo
p 91:
Paris: a survey. Fiona McAlpine.
p 95:
Exhibition at Bruges and RCM - summer 1975.
author: John Rawson
p 97:
Nuremberg training course for musical instrument restorers.
p 99:
A postscript to `two more Dufay songs reconstructed'.
author: David Fallows
p 123:
Early music on new instruments.
author: Gordon Dodd
EMM Apr 1976 # 4.2
p 127:
`The maner of dauncying'; did our ancestors dance thus.
author: John Ward
p 143:
The performance of unmeasured harpsichord preludes.
author: Davitt Moroney
p 153:
Bassano and the orchestra of St Mark's.
author: Eleanor Selfridge-Field
p 159:
Staging the Play of Daniel.
author: D. Holoman
p 165:
The chitarrone Francese.
author: Robert Spencer
p 167:
Con ogni sorte di stromenti - with every kind of instrument.
author: Denis Arnold
p 173:
Making reeds for the baroque oboe - 2.
author: Bruce Haynes
p 183:
Performing early music on record - 3; the baroque in Germany.
author: Denis Arnold
p 185:
Where the wind blows.
author: Christopher Monk
p 189:
London salerooms.
author: Graham Wells
p 191:
Sybil Marcuse: A survey of musical instruments.
[Book Review]
reviewer: Mayer Brown
p 193:
Rudolf & Uta Henning, ed.: Zeugnisse alter Musik; Graphik aus fünf Jahrhunderten.
[Book Review]
reviewer: Mayer Brown
p 197:
Eleanor Selfridge-Field: Venetian instrumental music from Gabrieli to Vivaldi.
[Book Review]
reviewer: Mayer Brown
p 199:
Richard Petzold: Georg Philipp Telemann.
[Book Review]
reviewer: Bergmann
p 201:
Robert Eliason: Graves and Company, musical instrument makers.
[Book Review]
reviewer: Thomson
p 203:
William Lichtenwanger, ed.: A survey of musical instrument collections in the United States and Canada.
[Book Review]
reviewer: Hullfish
p 205:
Musikhandschriften in Basel Ausstellungskatalog.
[Book Review]
reviewer: Thomson
p 205:
Old instruments in New Zealand, the Zillah and Ronald Castle collection of early and unusual musical instruments.
[Book Review]
reviewer: Thomson
p 207:
John Henry van der Meer: Germanisches Nationalmuseum Nürnberg.
[Book Review]
p 223:
Crumhorns: Dr Moeck and John Hanchet.
[Correspondence]
author: Hermann Moeck
p 223:
Crumhorns: Dr Moeck and John Hanchet.
[Correspondence]
author: John Hanchet
p 225:
Crumhorns: Dr Moeck and John Hanchet.
[Correspondence]
author: William Campbell
p 227:
A gentler Arnold Dolmetsch.
[Correspondence]
author: Diana Poulton
p 227:
A gentler Arnold Dolmetsch.
[Correspondence]
author: Elisabeth Goble
p 227:
The `Guitarra Española'.
[Correspondence]
author: Monica Hall
p 229:
Singing early music.
[Correspondence]
author: George Newton
p 229:
Singing early music.
[Correspondence]
author: Michael Mowbray-Silver
p 229:
The `Guitarra Española', a reply.
[Correspondence]
author: James Tyler
p 231:
New society for instrument study (FoMRHI).
[Correspondence]
author: Jeremy Montagu
p 233:
Baroque organs in Paris.
[Correspondence]
author: Arthus Lawrence
p 233:
Choosing brass instruments.
[Correspondence]
author: Philip Bate
p 233:
Woods used for woodwind.
[Correspondence]
author: Brian Woods
p 235:
A portable microfiche reader.
[Correspondence]
author: Peter Holman
p 235:
Stringing the baroque guitar.
[Correspondence]
author: Robert Strizich
p 235:
The lute and ivory buttons.
[Correspondence]
author: S.A. McCoy
p 235:
Treble viol bows and a filing suggestion.
[Correspondence]
author: Dédée Claessens
p 237:
Crwth stringing and tuning.
[Correspondence]
author: André Schaefer
p 237:
Pro Musica Antiqua Brussels.
[Correspondence]
author: Robert Humbertson
p 237:
Stringing the baroque guitar, a reply.
[Correspondence]
author: Donald Gill
p 237:
The `Nürnbergisch Geigenwerk'.
[Correspondence]
author: Wolfgang Anton
p 239:
French bergère hurdy-gurdy.
[Correspondence]
author: P.D. Wilcock
p 239:
Instrument conference at Tropenmuseum, Amsterdam.
[Correspondence]
author: P.A. Kjeldsberg
p 241:
El misterio de Elche.
author: Holly Alonso
EMM Jul 1976 # 4.3
p 255:
Restoring the 1681 Vaudry harpsichord.
author: Derek Adlam
p 266:
Cavalli at St Mark's.
author: Denis Arnold
p 275:
A 16th century manuscript in wood; the Eglantine table at Hardwick Hall.
author: David Collins
p 281:
Early music for harpsichord - 2; the 17th century in Italy, France, England and Germany.
author: Howard Schott
p 284:
Performing early music on record - 4; the operas of Rameau.
author: Nicholas Anderson
p 288:
Instruments of the middle ages and renaissance: in memoriam David Munrow.
author: Howard Mayer Brown
p 295:
Stringed musical instruments exhibition; the Craft and Folk Art Museum, Los Angeles.
author: Deborah Ashin
p 299:
Where the wind blows.
author: Christopher Monk
p 303:
London salerooms.
author: Graham Wells
p 309:
Friedrich Blume & others: Protestant church music: a history.
[Book Review]
reviewer: Aldwell
p 311:
Ruth Nurmi: A modern Morley, a plain and easy introduction to the harpsichord.
[Book Review]
reviewer: Dyson
p 313:
Ian Harwood: The Lute Society booklets - 1; a brief history of the lute.
[Book Review]
reviewer: Spencer
p 315:
D. Krummel: English music printing 1553-1700.
[Book Review]
reviewer: Thomson
p 319:
James Coover, Richard Colvig: Medieval and renaissance music on long-playing records: supplement, 1962-1971.
[Book Review]
reviewer: Mayer Brown
p 321:
Geoffrey Skelton: Paul Hindemith: the man behind the music.
[Book Review]
reviewer: Thomson
p 321:
William Weber: Music of the middle class, comparative studies in European social history.
[Book Review]
reviewer: Thomson
p 323:
Book Notes: Celia Bizony. The family of Bach.
p 323:
Book Notes: Denis Arnold. Monteverdi.
p 323:
Stella Newton: Renaissance theatre costume and the sense of the history past.
[Book Review]
reviewer: Thomson
p 345:
Corrections and credits: April 1976.
p 345:
Corrections and credits: January 1976.
p 347:
Baroque oboe makers.
author: Bruce Haynes
p 347:
Sounding brass.
[Correspondence]
author: Horace Fitzpatrick
p 355:
Sounding brass, a reply.
[Correspondence]
author: Jeremy Montagu
p 361:
Extant historical gambas.
[Correspondence]
author: Peter Tourin
p 361:
Viol nomenclature.
[Correspondence]
author: Peter Tourin
p 363:
Early music recordings.
[Correspondence]
author: Donald Kahn
p 363:
Harpsichord preludes.
[Correspondence]
author: Lavinia Snelling
p 363:
Islamic instruments.
[Correspondence]
author: Joscelyn Godwin
p 363:
Scarlatti facsimilies.
[Correspondence]
author: Howard Ferguson
p 363:
The Lincoln bagpipes.
[Correspondence]
author: Stephen Taggart
p 365:
Inequality, a reply.
[Correspondence]
author: Diana Poulton
p 365:
Inequality.
[Correspondence]
author: Sol Babitz
p 365:
Lute bridges and frets, a reply.
[Correspondence]
authors: Djilda Abbott, Eph Segerman
p 365:
Lute bridges and frets.
[Correspondence]
author: John Downing
p 367:
A great bass dilemma, a reply.
[Correspondence]
author: Edgar Hunt
p 367:
A great bass dilemma.
[Correspondence]
author: Charles Hudson
p 367:
Cartoonist's licence, a reply.
[Correspondence]
author: the Cartoonist
p 367:
Cartoonist's licence.
[Correspondence]
author: Cooper
p 367:
Historical dance society.
[Correspondence]
author: Anne Daye
p 369:
Amat's `guitarra Española', a reply.
[Correspondence]
author: James Tyler
p 369:
Amat's `guitarra Española'.
[Correspondence]
author: A. King
p 369:
Joint flute playing.
[Correspondence]
author: Graham Wells
p 374:
Tribute to Edward Ripin.
author: Howard Mayer Brown
p 376:
Tributes to David Munrow.
authors: Anthony Lewis, Nigel Fortune, Oliver Brookes, James Tyler, Andrea Holschneider, Arthur Johnson, Jasper Parrott, John Willan, John Currie, Christopher Monk, Robert Donington, Jeremy Noble.
EMM Oct 1976 # 4.4
p 384:
C.P.E. Bach's `Versuch über die wahre Art das Clavier zu spielen' reconsidered.
author: Ralph Kirkpatrick
p 393:
Producing `Dido and Aeneas'; an investigation into 16 problems with a suggestion to conductors.
authors: Roger Savage, Michael Tilmouth
p 407:
Chitarrone, theorbo and archlute.
author: Robert Spencer
p 424:
The trumpet sonata in England.
author: Peter Holman
p 431:
Gut strings.
authors: Djilda Abbott, Ephraim Segerman
p 439:
Harpsichord building in Holland; Willem Kroesbergen discusses his craft with Ton Koopman.
p 443:
The economics of early music.
author: Nicholas Kenyon
p 449:
Photographing early instruments.
author: Gloria Cuerden
p 455:
Performing early music on record - 5; early dance music.
author: Jeremy Noble
p 461:
Some measurements of early wind instruments.
authors: Deirdre Daines, Robin Hewitt, Gerald Vickers, John Hanchet
p 465:
Kirchheim 1976 festival.
author: J.M. Thomson
p 465:
London salerooms.
author: Graham Wells
p 467:
The unique shakuhachi.
author: Dan Mayers
p 469:
Tilman Seebass: Musikdarstellung und Psalterillustration im Früheren Mittelalter, 2 vols.
[Book Review]
reviewer: Dyer
p 471:
Howard Ferguson: Keyboard interpretation from the 14th to the 19th century, an introduction.
[Book Review]
reviewer: Lincoln
p 473:
Peter Kjeldsberg: Musikinstrumenter ved Ringve Museum; the collection of musical instruments.
[Book Review]
reviewer: Mayer Brown
p 475:
Paul van Nevel: Polyfonie en ars subtillor.
[Book Review]
reviewer: Fallows
p 475:
Viola Hagopian: Italian Ars Nova music: a bibliographic guide to modern editions and related literature; 2nd ed.
[Book Review]
reviewer: Fallows
p 477:
Charles Taylor: Sounds of music.
[Book Review]
reviewer: Maconie
p 477:
Donald Mitchell: Gustav Mahler: the Wunderhorn years.
[Book Review]
reviewer: Donington
p 477:
Kenneth van Barthold, David Buckton: The story of the piano.
[Book Review]
reviewer: Schott
p 485:
Stringed instruments on the Eglantine table.
[Correspondence]
authors: Ephraim Segerman, Djilda Abbott.
p 487:
`The maner of dauncying'.
author: Nathalie Dolmetsch
p 489:
The universal voice.
author: Joseph Dyer
p 489:
`The maner of dauncying', a reply.
author: John Ward
p 491:
John Dryden on lute playing.
author: Kathryn Walls
p 491:
Style and the performer.
author: Sol Babitz
p 493:
`Zeugnisse alter Musik' reviewed, a reply.
author: Howard Mayer Brown
p 493:
`Zeugnisse alter Musik' reviewed.
author: Rudolf & Uta Henning
p 497:
Boxwood listings.
author: Michael Zadro
p 497:
Lincolnshire fiddlers.
author: Jeremy Montagu
p 497:
Theorbo, archlute and chitarrone, a reply.
author: Robert Spencer
p 497:
Theorbo, archlute and chitarrone.
author: Laurence Wright
p 511:
Out of the air; baroque instruments.
author: Nel Romano
p 515:
Early music ensembles - 1; Musica Reservata.
author: J.M. Thomson
EMM Jan 1977 # 5.1
p 4:
Renaissance music in modern notation.
author: Bernard Thomas
p 12:
Stage design for renaissance theatre.
author: Stella Mary Newton
p 18:
Instructions for the clavier diversely tempered.
author: Mark Lindley
p 24:
Producing `Le roman de Fauvel'.
author: Frederick Renz
p 27:
The wind band at Luis XIV's court.
author: Susan Goertzel Sandman
p 38:
Words and music in two English songs: Charles d'Orléans and John Lydgate.
author: David Fallows
p 45:
Authenticity and the St John passion.
author: Basil Lam
p 51:
The 16th century Spanish romance; a survey of the Spanish ballad as found in the music of the vihuelistas.
authors: Glenda Simpson, Barry Mason
p 59:
Performing early music on record - 6; the vihuela repertoire.
author: Monica Hall
p 67:
Early music for harpsichord - 3; the 16th century in England, the Netherlands, France, Germany, Poland, Iberia and Italy.
author: Howard Schott
p 75:
The mandoline; an unsung serenader.
author: Kevin Coates
p 89:
Keyboard lessons with Arnold Dolmetsch.
author: Elisabeth Goble
p 93:
Howard Brown: Embellishing 16th century music.
[Book Review]
reviewer: Denis Arnold
p 95:
Howard Brown: Embellishing 16th century music.
[Book Review]
reviewer: Diana Poulton
p 99:
Isabelle Cazeaux: French music in the 15th and 16th century.
[Book Review]
reviewer: Dobbins
p 101:
Peter Fischer: Music in paintings of the Low Countries in the 16th and 17th centuries.
[Book Review]
reviewer: Mayer Brown
p 103:
Leningrad Institute of Theatre, Music and Cinematography: catalogue of the musical instrument collection.
[Book Review]
reviewer: Taruskin
p 105:
Alan Kendall: The tender tyrant, Nadia Boulanger.
[Book Review]
reviewer: Thomson
p 113:
Editorial practices, a reply.
[Correspondence]
author: David Fallows
p 113:
Editorial practices.
[Correspondence]
author: John Goodacre
p 113:
New harpsichord recital.
[Correspondence]
author: Howard Schott
p 113:
Teaching experience required.
[Correspondence]
author: Constance Higham
p 113:
Why are lute pegboxes bent back.
[Correspondence]
authors: Djilda Abbott, Eph Segerman
p 125:
Pioneering in Pamparato.
author: Mark Lindley
p 125:
The 1976 Berlin Bachfest.
author: M. Proctor
p 125:
Zadar festival 1976.
author: Clifford Armstrong
p 127:
The second International Forum des Clavecins.
p 129:
Conferences: Wolfenbügel and Oxford.
author: Stanley Boorman
p 133:
Salerooms reports.
author: Graham Wells
EMM Apr 1977 # 5.2
p 149:
`Main divers acors': some instrument collections of the Ars Nova period (the Beverley Minster carvings, the von Bülow brass, Guillaume de Machaut's lists.
author: Joscelyn Goldwin
p 161:
A dance for kings: the 17th century French Courante; its character, step-patterns, metric and proportional foundations.
author: Wendy Hilton
p 173:
What exactly is a violone; a note towards a solution.
author: Francis Baines
p 177:
The baroque trumpet after 1721; some preliminary observations - 1; science and practice.
author: Don Smithers
p 184:
The performance of troubadour and trouvère songs; some facts and conjectures.
author: Ian Parker
p 209:
16th century German playing-cards; a little known source of German songs.
author: Clifford Armstrong
p 219:
Anthony Baines: Brass instruments: their history and development.
[Book Review]
reviewer: Montagu
p 223:
Ernst Gottlieb Baron: Study of the lute (Nuremberg 1727).
[Book Review]
reviewer: Poulton
p 225:
David Crawford: 16th century choirbooks in the Archivio Capitolare at Casale Montferrato.
[Book Review]
reviewer: Sandon
p 229:
F. Sternfeld, N. Fortune, E. Ollesson, ed.: Essays on opera and English music in honour of Sir Jack Westrup.
[Book Review]
reviewer: Mayer Brown
p 250:
London salerooms.
author: Graham Wells
p 253:
The basse-dance, a reply.
[Correspondence]
author: Nathalie Dolmetsch
p 253:
The basse-dance.
[Correspondence]
author: Frederick Crane
p 255:
Medieval fiddles, etc.
[Correspondence]
author: Mary Remnant
p 255:
The Neapolitan mandoline.
[Correspondence]
author: James Tyler
p 259:
Instrument restoration.
[Correspondence]
author: Mark Lindley
p 263:
An American national early music festival.
author: Lyle Nordstrom
p 267:
Early music for the bicentennial.
author: Joscelyn Goldwin
p 273:
Early tunings weekend in Devon.
author: Richard Langham Smith
p 273:
Lute seminar: Rhode Island.
author: Madeleine Ballard-Kennard
p 277:
Lute seminar: California.
author: David Sullivan
p 279:
New Zealand burgeonings: Cambridge and Wellington.
author: J.M. Thomson
p 281:
Birmingham music library celebration.
author: Robert Donington
EMM Jul 1977 # 5.3
p 299:
Biblical instruments in medieval manuscript illustration.
author: Christopher Page
p 310:
The dotted note and the so-called French style.
author: Frederick Neumann
p 325:
Fantasia on a theme by Boccaccio.
author: Howard Mayer Brown
p 343:
First steps on the shawm.
author: Carl Willets
p 352:
Jacques-François Rosart: a neglected pioneer of music printing.
author: H. Pole
p 364:
A learner's questions; at the Durham oriental music festival.
author: Imogen Holst
p 371:
A visit to the Adlam Burnett workshop.
author: Howard Schott
p 380:
The Monteverdi vespers; suggested answers to some fundamental questions.
author: Iain Fenlon
p 389:
String playing in baroque musique - 1.
author: Robert Donington
p 395:
London salerooms.
author: Graham Wells
p 397:
Howard Mayer Brown: Music in the renaissance.
[Book Review]
reviewer: Haar
p 401:
Edward Lowinsky, ed.: Josquin dez Prez.
[Book Review]
reviewer: Fallows
p 403:
Munich Deutsches Museum: Die Blasinstrumente im Deutschen Museum: beschreibender Katalog.
[Book Review]
reviewer: Mayer Brown
p 425:
Hand stopping technique on the horn.
[Correspondence]
author: Jeremy Montagu
p 425:
Medieval fiddles.
[Correspondence]
author: Mary Remnant
p 425:
Trees of Jesse.
[Correspondence]
author: Clifford Armstrong
p 427:
The Neapolitan mandoline.
[Correspondence]
author: Kevin Coates
p 429:
Identification of old pictures.
[Correspondence]
author: Uta & Rudolf Henning
p 431:
Drum rhythms for dances, a reply.
[Correspondence]
author: Madeleine Inglehearne
p 431:
Drum rhythms for dances.
[Correspondence]
author: Patrick Taylor
p 433:
Early Music supplements.
[Correspondence]
author: Caroline Cunningham
p 433:
Folies d'Espagne.
[Correspondence]
author: J. Young
p 433:
Instrumental manual.
[Correspondence]
author: Andrew Stiller
p 433:
Night music at St Donat's.
[Correspondence]
p 433:
Restoration of a square piano.
[Correspondence]
p 435:
York early music week 1977.
author: Nicholas Kenyon
EMM Oct 1977 # 5.4
p 462:
The lady, the lyrics and the letters (Guillaume de Machaut).
author: Sarah Williams
p 469:
The mystical manuscripts of Guillaume de Machaut.
author: Elizabeth Keitel
p 473:
`Musica Ficta' in Machaut.
author: Jean Harden
p 477:
Guillaume de Machaut and the lai; a new source.
author: David Fallows
p 484:
Machaut's pupil Deschamps on the performance of music; voices or instruments in the century chanson.
author: Christopher Page
p 492:
Performing Machaut's mass on record.
author: Andrew Parrot
p 495:
A new edition of Machaut.
author: Stanley Boorman
p 499:
Rameau at Covent Garden.
author: Roger Savage
p 507:
Musicians' costumes in the Restoration theatre.
author: Diana de Marly
p 517:
Dotting, the French style and Frederick Neumann's counter-reformation.
author: David Fuller
p 539:
David Tunley: The 18th century French cantata.
[Book Review]
reviewer: Anderson
p 543:
What is rhythmic alteration.
author: Robert Donington
p 545:
Harpsichord week in Bruges 1977.
author: Howard Schott
p 553:
London salerooms.
author: Graham Wells
p 557:
Denis Arnold, ed.: Ten madrigals by Orlando di Lasso.
[Book Review]
reviewer: Roche
p 557:
Horst Leuchtmann: Orlando di Lasso: sein Leben.
[Book Review]
reviewer: Roche
p 561:
Donald Gill: Gut-strung plucked instruments contemporary with the lute.
[Book Review]
reviewer: Segerman
p 561:
Donald Gill: Wire-strung plucked instruments contemporary with the lute.
[Book Review]
reviewer: Segerman
p 563:
Helen Tullbert, tr.: The manufacture of musical instruments (Diderot's Encyclopédie).
[Book Review]
reviewer: Segerman
p 565:
Pieter Andriessen: Carel Hacquart (1640-1701?): een biographische bijdrage: het werk.
[Book Review]
reviewer: I. Parker
p 567:
Jean Jacquot, ed.: Le luth at sa musique: Neuilly-sur-Seine, 1957.
[Book Review]
p 595:
John Sheppard's masses, a reply.
[Correspondence]
author: Roger Bray
p 595:
John Sheppard's masses.
[Correspondence]
author: Nick Sandon
p 599:
Authenticity in Bach (St John Passion).
[Correspondence]
author: James Whittaker
p 599:
Drum rhythms for dances.
[Correspondence]
author: Jon North
p 599:
Drum rhythms for dances.
[Correspondence]
author: Michel Morrow
p 599:
The ancient Greeks.
[Correspondence]
author: Kai Brodersen
p 605:
Lowlands visitors.
author: Bruce Bellingham
p 605:
`The Fairy Queen' revived.
author: Eric Crozier
p 607:
Early music in Japan in 1976.
author: Naomi Arimura
EMM Jan 1978 # 6.1
p 4:
Wieland Kuijken & Christopher Hogwood on the viol.
p 12:
William Lawes' music for viol consort.
author: David Pinto
p 25:
Suites by Jenkins rediscovered.
author: Peter Holman
p 36:
Posture in viol playing.
author: Ian Woodfield
p 41:
The rebirth of early music.
author: Marco Pallis
p 45:
Life with the viol; Francis Baines talks about the Jaye Consort and the revival of a tradition..
p 47:
Notes on the viol in the 20th century.
author: Howard Mayer Brown
p 57:
A royal treasure at Sutton Coldfield (a missing altus part rediscovered).
author: H. Colin Slim
p 75:
The mysterious cornamuse.
author: Douglas MacMillan
p 79:
The `de Gallot' guitar books.
author: Donald Gill
p 89:
Performing style in Bach cantatas - 1.
author: Nicholas Anderson
p 97:
London salerooms.
author: Graham Wells
p 99:
Tribute to Gustave Reese 1899-1977.
p 101:
Correction to `the dotted note' by Frederick Neumann (EM July 1977).
p 103:
Verband Schweitzerischer Geigenbaumeister: Alte Meistergeigen: Beschreibungen, Expertisen - 1: Venezianer Schule.
[Book Review]
reviewer: Beare
p 105:
Jeremy Montagu: The world of medieval & renaissance musical instruments.
[Book Review]
reviewer: Mayer Brown
p 109:
Betty Bang Mather, David Lasocki: Free ornamentation in woodwind music, 1700-1775: an anthology with introduction.
[Book Review]
reviewer: Mayer Brown
p 109:
Serge Gut, Daniele Pistone: Le commentaire musicologique du grégorien à 1700.
[Book Review]
reviewer: Rastall
p 111:
Edwin Ripin, ed.: Keyboard instruments: studies in keyboard organology, 1500-1800.
[Book Review]
reviewer: Fallows
p 111:
Thematic catalogue of the works of Giovanni Battista Sammartini.
[Book Review]
reviewer: Fallows
p 127:
16th century theatrical illustrations (on `stage design for ...' by Newton, EM January 1977).
[Correspondence]
author: Lee Pearcy
p 129:
Renaissance viols (on articles by Morrow & Harwood).
[Correspondence]
author: Philip Thorby
p 129:
Shawm technique, a reply.
[Correspondence]
author: Carl Willets
p 129:
Shawm technique.
[Correspondence]
author: Ana Seiberg
p 131:
Professor Fuller and the double dot.
[Correspondence]
author: Frederick Neumann
p 133:
Third London exhibition of early musical instruments.
author: Howard Schott
p 133:
Biblical instruments: a note.
[Correspondence]
author: Christopher Page
p 135:
The Viola da Gamba Society of Great Britain; the first 30 years.
author: Gordon Dodd
p 139:
The Viola da Gamba Society of Great Britain; a postscript.
author: Nathalie Dolmetsch
EMM Apr 1978 # 6.2
p 164:
Choral music in the renaissance.
author: Howard Mayer Brown
p 170:
The grand motets of Orlandus Lassus.
author: Denis Arnold
p 182:
Grett and Solompne singing; instruments in English church music before the Civil War.
author: Andrew Parrot
p 188:
The `te Deum' in late medieval England.
author: John Caldwell
p 195:
Performance practice in 16th century English choral music.
author: Peter Phillips
p 199:
Scholarship and performance; Peter phillips interviews Bruno Turner, director of `Pro Cantione Antiqua'..
p 207:
Singing with proper refinement; from `de modo bene cantandi' (1474) by Conrad von Zabern; introduction.
author: Joseph Dyer
p 207:
`De modo bene cantandi' (1474), tr by Joseph Dyer.
author: Conrad von Zabern
p 230:
A setting of `Astrophil and Stella' by Morley.
author: Robin Headlam Wells
p 233:
Musical performance and authenticity.
author: Michael Morrow
p 247:
A contribution to the history of the clavicytherium.
author: J.H. van der Meer
p 262:
A summary of music for viols.
author: Gordon Hood
p 268:
Continuo realizations in a Playford songbook.
author: Peter Holman
p 271:
Performers' guide.
author: Roger Bray
p 276:
London salerooms.
author: Graham Wells
p 279:
Tributes to Kenneth Skeaping 1897-1977.
authors: Alan Loveday, Nathalie Dolmetsch, Jane Ryan, George Malcolm, Catherine Mackintosh, Christine & Layton King, Gordon Dodd, Anthony Baines
p 283:
Anthony Baines: The Bate collection of historical wind instruments: catalogue.
[Book Review]
reviewer: Mayer Brown
p 283:
Gerhard Stradner: Die Musikinstrumente im Steiermärkischen Landeszeughaus in Graz.
[Book Review]
reviewer: Mayer Brown
p 285:
Jeremy Montagu: Making early percussion instruments.
[Book Review]
reviewer: Jones, Page
p 287:
Catherine Massip: La vie des musiciens de Paris au temps de Mazarin.
[Book Review]
reviewer: Dobbins
p 287:
Paul Henry Lang: On choral music: selected essays and reviews; Bach and Handel.
[Book Review]
reviewer: van Tassel
p 291:
Brian Jeffrey, ed.: Chanson Verse of the early renaissance, II.
[Book Review]
reviewer: Dobbins
p 307:
The new edition of Machault, a response to Boorman (EM October 1977).
[Correspondence]
author: Sylvette Leguy
p 309:
A 12th century street musician, a commentary to Remnant (EM January 1975).
author: Christopher Page
p 309:
Dance symbolism.
[Correspondence]
author: Madeau Stewart
p 309:
Double dotting and ultra dotting.
[Correspondence]
author: David Fuller
p 309:
Double dotting and ultra dotting.
[Correspondence]
author: Ralph Leavis
p 310:
Double dotting and ultra dotting.
[Correspondence]
author: Ignor Kipnis
p 310:
Double dotting and ultra dotting.
[Correspondence]
author: Terence Best
p 310:
Renaissance theatre.
[Correspondence]
author: Stella Mary Newton
p 310:
The arts in Devon.
[Correspondence]
author: Nick Sandon
EMM Jul 1978 # 6.3
p 333:
Vivaldi's esoteric instruments.
author: Eleanor Selfridge-Field
p 339:
Early writings on music - 3; early 15th century instruments in Jean de Gerson's `Tractatus de Canticis'.
author: Christopher Page
p 350:
Mexico, home of the first musical instrument workshops in America.
author: José-Antonio Guzmán-Bravo
p 356:
The baroque trumpet after 1721; some preliminary observations - 2; Functions and use.
author: Don Smithers
p 362:
The `guitarra española' of Joan Carles Amat.
author: Monica Hall
p 374:
A new piece by Henry Purcell.
author: Robert Pretre
p 381:
The English consort and verse anthems.
author: John Morehen
p 385:
Two Jacobean songs.
author: John Harley
p 391:
The fiddlers on the Restoration stage.
author: Harold Love
p 401:
Beverley Minster reconsidered.
author: Gwen & Jeremy Montagu
p 417:
Towards an authentic vocal style and technique in late baroque performance.
author: Antony Ransome
p 421:
Performing style in Bach cantatas - 2; from Ramin to Richter.
author: Nicholas Anderson
p 427:
Corrections to EM January 1978.
p 429:
Richard Nicholson: madrigals from Jacobean Oxford.
author: Craig Monson
p 437:
Performers' guide.
author: Roger Bray
p 443:
London salerooms.
author: Graham Wells
p 447:
Richard Eighton Greene: The early English carols.
[Book Review]
reviewer: Fallows
p 449:
Mary Remnant: Musical instruments of the West.
[Book Review]
reviewer: Montagu
p 453:
Jerzy Liban: De accentuum ecclesiasticorum (Krakau 1539).
[Book Review]
reviewer: Curtis
p 453:
Jerzy Liban: De musicae laudibus oratio (Krakau 1540).
[Book Review]
reviewer: Curtis
p 453:
Jerzy Liban: De philosophiae laudibus (Krakau 1537).
[Book Review]
reviewer: Curtis
p 453:
Marcin Gallinius: Ad venerabilem virum (Krakau 1535).
[Book Review]
reviewer: Curtis
p 453:
Owen Jorgensen: Tuning the historical temperaments by ear.
[Book Review]
reviewer: Lindley
p 453:
Stefan Monetarius: Epitoma utriusque musicae practicae (Krakau c.1515-1520).
[Book Review]
reviewer: Curtis
p 455:
David Johnson: Music and society in lowland Scotland in the 18th century. Fallows.
[Book Review]
p 455:
Peter Dronke: The medieval lyric.
[Book Review]
reviewer: Fallows
p 457:
Roger Boase: The origin and meaning of courtly love.
[Book Review]
reviewer: Fallows
p 481:
Rediscovering John Jenkins.
[Correspondence]
author: Jane Johnson
p 482:
Rediscovering John Jenkins, a reply.
[Correspondence]
author: Peter Holman
p 483:
A new edition of Machaut.
author: Stanley Boorman
p 483:
Rediscovering John Jenkins.
[Correspondence]
author: David Pinto
p 485:
A lute book ghost laid (to EM January 1978).
author: Robert Spencer
EMM Oct 1978 # 6.4
p 492:
John Jenkins 1592-1678; the viol consort music in 4, 5 and 6 parts.
author: Andrew Ashbee
p 501:
The founder of English viol making: John Rose.
author: John Pringle
p 512:
Ornamental style and the virtuoso; solo bass viol music in France c.1680-1740.
author: Celia Pond
p 519:
Reconstructing 16th century Venetian viols; Ian Harwood talks to Martin Edmunds.
p 526:
The use of the bow in French solo viol playing of the 17th and 18th centuries.
author: John Hsu
p 530:
Another look at the viol.
author: Robert Hadaway
p 540:
The consort music of Orlando Gibbons.
author: Francis Baines
p 544:
Viol playing techniques in the mid 16th century; a survey of Ganassi's fingering instructions.
author: Ian Woodfield
p 551:
Francis Baines talks to Dietrich Kessler.
p 556:
Quantz and the passions; theory and practice.
author: David Lasocki
p 569:
The London clavicytherium.
author: Elisabeth Wells
p 572:
Performing early music on record; English church music c.1660-1700 - 1.
author: Eric van Tassel
p 579:
Performers' guide.
author: Roger Bray
p 581:
Corrections to EM July 1978.
p 582:
London salerooms.
author: Graham Wells
p 587:
Bruno Stäblein: Schriftbild der einstimmigen Musik.
[Book Review]
reviewer: Stevens
p 587:
Ewald Jammers: Aufzeichnungsweisen der einstimmigen ausserliturgischen Musik des Mittelalters.
[Book Review]
reviewer: Stevens
p 589:
Constance Bullock-Davis: Menestrellorum multitudo: minstrels at a royal feast.
[Book Review]
reviewer: Page
p 591:
Hugh Benham: Latin church music in England c.1460-1575.
[Book Review]
reviewer: Fenlon
p 593:
Lyndesay Langwill: An index of musical wind instrument makers.
[Book Review]
reviewer: Mayer Brown
p 595:
Solon Michaelides: The music of ancient Greece: an encyclopaedia.
[Book Review]
reviewer: Chew
p 597:
Leon Plantinga: Clementi: his life and music.
[Book Review]
reviewer: Sachs
p 599:
Jeannine Alton, Brian Jeffery: Bele buche e bele parleure: a guide to the prononciation of medieval and renaissance French for singers and others.
[Book Review]
reviewer: Wright
p 599:
Peter Williams, ed.: The organ yearbook, vol VII.
[Book Review]
reviewer: Elcombe
p 601:
Jane Glover: Cavalli.
[Book Review]
reviewer: Timms
p 603:
J.M. Thomson, ed.: The future of early music in Britain.
[Book Review]
reviewer: Sadie
p 629:
The first complete edition of Marenzio.
[Correspondence]
author: John Steele
p 629:
Two Jacobean songs, a reply.
[Correspondence]
author: John Harley
p 629:
Two Jacobean songs. Peter Holman.
[Correspondence]
p 631:
A postscript to Amat.
[Correspondence]
author: Monica Hall
p 631:
The size of church choirs.
[Correspondence]
author: Michael Tweedie
p 633:
Lute tablatures.
[Correspondence]
author: Roger Harmon
p 633:
Lute tablatures.
[Correspondence]
author: W.L. Brown
p 633:
Viol studies.
[Correspondence]
author: Alice Robbins
EMM Jan 1979 # 7.1
p 2:
Editorial: an American air.
author: J.M. Thomson
p 3:
Concert in a house; musical iconography and musical thought.
author: Richard Leppert
p 18:
Rameau's harpsichord transcriptions from `les Indes galantes'.
author: Graham Sadler
p 25:
On performing `lo estampies'.
author: Frederick Crane
p 34:
`Il modo di far la fantasia'; an appreciation of Luzzaschi's instrumental Style.
author: Anthony Newcomb
p 39:
Once more: the `French overture style'.
author: Frederick Neumann
p 46:
The complete orchestral musician.
author: Neal Zaslaw
p 48:
Some thoughts on the performance of concert music.
author: Neal Zaslaw
p 59:
How did the viola da gamba sound.
author: John Rutledge
p 70:
Interpreting style: a tribute to Howard Ferguson.
author: Howard Schott
p 75:
Corrections EM October 1976, October 1978.
p 79:
Restoration, conservation, repair and maintenance; some considerations on the care of musical instruments.
author: Cary Karp
p 85:
Performing early music on record; English church music c.1660-1700 - 2.
author: Eric van Tassel
p 89:
Underneath the archives; Madeau Stewart recalls early days with J.M. Thomson..
p 99:
Performing style Bach cantatas - 3.
author: Nicholas Anderson
p 103:
Paris revisited; Howard Schott describes the flourishing state of French harpsichord making as shown at the 1978 Paris Harpsichord Forum..
p 111:
Performers' guide.
author: Roger Bray
p 117:
London salerooms.
author: Graham Wells
p 119:
Wulf Art: Basler Jahrbuch für historische Musikpraxis, I: 1977.
[Book Review]
reviewer: Fallows
p 121:
Alexander Bellow: The illustrated history of the guitar.
[Book Review]
reviewer: Tyler
p 123:
Daniel Waitzman: The art of playing the recorder.
[Book Review]
reviewer: Turner
p 125:
Bartolomé Ramos de Pareja: Musica practica.
[Book Review]
reviewer: Fallows
p 125:
Jean Jenkins: International directory of musical instrument collections.
[Book Review]
reviewer: Thomson
p 125:
Performance practice in early American choral music.
[Book Review]
reviewer: Smith
p 127:
Ruth Hilton: An index early music in selected anthologies.
[Book Review]
reviewer: Fallows
p 127:
Vrej Nersessian: Essays on Armenian music.
[Book Review]
reviewer: Fallows
p 135:
Notes on a mystery: conrnamuse and dulzaina.
[Correspondence]
author: David Fallows
p 135:
Vivaldi's esoteric instruments, a reply.
[Correspondence]
author: Eleanor Selfridge-Field
p 135:
Vivaldi's esoteric instruments. Andrew Stiller.
[Correspondence]
EMM Apr 1979 # 7.2
p 154:
Editorial.
author: J.M. Thomson
p 155:
The developing violin; Jaap Schröder in conservation with Christopher Hogwood edited by Clare Almond.
p 166:
The Unverdorben lute at Fenton House.
author: Christopher Challen
p 174:
The performance of Parisium organum.
author: Edward Roesner
p 190:
The French style and the overtures of Bach - 1.
author: John O'Donnell
p 197:
Gregorian chant; the restoration of the chant and 75 years of recording.
author: Mary Berry
p 218:
A commentary on Avery Burton's `Mass on the hexachord'.
author: Peter Phillips
p 225:
Approaches to performance; the lutenists' view.
authors: Robert Spencer, Anthony Rooley
p 235:
Notes: EM 6/4, 7/1.
p 237:
Bach's keyboard temperament; internal evidence from the `Well-tempered Clavier'.
author: John Barnes
p 254:
London salerooms.
author: Graham Wells
p 257:
R.A. Leaver: The work of John Marbeck.
[Book Review]
reviewer: Blezzard
p 259:
Jean-Claude Veilhan: Les règles de l'interprétation musicale à l'époque baroque (17th-18th century) générale à tous les instruments.
[Book Review]
reviewer: Sadie
p 259:
Karl Geiringer: Instruments in the history of western music.
[Book Review]
reviewer: Mo
p 261:
Edward Kottick: The Collegium: a handbook.
[Book Review]
reviewer: Fallows
p 263:
Iain Fenlow: Catalogue of the printed music and music manuscripts before 1801 in the music library of the University of Birmingham Barber Institute of Fine Arts.
[Book Review]
reviewer: Boorman
p 263:
Ian Woodfield: The celebrated quarrel between Thomas Linley (senior) and William Herschel: an episode in the musical life of 18th century Bath.
[Book Review]
reviewer: Johnson
p 265:
Francesco Luisi, ed.: Atti del convegno di studi palestriniani: 1975.
[Book Review]
reviewer: Fallows
p 265:
Percy Young: The madrigal in the romantic era.
[Book Review]
reviewer: Johnson
p 267:
Kees Rosenhart: the Amsterdam harpsichord tutor, I & II.
[Book Review]
reviewer: Schott
p 267:
Maria Boxall: Harpsichord method.
[Book Review]
reviewer: Schott
p 277:
Notes: EM 7/1.
p 279:
More dotting.
[Correspondence]
author: David Fuller
p 279:
The `Te Deum' in late medieval England.
[Correspondence]
author: Harrison
p 281:
Oxford anthology.
[Correspondence]
author: Nick Sandon
p 281:
The `Te Deum' in late medieval England, a reply.
[Correspondence]
author: John Caldwell
p 283:
Oxford anthology, a reply.
[Correspondence]
author: Christopher Page
p 283:
The `gaita gallega'.
[Correspondence]
author: Paul Gretton
EMM Jul 1979 # 7.3
p 306:
Editorial.
author: J.M. Thomson
p 309:
The earliest English keyboard.
author: Christopher Page
p 315:
Restoration stage fiddlers and their music.
author: Curtis Price
p 323:
The theorboed guitar; its repertoire in the guitar books of Granata and Gallot.
author: Richard Pinnell
p 330:
Charpentier and the early French ensemble sonata.
author: Julie Anne Sadie
p 336:
The French style and the overtures of Bach - 2.
author: John O'Donnell
p 346:
Rediscovering baroque wind - 1; the baroque bassoon.
author: Hansjürg Lange talks to J.M. Thomson
p 351:
The chalumeau; independent voice or poor relation.
author: Colin Lawson
p 355:
Tonality and the baroque oboe.
author: Bruce Haynes
p 359:
A brief workshop manual for recorders.
author: Claudio Stern
p 367:
An eight-voice parody of Lassus: André Pevernage's `Bonjour mon coeur'.
author: Gerald Hoekstra
p 378:
Albert de Rippe: joueur de luth du roy.
author: Lyle Nordstrom
p 386:
Michael Prynne: a tribute.
author: Donald Gill
p 391:
Performers' guide.
author: Roger Bray
p 396:
London salerooms.
author: Graham Wells
p 399:
John Caldwell: Medieval music.
[Book Review]
reviewer: Edwards
p 401:
Emil Vogel, Alfred Einstein, François Lesure, Claudio Sartori: Bibliografia della musica italiana vocale pubblicata dal 1500 al 1700.
[Book Review]
reviewer: Fenlon
p 403:
Richard McGowan: Italian baroque solo sonatas for the recorder and the flute. Mayer Brown.
[Book Review]
p 405:
Philip Macleod-Coupe: Lute construction.
[Book Review]
reviewer: Segerman
p 409:
Anik Devries: Edition et commerce de la musique gravée à Paris dans la première moitié du 15e siècle.
[Book Review]
reviewer: Thomson
p 409:
Cinq catalogues d'éediteurs de musique à Paris (1824-1834).
[Book Review]
reviewer: Thomson
p 409:
David Hiley, ed.: Journal of the Plainsong & Mediaeval Music Society, I (1978).
[Book Review]
reviewer: Fallows
p 411:
Peter Le Huray: Music and the reformation in England 1549-1660.
[Book Review]
reviewer: Fallows
p 431:
The cornamuse mystery, a reply.
[Correspondence]
author: David Fallows
p 431:
The cornamuse mystery.
[Correspondence]
author: Barra Boydell
p 431:
The cornamuse mystery.
[Correspondence]
author: Hermann Moeck
p 433:
Editing Marenzio.
[Correspondence]
author: Iain Fenlon
p 433:
Marais' bow strokes, a reply.
[Correspondence]
author: John Hsu
p 433:
Marais' bow strokes.
[Correspondence]
author: Julian Drake
EMM Oct 1979 # 7.4
p 450:
Editorial.
author: J.M. Thomson
p 452:
Keyboards, an introduction.
author: Gustav Leonhardt
p 453:
Ioannes and Andreas Ruckers; a quatercentenary celebration.
author: Grant O'Brien
p 467:
Wanda Landowska; a centenary appraisal.
author: Howard Schott
p 473:
Mrs Crawley's Couchet (harpsichord) reconsidered.
author: Sheridan Germann
p 482:
The myth of the chekker.
author: Christopher Page
p 491:
Well tempering the clavier: five methods.
author: William Blood
p 499:
The renaissance harp; the instrument and its music.
author: Michael Morrow
p 511:
Ioerg Wier an early 16th century crumhorn maker.
author: Barra Boydell
p 520:
`Dueil angoisseus' and `Dulongesux'.
author: Walter Kemp
p 523:
Tribute to Eric Halfpenny.
author: Jeremy Montagu
p 524:
London salerooms.
author: Graham Wells
p 529:
Colin Hand: John Taverner: his life and music.
[Book Review]
reviewer: Bowers
p 531:
Michael Talbot: Vivaldi.
[Book Review]
reviewer: Selfridge-Field
p 533:
Alan Kendall: Vivaldi.
[Book Review]
reviewer: Anderson
p 535:
Census catalogue of manuscript sources of polyphonic music 1400-1550, vol 1: A-J.
[Book Review]
reviewer: Fallows
p 539:
François Lesure: Musique et musiciens Français du 16e siècle.
[Book Review]
reviewer: Thomson
p 539:
Margery Corbett, Ronald Lightbown: The comeley frontispiece: the emblematic title page in England 1550-1600.
[Book Review]
reviewer: Thomson
p 541:
Beverly White: Playing the viol: a beginner's manual.
[Book Review]
reviewer: Wess.
p 541:
Paul Gretton, ed.: Cornett and sackbutt.
[Book Review]
reviewer: Fallows
p 561:
On holding the violin.
[Correspondence]
author: Charles Medlam
p 561:
Vivaldi's instrumentation.
[Correspondence]
author: Michael Talbot
p 563:
On holding the violin, a reply.
[Correspondence]
author: Clare Almond
p 563:
Ut re mi fa sol, a reply.
[Correspondence]
author: Peter Phillips
p 563:
Ut re mi fa sol.
[Correspondence]
author: Jason Smart
EMM Jan 1980 # 8.1
p 2:
Editorial.
author: J.M. Thomson
p 3:
The golden age regained; cathedrals and choir schools of Britain.
author: Peter Phillips
p 17:
Style in early music singing.
author: Andrea von Ramm
p 21:
The performing pitch of English 15th century church polyphony.
author: Roger Bowers
p 29:
An American university consort.
author: Edith Borroff
p 35:
More light on early Tudor pitch.
author: Roger Bray
p 43:
Alfred Deller.
authors: Michael Tippett, Walter Bergmann, Robert Spencer
p 47:
Sylvius Leopold Weiss.
author: Douglas Alton Smith
p 59:
The re-creation of an Italian renaissance harp.
author: Robert Hadaway
p 65:
Finding the appropriate attitude (on stage performance); Dene Barnett in conservation with Ian Parker.
p 71:
The orchestral musician compleated.
[Observations]
author: Neal Zaslaw
p 72:
The sweet sound of the viol.
[Observations]
author: Carl Hugo Agren
p 75:
The sweet sound of the viol, a reply.
[Observations]
author: John Rutledge
p 77:
The dynamics of viol making.
[Observations]
author: Keith Hill
p 77:
The principles of l'Affilard.
[Observations]
author: Erich Schwandt
p 79:
The principles of l'Affilard, a reply.
[Observations]
author: John O'Donnell
p 81:
Instrumental history.
[Observations]
author: Karl Geiringer
p 83:
Instrumental history, a reply.
[Observations]
author: Jeremy Montagu
p 85:
A radio spectacle.
author: Roger Savage
p 87:
Vitality displayed.
author: Howard Schott
p 91:
London salerooms.
author: Graham Wells
p 93:
Oliver Neighbour: The consort and keyboard music of William Byrd.
[Book Review]
reviewer: Edwards
p 94:
Warren Babb, tr.: Hucbald, Guido and John on music.
[Book Review]
reviewer: Page
p 96:
Doreen Muskett: Method for the vielle or hurdy-gurdy.
[Book Review]
reviewer: Baines
p 96:
Helmut Mönkemeier: Spiel- und Übungsbuch in 4 Teilen für Krummhörner, Cornamusen, Kortholte und andere Blasinstrumente der Renaissance- und Barockzeit.
[Book Review]
reviewer: Boydell
p 96:
Helmut Mönkemeier: Spielanleitung für Zinken in d' and a.
[Book Review]
reviewer: Boydell
p 96:
Otto Steinkopf, Volker Kernbach: Anleitung für das Musizieren auf Pommern, Dulcianen und Ranketten.
[Book Review]
reviewer: Boydell
p 97:
Will Jansen: The bassoon: its history, construction, makers, players and music - part I, plates I & II.
[Book Review]
reviewer: Waterhouse
p 101:
Philip Drummond: Australian directory of music research.
[Book Review]
reviewer: Fallows
p 129:
Bach's temperament.
[Correspondence]
author: Claudio di Veroli
p 129:
Pipe fingering made easier.
[Correspondence]
author: Philip Astle
EMM Apr 1980 # 8.2
p 146:
Editorial, the influence of the keyboard revival.
author: J.M. Thomson
p 148:
The role of the keyboard continuo in French opera 1673-1776.
author: Graham Sadler
p 158:
The Viennese fortepiano of the late 18th century.
author: Malcolm Bilson
p 163:
Les folies françaises.
author: Jane Clark
p 170:
The manner of interpretation.
author: Zuzanna Ruzicková
p 173:
A modern approach to the historic organ.
author: Cleveland Johnson
p 180:
The golden age regained - 2.
author: Peter Phillips
p 199:
The violin bow in the 18th century.
author: David Boyden
p 213:
Does restoration destroy evidence.
author: John Barnes
p 219:
Tribute to Arthur Mendel.
author: Lewis Lockwood
p 221:
Flemish harpsichord pitches.
[Observations]
author: Ian Harwood
p 222:
Keyboard scholarship.
[Observations]
author: Nicolas Meeùs
p 223:
Keyboard scholarship, a reply.
[Observations]
author: Christopher Page
p 226:
The developing violin bow.
[Observations]
author: Julian Clark
p 229:
London salerooms.
author: Graham Wells
p 233:
Gerald Abraham: The concise Oxford history of music.
[Book Review]
reviewer: Milner
p 234:
J. Lambrechts-Douillez: Colloquium: Ruckers klavecymbels an copiën.
[Book Review]
reviewer: Schott
p 235:
Jindrich Keller: The production of wind instruments in Bohemia before 1800 (in Czech).
[Book Review]
reviewer: Zamanová
p 237:
Emanuel Winternitz: Musical instruments and their symbolism in western art.
[Book Review]
reviewer: Fallows
p 237:
J. Picard: Recherches sur la musique française classique, 18.
[Book Review]
reviewer: Thomson
p 237:
Nicholas Temperley: Jonathan Gray and church music in York 1770-1840.
[Book Review]
reviewer: Thomson
p 237:
Trevor Fawcett: Music in 18th century Norwich and Norfolk.
[Book Review]
reviewer: Thomson
p 269:
Discography of early music, UK.
[Correspondence]
author: Trevor Croucher
p 269:
Small accidentals.
[Correspondence]
author: Morehen
p 269:
The origin of `original'.
[Correspondence]
author: Howard Schott
p 269:
Unpopular Marenzio.
[Correspondence]
author: Keith Bennett
EMM Jul 1980 # 8.3
p 290:
Editorial, communities and crossroads.
author: J.M. Thomson
p 291:
`O bygone whirls'; music in the poetry of Thomas Hardy.
author: Eric Crozier
p 298:
Polyphony of the `seconda prattica': performance practice in Italian vocal music of the mannerist era.
author: Fausto Razzi
p 312:
Musical instruments in Byzantine illuminated manuscripts.
author: Joachim Braun
p 329:
Memorials of great skill: a tale of five cities (on a motet of Alessandro Striggio).
authors: Iain Fenlon, Hugh Keyte
p 339:
The echoing corridor: an introduction to field recordings of ethnic music.
author: Madeau Stewart
p 361:
Adjustments and control of double reeds for direct blown early instruments.
author: John Hanchet
p 366:
Chalumeau and clarinet.
[Observations]
author: Eric Hoeprich
p 368:
Chalumeau and clarinet, a reply.
[Observations]
author: Colin Lawson
p 368:
Further thought on early Tudor pitch.
[Observations]
author: Roger Bowers
p 375:
Another chekker reference.
[Observations]
author: Tess Knighton
p 377:
London salerooms.
author: Graham Wells
p 383:
Carol McClintock, ed & tr.: Readings in the history of music in performance.
[Book Review]
reviewer: Donington
p 387:
James Tyler: The early guitar: a history and handbook.
[Book Review]
reviewer: Segerman
p 388:
Jeremy Montagu: The world of baroque and classical musical instruments.
[Book Review]
reviewer: Donington
p 391:
Jeffrey Kurtzman: Essays on the Monteverdi mass and vespers of 1610.
[Book Review]
reviewer: Roche
p 393:
Brief remarks on the fortepianos which are made in Vienna by Nannette Streicher, née Stein.
[Book Review]
reviewer: Fanning
p 393:
Laurence Picken, ed.: Musica asiatica.
[Book Review]
reviewer: Fallows
p 428:
The lute's lower courses.
[Correspondence]
author: Robin Irvine
p 429:
Danish violin testimony.
[Correspondence]
author: Mogens Bendstrup
p 430:
Fanshawe settings.
[Correspondence]
author: Peter Davidson
p 430:
Four-hole pipe.
[Correspondence]
author: Jim Jones
p 430:
Scottish cathedral music.
[Correspondence]
author: Richard Turbet
EMM Oct 1980 # 8.4
p 434:
Editorial.
author: J.M. Thomson
p 435:
Monsieur Doublet and his confrères; the harpsichord decorators of Paris - 1.
author: Sheridan Germann
p 453:
Some visual aspects of French soundboard paintings.
author: Sheridan Germann
p 454:
The songs of Dufay; some questions of form and authenticity.
author: Margaret Bent
p 460:
Maria Magdalene, musician and dancer.
author: Colin Slim
p 474:
Performing Franco-Netherlandish secular music of the late 15th century; texted and untexted parts sources.
author: Louise Litterick
p 488:
French lute tablature in the 14th century; a commentary on iconography.
author: Christopher Page.
p 493:
Neapolitan repertories 1460-1490; three recent editions.
author: David Fallows
p 503:
Bows - a maker's response.
[Observations]
author: Julian Clark
p 506:
The practical guitar.
[Observations]
author: James Tyler
p 507:
Early harp attitudes.
[Observations]
author: Tim Hobrough
p 509:
The Brussels double harp, a reply.
[Observations]
author: Robert Hadaway
p 509:
The Brussels double harp.
[Observations]
authors: J.P. Grijp, D.J. Hamoen
p 511:
Bach and Werckmeister.
[Observations]
author: Philip Jones
p 513:
Bach and Werckmeister, a reply.
[Observations]
author: John Barnes
p 513:
Professional dedication.
[Observations]
author: Gordon Pullin
p 517:
London salerooms.
author: Graham Wells
p 521:
Bruges 1980.
author: Howard Schott
p 527:
Verband Schweizerischer Geigenbaumeister: Alte Meistergeigen: Beschreibungen, Expertisen; Band 3/4: die Cremoneser Schule, Antonius Stradivarius.
[Book Review]
reviewer: Montagu
p 528:
Barbara Schwendowius, Wolfgang Dömling, ed.: J.S. Bach: life, times, influence.
[Book Review]
reviewer: Anderson
p 531:
Nigel Wilkins: Music in the age of Chaucer.
[Book Review]
reviewer: Rastall
p 533:
Anna Schoebelen: Padre Martini's collection of letters in Bologna: an annotated index.
[Book Review]
reviewer: Talbot
p 535:
Terence Bailey, ed and tr.: Commemoratio brevis de tonis et psalmis modulandis.
[Book Review]
reviewer: Hiley
p 536:
Francis Galpin: Old English instruments of music.
[Book Review]
reviewer: Montagu
p 536:
Michael Talbot: Vivaldi.
[Book Review]
reviewer: Coral
p 575:
Concise errors, a reply.
[Correspondence]
author: Anthony Milner
p 575:
Concise errors.
[Correspondence]
author: Gerald Abraham
p 575:
Popular early music.
[Correspondence]
author: Michael Uridge.
EMM Jan 1981 # 9.1
p 10:
Editorial.
author: J.M. Thomson
p 11:
The 15th century lute: new and neglected sources.
author: Christopher Page
p 22:
The mandore in the 16th and 17th centuries.
author: James Tyler
p 32:
Number symbolism in the renaissance lute rose.
author: Robin Headlam Wells
p 43:
Guesswork and the gemshorn.
author: Andrew Parkinson
p 47:
The harpsichord in 18th century Sweden an introduction to the composers and their music.
author: Eva Nordenfelt-(oAberg
p 55:
An unknown French ornament table from 1699.
author: David Fuller
p 63:
Baroque ornamentation surveyed; Frederick Neumann's major new study.
author: Neal Zaslaw
p 68:
Frederick Neumann: Ornamentation in baroque and post-baroque music with special emphasis on J.S. Bach.
[Book Review]
reviewer: Zaslaw
p 69:
Pandora's box.
[Observations]
author: Robert Donington
p 71:
False voices.
[Observations]
author: Christopher Page
p 72:
False voices, an addition.
[Observations]
author: Andrew Parrott
p 73:
False voices, a reply.
[Observations]
author: Roger Bowers
p 75:
Reluctant continuo.
[Observations]
author: Peter Holman
p 80:
Eight Ruckers pitches.
[Observations]
author: Grant O'Brien
p 85:
London salerooms.
author: Graham Wells
p 89:
Nicholas Temperley: The music of the English paris church.
[Book Review]
reviewer: Arnold
p 95:
Denis Arnold: Giovanni Gabrieli and the music of the Venetian high renaissance.
[Book Review]
reviewer: Roche
p 96:
Peter Williams: The organ music of J.S. Bach - 2, BWV 599-771, etc.
[Book Review]
reviewer: Daw
p 101:
Alberto Gallo: Il medioevo - 2.
[Book Review]
reviewer: Mayer Brown
p 101:
Giovanni Comotti: La musica nella cultura greca e romana.
[Book Review]
reviewer: Mayer Brown
p 101:
Giulio Cattin: Il medioevo - 1.
[Book Review]
reviewer: Mayer Brown
p 106:
Peter Williams: A new history of the organ: from the Greeks to the present time.
[Book Review]
reviewer: Schott
p 107:
Susann Palmer: The hurdy-gurdy.
[Book Review]
reviewer: Stewart
p 108:
Christopher Hogwood: The trio sonata.
[Book Review]
reviewer: Whenham
p 111:
David Fuller: Mechanical musical instruments as a source for the study of notes inégales.
[Book Review]
reviewer: Schott
p 112:
Andrew Hughes: Medieval music: the sixth liberal art.
[Book Review]
reviewer: Fallows
p 112:
Michael Hurd: The Oxford junior companion to music.
[Book Review]
reviewer: Fallows
p 141:
Bach's temperament.
[Correspondence]
author: Herbert Kellner
p 141:
Chromatic tabor pipe.
[Correspondence]
author: Jeremy Montagu
p 141:
Research and results.
[Correspondence]
author: Daniel Leech-Wilkinson
EMM Apr 1981 # 9.2
p 146:
Editorial.
author: J.M. Thomson
p 147:
The geography of Florentine monody; Caccini at home and abroad.
author: Howard Mayer Brown
p 169:
Homage to Taverner in Byrd's masses.
author: Philip Brett
p 177:
The vocal works of Jan Dismas Zelenka.
author: Jaroslav Buzga
p 184:
Another mass by Hugh Aston.
author: Nick Sandon
p 192:
Monsieur Doublet and his confrères; the harpsichord decorators of Paris - 2.
author: Sheridan Germann
p 213:
Le Chansonnier Codiforme; A review of the complete recording.
author: Daniel Leech-Wilkinson
p 219:
Bach's temperament.
[Observations]
author: Claudio Di Véroli
p 221:
Top and tail.
[Observations]
author: David Freeman
p 227:
Edward Croft-Murray, antiquarian.
author: Robin Langley
p 231:
London salerooms.
author: Graham Wells
p 237:
John Henry van der Meer: Verzeichnis der europäischen Musikinstrumente im Germanischen Nationalmuseum Nürnberg; Band I: Hörner und Trompeten, Membranophone, Idiophone.
[Book Review]
reviewer: Montagu
p 240:
Günther Hellwig: Joachim Tielke: ein Hamburger Lauten- und Violenmacher der Barockzeit.
[Book Review]
reviewer: Schott
p 243:
Denis Stevens: Musicology: a practical guide.
[Book Review]
reviewer: Fallows
p 244:
Tomislav Volek, Stanislav Jares: The history of Czech music in pictures (in Czechish).
[Book Review]
reviewer: Mayer Brown
p 247:
Richard Leppert: Arcadia at Versailles: noble amateur musicians and their musettes and hurdie-gurdies at the French court. (c.1660-1789): a visual study.
[Book Review]
reviewer: Sadie
p 248:
Gordon Dodd, comp.: Thematic index of music for viols.
[Book Review]
reviewer: Harwood
p 250:
T.C. Mitchell, ed.: Music and civilisation.
[Book Review]
reviewer: J.M. Thomson
p 281:
Venetian ceremonial motets, a reply.
[Correspondence]
author: Daniel Leech-Wilkinson
p 281:
Venetian ceremonial motets.
[Correspondence]
author: Denis Stevens
p 283:
Bach.
[Correspondence]
author: Ralph Leavis
p 283:
Essays on Monteverdi, a reply.
[Correspondence]
author: Jerome Roche
p 283:
Essays on Monteverdi.
[Correspondence]
author: Jeffrey Kurtzman
EMM Jul 1981 # 9.3
p 292:
Editorial.
author: J.M. Thomson
p 293:
On playing the clavichord.
author: Ralph Kirckpatrick
p 307:
A new flute sonata by Handel.
authors: David Lasocki, Terence Best
p 312:
Telemann and the chalumeau.
author: Colin Dawson
p 320:
Signor Settala's `armonia di flauti'.
author: Filadelfio Puglisi
p 325:
A renaissance correspondence concerning trumpet music.
author: Peter Downey
p 330:
BWV 565: a toccata in D minor for organ by J.S. Bach.
author: Peter Williams
p 341:
A viol tutor (by Francis Baines) reconsidered.
[Observations]
author: Robert Oliver
p 342:
A tale of five cities revisited, a reply.
[Observations]
author: Hugh Keyte
p 342:
A tale of five cities revisited.
[Observations]
author: Andrew Parrott
p 345:
The piano and the player.
[Observations]
author: Malcolm Bilson
p 349:
London salerooms.
author: Graham Wells
p 351:
Anthony Newcomb: The madrigal at Ferrara 1579-1597. Fallows.
[Book Review]
p 351:
David Price: Patrons and musicians of the English renaissance.
[Book Review]
reviewer: Brett
p 351:
Iain Fenlon: Music and patronage in 16th century Mantua.
[Book Review]
reviewer: Fallows
p 357:
Wilfrid Mellers: Bach and the dance of God.
[Book Review]
reviewer: Elcombe
p 363:
Oliver Neighbour: Music and bibliography: essays in honour of Alec Hyatt.
[Book Review]
reviewer: Thomson
p 388:
A lost Morley song rediscovered.
author: Cedric Thorpe Davie
p 416:
Dotting.
[Correspondence]
author: Frederick Neumann
p 416:
Temperament and the piano.
[Correspondence]
author: Philip Jones
p 416:
The Brussels harp again.
[Correspondence]
authors: D.J. Hamoen, L.P. Grijp
p 416:
The mandore.
[Correspondence]
author: Manfred Pusch
p 417:
The Brussels harp again, a reply.
[Correspondence]
author: Robert Hadaway
EMM Oct 1981 # 9.4
p 426:
Editorial.
author: Diana Poulton
p 427:
The black-letter broadside ballad and its music.
author: Diana Poulton
p 438:
The Italian mandolin and mandola 1589-1800.
author: James Tyler
p 447:
The morphology of lutes with extended bass strings.
author: Friedemann Hellwig
p 455:
Vihuelas, violas and the Spanish guitar.
author: Donald Gill
p 463:
The False Consonances of Musick; Nicola Matteis's `Instructions for playing a true base upon the guitarre'.
author: Jennie Congleton
p 470:
A case of double standards.
p 486:
Vocal techniques in Italy in the second half of the 16th century.
author: Mauro Uberti
p 499:
Georg Philipp Telemann; a tercentenary reassessment.
author: Nicholas Anderson
p 509:
The new Grove.
[Book Review]
reviewer: Milsom, Page, Smaczny
p 513:
The new Grove.
[Book Review]
reviewer: Montagu
p 519:
Hugh Ashton's Maske.
[Observations]
author: Judith Blezzard
p 520:
European instruments catalogue.
[Observations]
author: John Henry van der Meer
p 521:
Viol soundposts.
[Observations]
author: Michael Heale
p 525:
London salerooms.
authors: Graham Wells, Stephen Roe
p 533:
Charles Ford, ed.: Making musical instruments: strings and keyboards.
[Book Review]
reviewer: Jones
p 538:
Taddeo Wiel: I teatri musicali veneziani del settecento.
[Book Review]
reviewer: Schott
p 539:
Pippa Drummond: The German concerto: five 18th century studies.
[Book Review]
reviewer: Selfridge-Field
p 543:
Armen Carapetyan: Musica disciplina, vol.32, 1978.
[Book Review]
reviewer: Fallows
p 543:
Mary Beth Winn, ed.: Musique naturelle et musique artificielle: in memoriam Gustave Reese.
[Book Review]
reviewer: Fallows
p 579:
Harpsichord decoration.
[Correspondence]
author: Sheridan Germann
p 579:
Roses.
[Correspondence]
author: Madeau Stewart
p 579:
Temperament.
[Correspondence]
author: John Barnes
EMM Jan 1982 # 10.1
p 2:
Editorial.
author: J.M. Thomson
p 5:
Introduction.
author: Frans Brüggen
p 7:
Recorder now.
author: Kees Boeke
p 10:
Recorders: hand-made and machine-made.
author: Hermann Moeck
p 14:
Making recorders based on historical models.
author: Fred Morgan
p 23:
Professional recorder playing in England 1500-1740; I: 1500-1640.
author: David Lasocki
p 30:
Some recorders in 17th century Dutch paintings.
authors: Mary Rasmussen, Friedrich von Huene
p 36:
The recorder in 20th century music.
author: Niall O'Loughlin
p 38:
The recorder in Japan.
author: Ichiro Tada
p 43:
Mary, meditations, monks and music; poetry, prose and plagues in a Durham cathedral manuscript.
author: Nick Sandon
p 56:
The courante `La Vignonne'; in the steps of a popular dance.
author: Alis Dickinson
p 64:
Vanhal, Dittersdorf and the violone.
[Observations]
author: David Wyn Jones
p 67:
Church bands and Thomas Hardy.
[Observations]
author: R.G. Woods
p 71:
London salerooms.
author: Graham Wells
p 73:
Margaret Bent: Dunstaple.
[Book Review]
reviewer: Pryer
p 76:
Jerome & Elizabeth Roche: A dictionary of early music from the troubadours to Monteverdi.
[Book Review]
reviewer: Caldwell
p 81:
C.F. Colt, Antony Miall: The early piano.
[Book Review]
reviewer: Stewart
p 83:
Bruce Gustafson: French harpsichord music of the 17th century.
[Book Review]
reviewer: Schott
p 125:
Santiago de Murcia.
[Correspondence]
author: Monica Hall
p 125:
The hurdy-gurdy.
[Correspondence]
author: Susann Palmer
p 127:
Christ Church MSS.
[Correspondence]
author: Roger Bray
p 127:
Morley.
[Correspondence]
author: Cedric Thorpe Davie
p 127:
Sheppard.
[Correspondence]
author: Nick Sandon
EMM Apr 1982 # 10.2
p 146:
Editorial.
author: J.M. Thomson
p 147:
Orlandus Lassus (1532-1594) and the Munich Kapelle.
author: Clive Wearing
p 155:
Basses and basse continuo in the orchestre of the Paris Opéra 1700-1764.
author: Mary Cyr
p 171:
A songe of fortie partes, made by Mr. Tallys.
author: Denis Stevens
p 183:
Professional recorder playing in England 1500-1740; II: 1640-1740.
author: David Lasocki
p 192:
German musicians and their instruments; a 14th century account by Konrad of Megenberg.
author: Christopher Page
p 201:
How to get the best from direct-blown double reeds.
author: John Norris
p 208:
Autographs of Alfonso Ferrabosco I-III.
author: Richard Charteris
p 213:
Mercury's tetrachord.
[Observations]
authors: Jonathan Bates, Stewart McCoy
p 215:
Hugh Aston's variations on a ground.
[Observations]
author: Oliver Neighbour
p 216:
The D minor toccata BWV 565.
[Observations]
author: David Humphreys
p 217:
Plucked strings and pitch.
[Observations]
author: Donald Gill
p 219:
Ethnomusicology in the New Grove.
[Book Review]
reviewer: Madeau Stewart
p 225:
Authenticity and showmanship in Corelli's op.5; a new recording of the violin sonatas discussed.
author: Robert Donington
p 231:
London salerooms.
authors: Stephen Roe, Graham Wells
p 235:
E.J. Dobson, F. Ll. Harrison: Medieval English songs.
[Book Review]
reviewer: Page
p 239:
Iain Fenlon: Music in medieval and early modern Europe: patronage, sources and texts.
[Book Review]
reviewer: Stevens
p 243:
Iain Fenlon, ed.: Early music history, I.
[Book Review]
reviewer: Fallows
p 245:
Trevor Croucher: Early music discography: from plainsong to the sons of Bach.
[Book Review]
reviewer: van Tassel
p 285:
Musicology and musicologists, a reply.
[Correspondence]
author: David Fallows
p 285:
Musicology and musicologists.
[Correspondence]
author: Denis Stevens
EMM Jul 1982 # 10.3
p 298:
Editorial.
author: H.C. Robbins Landon
p 301:
The pardessus de viole and its literature.
author: Robert Green
p 309:
The sacred music of Thomas Ravenscroft.
author: Ian Payne
p 317:
The performance of plainchant; some preliminary observations of the new era.
author: Lance Brunner
p 329:
The gentleman's diversion; John Lenton and the first violin tutor.
authors: Malcolm Boyd, John Rayson
p 333:
An introduction to Alessandro Scarlatti's Toccata Prima.
author: Mark Lindley
p 340:
Viol construction in 17th century England; an alternative way of making fronts.
author: Dietrich Kessler
p 347:
Facing the music.
author: Philip Brett
p 351:
Haydn on record - 1; symphonies and vocal music.
author: H.C. Robbins Landon
p 365:
Johann Mattheson's bequest.
[Observations]
author: Hans Marx
p 369:
London salerooms.
author: Graham Wells
p 371:
Julie Anne Sadie: The bass viol in French baroque chamber music.
[Book Review]
reviewer: Cyr
p 373:
Maria Maniates: Mannerism in Italian music and culture, 1530-1630.
[Book Review]
reviewer: Roche
p 375:
William Smoldon: The music of the medieval church dramas.
[Book Review]
reviewer: Rankin
p 417:
Recorder playing in England, a reply.
[Correspondence]
author: David Lasocki
p 417:
Recorder playing in England.
[Correspondence]
author: Eleanor Selfridge-Field
p 419:
Alternative hymn settings.
[Correspondence]
author: Bernard Wigan
p 419:
Discs and dates.
[Correspondence]
author: Joel Cohen
p 419:
Handel.
[Correspondence]
author: Duncan Chisholm
EMM Oct 1982 # 10.4
p 425:
Editorial.
author: Christopher Page
p 427:
The orpharion; symbol of humanist ideal.
author: Robin Headlam Wells
p 441:
The performance of songs in late medieval France; a mew source.
author: Christopher Page
p 452:
Information on instruments in Florentine carnival songs.
authors: Timothy McGee, Sylvia Mittler
p 462:
The Ebenthal lute and viol tablatures; 13 new manuscripts of baroque instrumental music.
author: Douglas Alton Smith
p 469:
Storage climates for musical instruments.
author: Cary Karp
p 477:
The most beautiful among the claviers; Rudolf Richter's reconstruction of a baroque lute-harpsichord.
author: Uta Henning
p 487:
The surviving instruments of Andrea Amati.
author: Laurence Witten
p 495:
Haydn autographs and authentic manuscript copies in the British Library.
author: Arthur Searle
p 505:
Haydn on record - 2; concertos and other instrumental music.
author: H.C. Robbins Landon
p 517:
Late Beethoven and early pianos.
[Observations]
author: Malcolm Bilson
p 519:
Instrumental pitch in England c.1600.
[Observations]
author: Herbert Myers
p 522:
Early Venetian keyboard dances.
[Observations]
author: Howard Ferguson
p 527:
London salerooms; instruments.
author: Graham Wells
p 533:
John Paul, ed.: Modern harpsichord makers: portraits of 19 British craftsmen and their work.
[Book Review]
reviewer: Nobbs
p 535:
H.C. Robbins Landon: Haydn: a documentary study.
[Book Review]
reviewer: Hyatt King
p 537:
Claude Palisca: Baroque music.
[Book Review]
reviewer: Arnold
p 575:
Handel sonatas.
[Correspondence]
authors: David Lasocki, Terence Best
p 575:
Santiago de Murcia.
[Correspondence]
author: Craig Russell
p 622:
London salerooms; manuscripts and books.
author: Stephen Roe
EMM Jan 1983 # 11.1
p 2:
Editorial, the spirit of early music.
author: J.M. Thomson
p 6:
New light on John Dowland's songs of darkness.
author: Anthony Rooley
p 23:
A celebration of covers (of Early Music).
author: Madeau Stewart
p 31:
Fifty years of harpsichord playing.
author: Ralph Kirckpatrick
p 42:
Why early music.
author: Robert Donington
p 46:
J.S. Bach's Well-tempered Clavier; a new approach - 1.
author: Peter Williams
p 53:
Musical instruments from the Mary Rose; a report on work in progress.
author: Frances Palmer
p 61:
Finding a clarinet for the three concertos by Vivaldi.
author: Eric Hoeprich
p 65:
A knot of harp strings (on a 14th century Irish harp in Trinity College).
author: Robert Hadaway
p 69:
Angelus ad virginem; a new work by Philippe the Chancellor.
author: Christopher Page
p 71:
George Moore's Evelyn Innes: a victorian early music novel.
[Observations]
author: Elizabeth Roche
p 73:
The censored publications of the Art of Playing on the Violin, or Geminiani unshaken.
[Observations]
author: Roger Hickman
p 76:
Instrumental pitch in England c.1600.
[Observations]
author: Ian Harwood
p 79:
Edinburgh international harpsichord week.
authors: Margot Leigh Milner, Peter Williams
p 87:
Salerooms, a retrospect.
author: Graham Wells
p 93:
Robert Donington: The rise of opera.
[Book Review]
reviewer: Carter
p 95:
Jerome Roche: Lassus.
[Book Review]
reviewer: Wearing
p 97:
Barra Boydell: The crumhorn and other renaissance windcap instruments.
[Book Review]
reviewer: Montagu
p 97:
Gunther Joppig: Oboe & Fagott.
[Book Review]
reviewer: Montagu
p 100:
James Coover: Musical instrument collections.
[Book Review]
reviewer: Montagu
p 102:
John Hsu: A handbook of French baroque viol technique.
[Book Review]
reviewer: Sadie
p 105:
Herbert Kellner: The tuning of my harpsichord.
[Book Review]
reviewer: Still
p 105:
Owen Jorgensen: The equal beating temperaments.
[Book Review]
reviewer: Still
p 107:
Peter Whigham, ed.: The music of the troubadours.
[Book Review]
reviewer: Stevens
p 145:
Santiago de Murcia.
[Correspondence]
author: Monica Hall
p 145:
The pardessus de viole.
[Correspondence]
author: Adrian Rose
p 147:
Archives, iconography and evidence.
[Correspondence]
author: Roger Bowers
p 147:
Corelli.
[Correspondence]
author: Robert Donington
EMM Apr 1983 # 11.2
p 2:
Editorial.
author: Madeau Stewart
p 164:
An introduction to automatic instruments.
author: David Fuller
p 167:
Cogs and crotches; a view of mechanical music.
author: Arthur Ord-Hume
p 172:
The Earl of Bute's machine organ; a touchstone of taste.
author: William Malloch
p 185:
Ornamentation in mechanical music.
author: Arthur Ord-Hume
p 194:
Realized continuo accompaniments from Florence c.1600.
author: John Hill
p 209:
Graupner and the chalumeau.
author: Colin Lawson
p 217:
The poet and the duke (on Machaut and Duke Ellington).
author: Patrick Little
p 223:
A note on bass viol sources of the Division Viol.
[Observations]
author: Margaret Gilmore
p 223:
Was Mme Raisin also an opera singer.
[Observations]
author: Mirka Zemanová
p 227:
manuscripts.
[Salerooms]
author: Stephen Roe
p 229:
instruments.
[Salerooms]
author: Graham Wells
p 235:
Iain Fenlon, ed.: Cambridge music manuscripts 900-1700.
[Book Review]
reviewer: Caldwell
p 237:
James Chater: Luca Marenzio and the Italian madrigal 1577-1593.
[Book Review]
reviewer: Roche
p 239:
Phillip Young: Twenty-five hundred woodwind instruments.
[Book Review]
reviewer: Montagu
p 241:
Bjørn Aksdal: Med piber od basuner, skalmeye og fiol: musikinstrumenter i Norge c.1600-1800.
[Book Review]
reviewer: Montagu
p 241:
Heinrich Seifers: Deutsches Museum: Musikinstrumente: Katalog der Blasinstrumente.
[Book Review]
reviewer: Montagu
p 241:
Michael Seyferit, comp.: Musical instruments in the Dayton C. Miller flute collection at the Library of Congress: a catalog, I.
[Book Review]
reviewer: Montagu
p 243:
Erns Pohlmann: Laute, theorbe, chitarrone.
[Book Review]
reviewer: Spencer
p 283:
gripes and greetings.
[Correspondence]
author: Robert Donington
p 285:
Pedalling.
[Correspondence]
author: David Rowland
EMM Jul 1983 # 11.3
p 298:
Editorial.
author: Nicholas Kenyon
p 299:
The art of `not leaving the instrument empty'; comments on early Italian harpsichord playing.
author: Luigi Tagliavini
p 309:
Handel's overtures for harpsichord or organ; an unrecognized example.
author: Graham Pont
p 323:
Keyboard fingering in early Spanish sources.
author: Robert Parkins
p 332:
J.S. Bach's Well-tempered Clavier; a new approach - 2.
author: Peter Williams
p 340:
Metre in unmeasured preludes.
author: Richard Troeger
p 346:
Two songs by William Corkine.
author: David Greer
p 351:
Orlando Gibbons (1583-1625); the consort music.
author: Oliver Neighbour
p 358:
The Mary Rose shawm.
[Observations]
author: Herbert Myers
p 360:
The keyboard tuning rules of The Modern Musick-master.
[Observations]
author: Jeffrey Evans
p 365:
C. Panthaleon van Eck: J.S. Bach's critique of pure music.
[Book Review]
reviewer: Boyd
p 365:
Martin Elste: Bachs Kunst der Fuge auf Schallplatte.
[Book Review]
reviewer: Boyd
p 365:
Stephen Daw: The music of Johann Sebastian Bach: the choral works.
[Book Review]
reviewer: Boyd
p 367:
Walter Salmen, ed.: Die Süddeutsch-Österreichische Orgelmusik im 17th und 18th Jahrhundert.
[Book Review]
reviewer: Stembridge
p 367:
Walter Salmen, ed.: Orgel und Orgelspiel im 16th Jahrhundert.
[Book Review]
reviewer: Stembridge
p 369:
Antonio Cornazano: The book on the art of dancing.
[Book Review]
reviewer: Mayer Brown
p 371:
William Prizer: Courtly pastimes: the frottole of Marchetto Cara.
[Book Review]
reviewer: Lee
p 373:
Jacques de Vaucanson: An account of the mechanism of an automaton or image playing on the German flute (Le mécansime de flûteur automate. 18th century).
[Book Review]
reviewer: McGegan
p 375:
Maria Ester Sala: La ornamantación en la música de tecla ibérica del siglo 16th.
[Book Review]
reviewer: Nelson
p 377:
Arthur Hutchings: Purcell.
[Book Review]
reviewer: Luckett
p 377:
Edward Greenfield, Robert Layton, Ivan March: The new Penguin stereo record and cassette guide.
[Book Review]
reviewer: van Tassel
p 419:
A knot of harp strings.
[Correspondence]
author: Ann Buckley
p 419:
The `48', a reply.
[Correspondence]
author: Peter Williams
p 419:
The `48'.
[Correspondence]
author: Guy Sigsworth
p 421:
Bach's temperament.
[Correspondence]
author: Herbert Kellner
EMM Oct 1983 # 11.4
p 2:
Editorial.
author: Neal Zaslaw
p 429:
Twenty set models for the Paris Opéra in the time of Rameau.
author: Jérôme de La Gorce
p 441:
Rameau's American dancers.
author: Roger Savage
p 453:
Rameau's singers and players at the Paris Opéra; a little known inventory of 1738.
author: Graham Sadler
p 468:
French baroque recitative as an expression of tragic declamation.
author: Lois Rosow
p 480:
Performing Rameau's cantatas.
author: Mary Cyr
p 490:
New sources for Rameau's Pigmalion and other works.
author: Lionel Sawkins
p 497:
Rameau's Les Paladins; from autograph to production.
author: Peter Wolf
p 505:
Rameau's Platée; burlesque or grotesque.
author: Nicholas Anderson
p 510:
A rediscovered portrayal of Rameau and Castor et Pollux.
author: Laurence Libin
p 515:
At the Paris Opéra in 1747.
[Observations]
author: Neal Zaslaw
p 516:
Les petits marteaux de M. Rameau.
[Observations]
author: David Fuller
p 517:
Dowland's darkness.
[Observations]
author: Diana Poulton
p 519:
The Elizabethan competitive festival 1923-6.
[Observations]
author: Elizabeth Roche
p 523:
manuscripts.
[Salerooms]
author: Stephen Roe
p 525:
instruments.
[Salerooms]
author: Graham Wells
p 529:
David Fallows: Dufay.
[Book Review]
reviewer: Bujic
p 533:
Robert Donington: Baroque music: style and performance.
[Book Review]
reviewer: Stevens
p 535:
Christopher Hogwood, Richard Luckett, ed.: Music in 18th century England: essays in memory of Charles Cudworth.
[Book Review]
reviewer: Hyatt King
p 537:
Emanuel Winternitz: Leonardo da Vinci as a musician.
[Book Review]
reviewer: Stewart
p 541:
Fernando Valenti: The harpsichord: a dialogue for beginners.
[Book Review]
reviewer: Smaczny
p 573:
Mechanical Mozart.
[Correspondence]
author: Hugh Davies
p 574:
A knot of harp strings.
[Correspondence]
author: Robert Hadaway
p 575:
Florentine continuo c.1600.
[Correspondence]
author: Robert Spencer
p 577:
Bass viol sources of The Division Violin.
[Correspondence]
author: Gordon Dodd
p 577:
Giovanni Gualberto Magli.
[Correspondence]
author: Time Carter
p 579:
The Earl of Bute's machine organ.
[Correspondence]
author: William Malloch
EMM Feb 1984 # 12.1
p 3:
The limits of authenticity: a discussion.
author: Richard Taruskin
p 13:
The limits of authenticity: a discussion.
author: Daniel Leech-Wilkinson
p 16:
The limits of authenticity: a discussion.
author: Nicholas Temperley
p 21:
The limits of authenticity: a discussion.
author: Robert Winter
p 26:
The renaissance slide trumpet; fact or fiction.
author: Peter Downey
p 34:
In search of the baroque flute; the flute family 1680-1750.
author: Christopher Addington
p 49:
Clarinet reed position in the 18th century.
author: Eric Hoeprich
p 56:
F G A B flat A; thoughts on a Tudor motif.
author: Nick Sandon
p 64:
The Spanish high baroque motet and villancico; style and performance.
author: Thomas Taylor
p 75:
A letter from Paolo Animuccia; a composer's response to the Council of Trent; documents.
author: Richard Sherr
p 79:
Andrea Sacchi's `Apollo crowning the singer Marc Antonio Pasqualina'; iconography.
author: Terence Ford
p 85:
Purcell's theatre music on record; recording survey.
author: Curtis Price
p 93:
Alberto Basso, ed.: Dizionario enciclopedico universale della musica e dei musicisti, i-ii.
[Book Review]
reviewer: Fallows
p 95:
Harold Samuel: The cantata in Nuremberg during the 17th century.
[Book Review]
reviewer: Roche
p 97:
Derrick Henry: The listeners guide to medieval renaissance music.
[Book Review]
reviewer: Everist
p 99:
Arnolt Schlick: Spiegel der Orgelmacher und Organisten (Mainz 1511).
[Book Review]
reviewer: Jones
p 151:
Italian harpsichords.
[Correspondence]
author: Denzil Wraight
p 153:
Florentine continuo c.1600, a reply.
[Correspondence]
author: Robert Spencer
p 153:
Florentine continuo c.1600.
[Correspondence]
author: John Hill
EMM May 1984 # 12.2
p 162:
Editorial.
author: Nicholas Kenyon
p 163:
Monteverdi's Mantuan Orfeo; some new documentation on this opera.
author: Iain Fenlon
p 173:
The ladder of love; verbal and musical rhetoric on the Elizabethan lute song.
author: Robin Headlam Wells
p 191:
Musicke a sister to Poetrie; rhetoric artifice in the passionate airs of John Dowland.
author: Robert Toft
p 201:
The projection of affect in baroque dance music.
author: Gregory Butler
p 208:
On the composition and performance of Caccini's Le nuove musiche (1602).
author: Tim Carter
p 218:
Johannes Ockeghem; the changing image, the songs and a new source.
author: David Fallows
p 231:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 235:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 241:
Christoph Wolff, ao: The new Grove Bach family.
[Book Review]
reviewer: Smallman
p 241:
Malcolm Boyd: Bach.
[Book Review]
reviewer: Smallman
p 243:
David Humphreys: The esoteric structure of Bach's Clavierübung III.
[Book Review]
reviewer: Elcombe
p 247:
Iain Fenlon, ed.: Early music history, iii.
[Book Review]
reviewer: Curtis
p 247:
Stefan Lundgren: Method for the renaissance lute.
[Book Review]
reviewer: North
p 249:
Alec Hyatt King: A wealth of music.
[Book Review]
reviewer: Milsom
EMM Aug 1984 # 12.3
p 298:
Editorial.
author: Nicholas Kenyon
p 300:
Violin fingering in the 18th century.
author: Peter Walls
p 317:
Violin bowing in transition; a survey of technique as related in instruction books c.1760-1830.
author: Robin Stowell
p 328:
Towards a history of the viol in the 19th century.
author: John Rutledge
p 337:
Consort playing in mid 17th century Worcester; Thomas Tomkins and the Bodleian partbooks Mus.Sch.E.415-8.
author: John Irving
p 345:
Bach's G minor sonata for viola da gamba and Harpsichord BWV 1029; a 7th Brandenburg concerto.
author: Peter Williams
p 355:
Boccherini's B flat Major cello concerto; a reappraisal of the sources.. Mary-Grace Scott.
p 358:
Farinelli and Metastasio; rival twins of public favour; iconography.
author: Daniel Heartz
p 369:
Praetorius's pitch.
[Observations]
author: Herbert Myers
p 371:
Music in majolica.
[Observations]
author: Colin Slim
p 375:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 375:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 381:
Brian Mann: The secular madrigals of Filippo di Monte 1521-1603.
[Book Review]
reviewer: Roche
p 383:
Frederick Hammond: Girolamo Frescobaldi.
[Book Review]
reviewer: Carter
p 387:
Thrasybulos Georgiades: Music and language: the rise of western music as exemplified in settings of the mass.
[Book Review]
reviewer: Woodley
p 391:
John Ward: Sprightly and cheerful musick: notes on the cittern, gittern & guitar in 16th & 17th century.
[Book Review]
reviewer: Segerman
p 397:
Jonathan Condit: Music of the Korean renaissance: songs and dances of the 15th century.
[Book Review]
reviewer: Fallows
p 397:
Laurence Picken, ed.: Musica Asiatica, iv.
[Book Review]
reviewer: Fallows
p 397:
Walter Rüegg, Annegrit Schmitt: Musik in Humanismus und Renaissance.
[Book Review]
reviewer: Fallows
p 397:
Walter Salmen, ed.: The social status of the professional musician from the middle ages to the 19th century.
[Book Review]
reviewer: Fallows
p 429:
Clarinet reed position.
[Correspondence]
author: Albert Rice
p 431:
Bach's chorus.
[Correspondence]
author: Malcolm Boyd
p 431:
Clarinet reed position, a reply.
[Correspondence]
author: Eric Hoeprich
EMM Nov 1984 # 12.4
p 436:
Editorial.
author: Nicholas Kenyon
p 437:
The classical keyboard concerto; some thoughts on authentic performance.
author: Faye Ferguson
p 447:
The pianos of Conrad Graf.
author: Deborah Wythe
p 461:
Andreas Streicher's notes on the fortepiano; chapter 2: `on tone'.
author: Richard Fuller
p 471:
Stops and other special effects on the early piano.
author: Kenneth Mobbs
p 477:
Playing the early piano.
author: Paul Badura-Skoda
p 481:
The recording of Edward Elgar (1857-1934); authenticity and performance practice.
author: Robert Philip
p 490:
Transposition in Monteverdi's vespers of 1610; an `aberration' defended.
author: Andrew Parrott
p 517:
Whose authenticity.
[Observations]
author: Hans Keller
p 519:
Interpreting Mozart, a reply.
[Observations]
author: Eric van Tassel
p 519:
Interpreting Mozart.
[Observations]
author: Malcolm Bilson
p 523:
The singer's view.
[Observations]
author: Barbara Thornton
p 524:
On `the limits of authenticity'.
[Observations]
author: Nigel Rogers
p 529:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 531:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 535:
Richard Rastall: the notation of western music.
[Book Review]
reviewer: Leech-Wilkinson
p 537:
István Homolya: Valentine Bakfark: lutenist from Transylvania.
[Book Review]
reviewer: Poulton, Fallows
p 537:
Jean-Baptiste Molin, Annik Aussedat-Minvielle: Répertoire des rituels et processionneaux imprimés conservés en France.
[Book Review]
reviewer: Rankin
p 539:
George Buelow, Hans Marx, ed.: New Mattheson studies. Lenneberg.
[Book Review]
p 541:
Rebecca Harris-Warrick, tr & ed.: Principles of the harpsichord by monsieur de Saint-Lambert.
[Book Review]
reviewer: Ledbetter
p 543:
Giorgio Pestelli: The age of Mozart and Beethoven.
[Book Review]
reviewer: Thomason
p 545:
Franklin Zimmerman: Henry Purcell, 1659-1695: his life and times.
[Book Review]
reviewer: van Tassel
p 547:
Nikolaus Harnoncourt: Musik als Klangrede.
[Book Review]
reviewer: Roche
p 583:
Imogen Holst (1907-1984).
[Obituary]
author: J.M. Thomson
p 585:
Ralph Kirckpatrick (1911-1984).
[Obituary]
author: Howard Schott
p 587:
The baroque flute.
[Correspondence]
author: Ronald Laszewski
p 589:
The baroque flute.
[Correspondence]
author: Dale Highbee
p 591:
Bach's chorus.
[Correspondence]
author: Joshua Rifkin
p 591:
More wealth of music.
[Correspondence]
author: John Parkinson
p 591:
The baroque flute.
[Correspondence]
author: Eric Haas
EMM Feb 1985 # 13.1
p 2:
Editorial.
author: Nicholas Kenyon
p 5:
Early pianoforte pedalling; the evidence of the earliest printed markings.
author: David Rowland
p 18:
The early Portuguese piano.
author: Stewart Pollart
p 28:
From harpsichord to pianoforte; a chronology and commentary.
author: Howard Schott
p 39:
The early pianos in Britain (c.1760-1800).
author: Virginia Pleasants
p 45:
English pianos at Finchcocks.
author: Richard Burnett
p 52:
Playing the early piano; `the musician ... needs to play not one but many instruments, to develop not one technique but many'.
author: Linda Nicholson
p 54:
Playing the early piano; `the day has still to come when Mozart on a Steinway will be regarded ... as necessarily a kind of transcription'.
author: Christopher Kite
p 56:
Playing the early piano; `the technique of playing music authentically does not mean simply using the appropriate instruments'.
author: Melvyn Tan
p 59:
A practical guide to musica ficta.
author: Nicholas Routley
p 73:
An aberration amplified.
[Observations]
author: Jeffrey Kurtzman
p 76:
Violin fingerings, a reply.
[Observations]
author: Peter Walls
p 76:
Violin fingerings.
[Observations]
author: Sonya Monosoff
p 81:
Edwin Good: Giraffes, black dragons, and other pianos: a technological history from Christofori to the modern concert grand.
[Book Review]
reviewer: Nobbs
p 82:
Stanley Boorman: Studies in the performance of late mediaeval music.
[Book Review]
reviewer: Page
p 85:
Denis Arnold, ed.: The new Oxford companion to music.
[Book Review]
reviewer: Stevens
p 89:
Terence Bailey: The Ambrosian alleluias.
[Book Review]
reviewer: Falconer
p 91:
Andreas Werckmeister: Musicalische Temperature (1691).
[Book Review]
reviewer: Segerman
p 91:
Ludwig Finscher, ed.: Quellenstudien zur Musik der Renaissance, vols 1 & 2.
[Book Review]
reviewer: Fallows
p 91:
Mark Lindley: Lutes, viols & temperaments.
[Book Review]
reviewer: Segerman
p 93:
Andrew Barker: Greek musical writings: the musician and his art.
[Book Review]
reviewer: Cladwell
p 154:
Purcell's sonatas.
[Correspondence]
author: Michael Tilmouth
p 154:
Sprightly and cheerful musick.
[Correspondence]
author: John Ward
EMM May 1985 # 13.2
p 162:
Editorial; Bach from 1985 to 2000.
author: Christoph Wolff
p 163:
Editorial.
author: Nicholas Kenyon
p 165:
Bach's Leipzig chamber music.
author: Christoph Wolff
p 176:
Bach's orchestre.
author: Robert Marshall
p 180:
The French influence in Bach's instrumental music.
author: Hans-Joachim Schulze
p 185:
Bach as reviser of his own keyboard works.
author: George Stauffer
p 199:
J.P. Kellner's copy of Bach's sonatas and partitas for violin solo.
author: Russell Stinson
p 212:
Bach's début at Leipzig; observations on the genesis of cantatas 75 and 76.
author: Stephen Crist
p 227:
Bach and hymnody; the evidence of the Orgelbüchlein.
author: Robin Leaver
p 237:
The metaphorical soloist; concerted organ part in Bach's cantatas.
author: Laurence Dreyfus
p 249:
Echtheit angezweifelt; style and authenticity in two suites attributed to Bach.
author: Robert Hill
p 261:
Praetorius's pitch.
[Observations]
author: Ephraim Segerman
p 267:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 268:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 275:
Joseph Kerman: The masses and motets of William Byrd.
[Book Review]
reviewer: Edwards
p 277:
Alberto Basso: Frau Musica: la vita e le opere di J.S. Bach.
[Book Review]
reviewer: Daw
p 279:
Peter Williams: The organ music of J.S. Bach, iii: a background.
[Book Review]
reviewer: Butt
p 283:
Oliver Ellsworth: The Berkeley manuscript.
[Book Review]
reviewer: Curtis
p 283:
Ralph Kirckpatrick: Domenico Scarlatti.
[Book Review]
reviewer: Clark
p 284:
Jerome Roche: North Italian church music in the age of Monteverdi.
[Book Review]
reviewer: Chater
p 287:
Jean-Michel Vaccaro: La musique de luth en France au 16th siècle.
[Book Review]
reviewer: Tayler
p 289:
Rien de Reede, ed.: Concerning the flute.
[Book Review]
reviewer: Thomson
p 291:
Book Review (short): Storia della Musica; L'età dell'umanesimo e del rinascimento; Il seicento; L'età di Bach e di Haendel; English ayers: a selectively annotated bibliography and discography..
p 331:
The baroque flute, a reply.
[Correspondence]
author: Christopher Addington
p 335:
Beethoven's Graf piano.
[Correspondence]
author: John Henry van der Meer
EMM Aug 1985 # 13.3
p 338:
Editorial.
author: Nicholas Kenyon
p 339:
Messiah and progress in Victorian England.
author: Howard Smither
p 349:
Handel's London theatre orchestre.
author: Donald Burrows
p 359:
`La Pecorina' at Mantua, Musica Nova at Florence.
author: David Butchart
p 367:
New light on Ockeghem's missa `mi-mi'.
author: Haruyo Miyazaki
p 376:
The guitar and Italian song.
author: Richard d'A Jensen
p 384:
A trio in C major for recorder, violin and continuo by J.S. Bach.
author: Michael Marissen
p 391:
16th century Venetian wind instrument makers and their clients.
author: Giulio Ongaro
p 398:
Giovanni Girolamo Savoldo's portrait of a man with a recorder.
author: Colin Slim
p 407:
Musica ficta.
[Observations]
author: John Caldwell
p 408:
Handel's appoggiaturas: a tradition destroyed.
[Observations]
author: Elizabeth Roche
p 413:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 415:
Stanley Sadie, ed.: The New Grove Dictionary of Musical Instruments.
[Book Review]
reviewer: Waterhouse
p 419:
Howard Schott: The historical harpsichord vol.1.
[Book Review]
reviewer: Williams
p 421:
John Caldwell: Editing early music.
[Book Review]
reviewer: Turner
p 423:
Catalogue thématique des sources du grand motet français (1663-1792).
[Book Review]
reviewer: Sadie
p 469:
Spanish pianos.
[Correspondence]
author: Beryl Kenyon de Pascual
p 470:
The harpsichord-pianoforte.
[Correspondence]
author: Richard Burnett
EMM Nov 1985 # 13.4
p 474:
Editorial.
author: Nicholas Kenyon
p 476:
Handel's chamber music; sources, chronology and authenticity.
author: Terence Best
p 500:
Handel and regularization: a third alternative.
author: Graham Pont
p 506:
Interpreting one of Handel's free preludes for harpsichord.
author: Peter Williams
p 514:
John Dowland and Elizabethan melancholy.
author: Robert Headlam Wells
p 529:
Elisabeth-Claude Jacquet de la Guerre and the secular cantate Française.
author: Adrian Rose
p 542:
`His own worst enemy'; Scarlatti: some unanswered questions.
author: Jane Clark
p 548:
Corelli in Calcutta colonial music making in India during the 17th and 18th centuries.
author: Raymond Head
p 554:
Handel's Water Music on period instruments.
author: Bruce Wood
p 565:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 566:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 571:
Peter Williams, ed.: Bach, Handel, Scarlatti: tercentenary essays.
[Book Review]
reviewer: Boyd
p 573:
Joseph Kerman: Musicology.
[Book Review]
reviewer: Fallows
p 575:
Paolo Fabbri: Monteverdi.
[Book Review]
reviewer: Roche
p 577:
Curtis Price: Henry Purcell and the London Stage.
[Book Review]
reviewer: Wood
p 578:
Book Review (short): Music and culture in Italy from the Middle Ages to the Baroque; Telemann Werkverzeichnis; Giovanni Battista Viotti; Bach sources in America; J.S. Bach: sein Leben in Bildern and Dokumenten.
EMM Feb 1986 # 14.1
p 2:
Editorial.
author: Nicholas Kenyon
p 4:
Recent research in European dance, 1400-1800.
author: Meredith Little
p 15:
The English measure (on Tudor & Stuart dances).
author: John Ward
p 22:
Audible rhetoric and mute rhetoric: the 17th century French sarabande.
author: Patricia Ranum
p 41:
Ballroom dancing at the court of Louis XIV.
author: Rebecca Harris-Warrick
p 51:
Dances to music bu Jean-Baptiste Lully.
author: Wendy Hilton
p 64:
Handel's `Lucio Cornelio Silla'; its problems and context.
author: Duncan Chisholm
p 71:
An orchestral suite by François Couperin.
author: Peter Holman
p 79:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 80:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 87:
Ian Woodfield: The early history of viol.
[Book Review]
reviewer: Harwood
p 90:
Denis Arnold, ed.: The new Monteverdi companion.
[Book Review]
reviewer: Donington
p 92:
Walker Cunningham: The keyboard of John Bull.
[Book Review]
reviewer: Neighbour
p 95:
Ignace Bossuyt: De componist Alexander Utendal.
[Book Review]
reviewer: Carver
p 96:
Alberto Gallo: Music of the Middle Ages II.
[Book Review]
reviewer: Curtis
EMM May 1986 # 14.2
p 162:
Editorial.
author: Nicholas Kenyon
p 164:
New dances for the ball; the annual collections of France and England in the 18th century.
author: Ingrid Brainard
p 175:
Triple pavans: clues to some mysteries in 16th century dance.
author: Julia Sutton
p 182:
Spectacle in Milan: Cesare Negri's torch dances.
[Book Review]
reviewer: Pamela Jones
p 199:
What did Prince Henry do with his feet on Sunday 19 August 1604 (on dance).
authors: Judy Smith, Ian Gatiss
p 209:
Dance and dance music in the Netherlands in the 18th century.
author: Joan Rimmer
p 221:
Ill-compliments and arbitrary taste? Geminiani's directions for performers.
author: Peter Walls
p 237:
A 17th century French manuscript on organ performance.
[Documents]
author: William Pruitt
p 253:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 257:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 259:
Tilman Seebass, ed.: Imago musicae: international yearbook of musical iconography, vol.1.
[Book Review]
reviewer: Woodley
p 263:
Reinhard Strohm: Music in late musical Bruges.
[Book Review]
reviewer: Fenlon
p 265:
Basil Smallman: The music of Heinrich Schütz.
[Book Review]
reviewer: Roche
p 267:
Frank d'Accone: The history of a baroque opera: Alessandro Scarlatti's `gli equivoci nel sembiante'.
[Book Review]
reviewer: Donington
p 269:
Kevin Coates: Geometry, proportion and the art of lutherie.
[Book Review]
reviewer: Segerman
p 273:
Henry Fischer: The renaissance sackbut and its use today.
[Book Review]
reviewer: Montagu
p 315:
Handel alternatives.
[Correspondence]
author: Michael Pilkington
p 316:
Regularization and affekt.
[Correspondence]
author: Anthony Rowland-Jones
p 317:
Baroque rhythms.
[Correspondence]
author: Robert Donington
p 317:
Purcell sonatas.
[Correspondence]
author: Richard Luckett
p 319:
Obituary.
p 319:
Bach alterations.
[Correspondence]
author: Richard Luby
EMM Aug 1986 # 14.3
p 322:
Editorial.
author: Nicholas Kenyon
p 323:
Imagery, musical confrontation and cultural difference in early 18th century London.
author: Richard Leppert
p 346:
The 15th century `balli' tunes: a new look.
author: Barbara Sparti
p 358:
Monteverdi's earliest extant ballet.
author: Denis Stevens
p 367:
Swedish sword dances in the 16th and 17th centuries.
author: Madeleine Inglehearn
p 373:
Music at the Pietá (in Venice) before Vivaldi.
author: Eleanor Selfridge-Field
p 387:
Public operas and the trials of the Teatro san Moisè (in Venice).
author: Myron Schwager
p 397:
A curious (keyboard) instrument with a five octave compass.
[Instruments]
author: John Henry van der Meer
p 403:
Graham Pont's `paradigm of inconsistency'.
[Observations]
author: Frederick Neumann
p 406:
Glorious uncertainty.
[Observations]
author: David Wulstan
p 409:
A third alternative.
[Observations]
author: Graham Pont
p 413:
David Wulstan: Tudor music.
[Book Review]
reviewer: Doe
p 415:
Francesco Luisi: Laudario Giustinianeo.
[Book Review]
reviewer: Fallows
p 417:
Ingrid de Geer: Earl, saint, bishop, skald - and music.
[Book Review]
reviewer: Woods
p 418:
Dimitri Conomos: The treatise of Manuel Chrysaphes the Lampadarios.
[Book Review]
reviewer: Loeschmann
p 419:
Richard Charteris: Alfonso Ferrabosco the elder (1543-1588), a thematic catalogue of his music with a biographical calendar.
[Book Review]
reviewer: Butchart
p 420:
David Butchart: I madrigali di Marco da Gagliano.
[Book Review]
reviewer: Haar
p 422:
John Joyce: The monodies of Sigismondo d'India.
[Book Review]
reviewer: Carter
p 424:
Strohm: Essays on Handel and Italian opera.
[Book Review]
reviewer: Talbot
p 460:
Salerooms commissions, a reply.
[Correspondence]
author: Jeremy Montagu
p 460:
Salerooms commissions.
[Correspondence]
author: Graham Wells
p 461:
Editing Frescobaldi.
[Correspondence]
author: Charles Jacobs
EMM Nov 1986 # 14.4
p 466:
Editorial.
author: Nicholas Kenyon
p 467:
Very low ranges in the sacred music of Ockeghem and Tinctoris.
author: Kenneth Kreitner
p 480:
Instruments and the Faenza codex.
author: Timothy McGee
p 491:
The secular music of Alessandro Frandi.
author: Denis Arnold
p 501:
Portraits of Johann Joachim Quantz.
author: Charles Walthall
p 521:
How Alfonso della Viola tuned his viols, and how he transposed.
[Documents]
authors: Kathleen Moretto Spencer, Howard Mayer Brown
p 534:
Vincentius and the earliest harpsichords.
[Instruments]
author: Denzil Wraight
p 541:
The Guadelupe angel musicians.
[Iconography]
author: Beryl Kenyon de Pascual
p 545:
The early history of the clarinet and the chalumeau.
[Discussion]
author: Cary Karp
p 552:
The clarinet and chalumeau revisited.
[Discussion]
authors: Albert Rice, Colin Lawson
p 557:
Musicology and make-believe.
[Observations]
author: Benjamin Bagby
p 558:
The Bassanos: Anglo-Venetian and Venetian.
[Observations]
author: David Lasocki
p 563:
The early piano Britain reconsidered.
[Observations]
author: Warwick Cole
p 566:
Bach's orchestre.
[Observations]
author: Joshua Rifkin
p 569:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 571:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 577:
Lewis Lockwood: Music In renaissance Ferrara 1400-1503: the creation of a musical centre in the 15th century.
[Book Review]
reviewer: Fenlon
p 583:
George Stauffer, Ernest May, ed.: J.S. Bach as organist.
[Book Review]
reviewer: Butt
p 587:
André Pirro: L'esthétique de Jean-Sebastien Bach (1907).
[Book Review]
reviewer: Brainard
p 587:
Fabritio Caroso, Julia Sutton, tr.: Nobilità di dame (1600).
[Book Review]
reviewer: Harrán
p 622:
Editing Frescobaldi.
[Correspondence]
author: Christopher Stembridge
p 622:
Editing Gilles.
[Correspondence]
author: John Hajdu
p 623:
Playing from memory.
[Correspondence]
author: I.E. Jones
p 623:
Denis Arnold.
[Obituary]
author: Jerome & Elizabeth Roche
EMM Feb 1987 # 15.1
p 2:
Editorial.
author: Nicholas Kenyon
p 3:
Performance practice in the Papal Chapel during the 17th century.
author: Jean Lionnet
p 16:
Handel's music for the Carmelites; a study in liturgy and some observations on performance.
author: Graham Dixon
p 31:
The Medici coat of arms in a motet for Leo X.
author: Richard Sherr
p 36:
An 18th century controversy about the thrill, Mancini v. Manfredi.
author: Julianne Baird
p 47:
`Dispositione di voce': passage to florid singing.
author: Robert Greenlee
p 57:
Medieval art and the performance of medieval music.
author: Richard Pestell
p 71:
An ornamented opera aria of c. 1815.
[Observations]
author: R.M. Longyear
p 74:
The five octave compass in 18th century Spanish harpsichords, a reply.
[Observations]
author: John Henry van der Meer
p 74:
The five octave compass in 18th century Spanish harpsichords.
[Observations]
author: Beryl Kenyon de Pascual
p 76:
An open or shut case? (on harpsichords).
[Observations]
author: Laurence Libin
p 79:
Timothy McGee: Medieval and renaissance music: a performer's guide.
[Book Review]
reviewer: Pryer
p 83:
Gerald Abraham, ed.: Concert music 1630-1750.
[Book Review]
reviewer: Tilmouth
p 85:
Allan Atlas: Music at the Aragonese court of Naples.
[Book Review]
reviewer: Knighton
p 89:
Claude Palisca: Humanism in Italian renaissance musical thought.
[Book Review]
reviewer: Woodley
p 140:
Another Froberger.
[Correspondence]
author: Howard Schott
p 140:
Musicology and make-believe.
[Correspondence]
author: David Hiley
p 140:
Venetian problem, a reply.
[Correspondence]
author: David Fallows
p 140:
Venetian problem.
[Correspondence]
author: Jonathan Glixon
p 141:
Editing Gilles.
[Correspondence]
author: Graham Dixon
p 141:
French overdotting, a reply.
[Correspondence]
author: David Wulstan
p 141:
French overdotting, a reply.
[Correspondence]
author: Graham Pont
p 141:
French overdotting.
[Correspondence]
author: Beverly Scheibert
EMM May 1987 # 15.2
p 146:
Editorial.
author: Nicholas Kenyon
p 148:
The double harp in Spain from the 16th to the 18th centuries.
author: Cristina Bordas
p 164:
Patronage, style and structure in the music attributed to Turlough Carolan.
author: Joan Rimmer
p 175:
The Dalway or Fitzgerald harp (1621).
authors: Michael Billinge, Bonnie Shaljean
p 188:
The harp in Stuart England; new light on Lawes's harp consorts.
author: Peter Holman
p 205:
`This easy and agreable instrument'; a history of the English guittar.
author: Philip Coggin
p 221:
Edward Paston and the textless lute song.
author: Stewart McCoy
p 229:
St Gertrude's chapel, Hamburg, and the performance of polychoral music. Frederick Gable.
p 243:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 247:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 251:
Edward Doughte: English renaissance songs.
[Book Review]
reviewer: Headlam Wells
p 251:
Winnifred Maynard: Elizabethan lyric poetry and its music.
[Book Review]
reviewer: Headlam Wells
p 253:
Michael Praetorius, Crookes, tr.: Syntagma Musicum II: de Organographia parts I and II.
[Book Review]
reviewer: Harwood
p 255:
Graham Dixon: Carissimi.
[Book Review]
reviewer: Timms
p 257:
Denis Arnold, Elsie Arnold: The oratorio in Venice.
[Book Review]
reviewer: Dixon
p 259:
Nino Pirrotta, Danilo Curti: I codici musicali Trentini a cento anni dalla loro riscoperta.
[Book Review]
reviewer: Curtis
p 261:
Franco Rossi, ed.: Le opere musicali della fondazione `Querini-Stampalia' di Venezia.
[Book Review]
reviewer: Dixon
p 261:
Mariella Sala, ed.: Catalogo del fondo musicale dell'archivo capitolare del duomo di Brescia.
[Book Review]
reviewer: Dixon
p 261:
Sergio Durante, Maria Nevilla Massaro: Catalogo dei manoscritti musicali del conservatorio `Cesare Pollini' di Padova.
[Book Review]
reviewer: Dixon
p 263:
Ann Basart: The sound of the fortepiano: a discography of recordings on early pianos.
[Book Review]
reviewer: Sadler
p 263:
Bruce Haynes: Music for the oboe 1650-1800: a bibliography.
[Book Review]
reviewer: Sadler
EMM Aug 1987 # 15.3
p 306:
Editorial.
author: Nicholas Kenyon
p 308:
Lully's first opera; a rediscovered poster for `les fêtes de l'Amour et de Bacchus'.
author: Jérôme de La Gorce
p 315:
For and against the order of nature; who sang the soprano.
author: Lionel Sawkins
p 325:
Performing a choral dialogue by Lully.
author: Lois Rosow
p 336:
More faces than Protheus; Lully's `Ballet des Muses'.
author: James Anthony
p 347:
A sweet servitude; a musician's life at the court of Mlle de Guise.
author: Patricia Ranum
p 361:
Grimaret's `Traité du Récitatif'; glimpses of performance practice in Lully's operas.
author: David Tunley
p 365:
Reinterpreting the capital of the fourth tone at St Lazare, Autun.
[Iconography]
author: Hélène Setlak-Garrison
p 378:
Folding harpsichords.
[Instruments]
author: Laurence Libin
p 384:
More on triplets and inequality.
[Observations]
author: David Fuller
p 386:
Monteverdi's vespers of 1610: `della beata Vergine'.
[Observations]
author: Graham Dixon
p 391:
John Stevens: Words and music in the middle ages: song, narrative, dance and drama.
[Book Review]
reviewer: Page
p 393:
Christopher Page: Voices and instruments of the middle ages: instrumental practice and songs in France 1100-1300.
[Book Review]
reviewer: Warwick
p 397:
Mary Remnant: English bowed Instruments from Anglo-Saxon to Tudor times.
[Book Review]
reviewer: Mayer Brown
p 401:
Mary Chan, Jamie Kassler, ed.: Roger North's cursory notes of Musicke (c.1698-c.1703).
[Book Review]
reviewer: Cooper
p 403:
Don Harrán: Word tone relations in musical thought from antiquity to the 17th century.
[Book Review]
reviewer: Fallows
p 405:
Dolores Pesce: The affinities and medieval transposition.
[Book Review]
reviewer: Fallows
p 407:
Michel Huglo, Christian Meyer: The theory of music: manuscripts from the Carolingian era up to c.1500 in the Federal Republic of Germany.
[Book Review]
reviewer: Fallows
p 442:
David Reichenberg.
[Obituary]
p 443:
Clavichord research.
[Correspondence]
author: David Weldon
p 443:
French overdotting.
[Correspondence]
author: Beverly Scheibert
p 446:
Mozart's Requiem.
[Correspondence]
author: Richard Maunder
p 446:
Naples or Barcelona.
[Correspondence]
author: Allan Atlas
p 447:
Musical ketchup.
[Correspondence]
author: David Hiley
p 447:
Naples or Barcelona, a reply.
[Correspondence]
author: Tess Knighton
EMM Nov 1987 # 15.4
p 450:
Editorial.
author: Nicholas Kenyon
p 453:
Performance practice in the Papal Chapel during the 16th century.
author: Richard Sherr
p 463:
Prince Arthur (1486-1502), a carol and `a cantus firmus'.
author: Hugh Benham
p 469:
18th century French chamber music for vielle.
author: Robert Green
p 481:
Another keyboard canzona by Giovanni Gabrieli.
author: Richard Charteris
p 487:
The basset clarinet revived.
[Instruments]
author: Colin Lawson
p 503:
Francisco Pérez Mirabal's harpsichords and the early Spanish piano.
[Instruments]
author: Beryl Kenyon de Pascual
p 515:
The enigmatic canons of Juan del Vado (c.1625-1691).
author: Luis Robledo
p 520:
Another musical Medici coat of arms.
[Observations]
author: Jean Lionnet
p 523:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 526:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 531:
Robin Stowell: Violin technique and performance practice in the late 18th and early 19th century.
[Book Review]
reviewer: Goodman
p 537:
Manfred Stattkus: Claudio Monteverdi: Verzeichnis der erhaltenen Werke (SV): kleine Ausgabe.
[Book Review]
reviewer: Stevens
p 589:
The harp for Lawes.
[Correspondence]
author: Layton Ring
p 633:
Beverly Scheibert: Jean-Henry d'Angelbert and the 17th century clavecin school.
[Book Review]
reviewer: Langham Smith
EMM Feb 1988 # 16.1
p 2:
Editorial.
author: Nicholas Kenyon
p 4:
The orchestra in Beethoven's Vienna.
author: Clive Brown
p 35:
The `Kreutzer' sonata as dialogue.
author: Owen Sander
p 50:
Fingering in Haydn's string quartet.
author: William Drabkin
p 59:
Two sets of unexplored metronome marks for Beethoven's piano sonatas.
author: Sandra Rosenblum
p 72:
Carl Czerny's metronome marks for Haydn and Mozart symphonies.
author: William Malloch
p 84:
A tie is a tie is a tie; reflections on Beethoven's pairs of tied notes.
author: Paul Badura-Skoda
p 90:
An early metronome.
[Observations]
author: David Martin
p 95:
Winton Dean, John Knapp: Handel's operas 1704-1726.
[Book Review]
reviewer: Price
p 101:
Manuel Ferreira: The sound of Martin Codax.
[Book Review]
reviewer: Page
p 105:
Richard Hudson: The allemande, the balletto and the Tanz.
[Book Review]
reviewer: Holman
p 109:
Pier Tosi: Observations on the Florid song.
[Book Review]
reviewer: Kirkby
EMM May 1988 # 16.2
p 146:
Editorial.
author: Nicholas Kenyon
p 147:
The performance of Ars Antiqua motets.
author: Christopher Page
p 165:
What's in a name? Reflections on some works of Guillaume Du Fay.
author: Alejandro Planchart
p 176:
`Subtilitas' in the tonal language of `fumeux fume'.
author: Peter Lefferts
p 185:
Chants in the rhymed office of St Thomas of Canterbury.
author: Andrew Hughes
p 203:
Recent research on the origins of Western chant.
author: David Hiley
p 214:
Performing Beethoven's early piano concertos.
author: Robert Winter
p 231:
`Great learning, fine scholarship, impeccable taste'; a 50th anniversary tribute to Sir Richard Terry (1865-1938).
author: Elizabeth Roche
p 239:
The restored chapter house wall paintings in Westminster Abbey.
[Iconography]
author: Jeremy Montagu
p 251:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 255:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 261:
Frederick Neumann: Ornamentation and improvisation in Mozart.
[Book Review]
reviewer: Walls
p 265:
Gary Tomlinson: Monteverdi and the end of the renaissance.
[Book Review]
reviewer: Mabbett
p 271:
Alexander Silbiger: Frescobaldi studies.
[Book Review]
reviewer: Cooper
p 271:
John Whenham, ed.: Claudio Monteverdi: Orfeo.
[Book Review]
reviewer: Stevens
p 273:
Don Harran: `Maniera' e il madrigale.
[Book Review]
reviewer: Stevens
p 275:
Nigel North: Continuo playing on the lute, archlute and theorbo: a comprehensive guide for performers.
[Book Review]
reviewer: Crawford
p 317:
Frank Llewelyn Harrison (1905-1987).
[Obituary]
author: Caldwell
p 318:
Walter Bergmann.
[Obituary]
author: J.M. Thomson
p 318:
Walter Bergmann.
[Obituary]
author: Michael Tippett
EMM Aug 1988 # 16.3
p 322:
Editorial.
author: Nicholas Kenyon
p 324:
Lully and the rise of the oboe as seen in works of art.
author: Bruce Haynes
p 339:
The French hautboy in England, 1673-1730.
author: David Lasocki
p 359:
The hautboy in London's musical life, 1730-1770.
author: Janet Page
p 372:
The oboe in the Venetian republic, 1692-1797.
author: Alfredo Bernardini
p 388:
The baroque clarinet in public concerts, 1726-1762.
author: Albert Rice
p 396:
Classical clarinet technique: documentary approaches.
author: David Charlton
p 407:
A newly discovered 17th century bassoon by Haka.
[Observations]
author: William Waterhouse
p 411:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 417:
Lorenzo Bianconi: Music in the 17th century.
[Book Review]
reviewer: Carter
p 419:
Betty Bang Mather: Dance rhythms of the French baroque: a handbook for performance.
[Book Review]
reviewer: Ledbetter
p 423:
George Houle: Meter in music, 1600-1800.
[Book Review]
reviewer: Donington
p 427:
David Ledbetter: Harpsichord and lute music in 17th century.
[Book Review]
reviewer: Cooper
p 429:
Israel Katz, John Keller, ed.: Studies on the Cantigas de Santa Maria: art music and poetry.
[Book Review]
reviewer: Fallows
p 429:
The organ yearbook.
[Book Review]
reviewer: Fallows
p 479:
Erratum: Sandra Rosenblum, EM, Feb 1988, p.59.
p 479:
Handel's changes.
[Correspondence]
author: Winton Dean
p 479:
More on the basset clarinet.
[Correspondence]
author: Colin Lawson
p 479:
North on overdotting.
[Correspondence]
author: Graham Pont
EMM Nov 1988 # 16.4
p 482:
Editorial.
author: Nicholas Kenyon
p 483:
When is an orchestra not an orchestra.
author: Neal Zaslaw
p 496:
The instrumentation of Handel's early Italian works.
author: Hans Marx
p 506:
Italian oratorio and the baroque orchestra.
author: Eleanor Selfridge-Field
p 514:
Improvized ornamentation in a Handel aria with obligato wind accompaniment.
author: John Spitzer
p 523:
Newly found works of C.P.E. Bach.
author: Rachel Wade
p 542:
Performing C.P.E. Bach: some open questions.
author: David Schulenberg
p 553:
Morality and music: a study of a Flemish transformation scene of the later 16th century.
[Iconography]
author: Alec Hyatt King
p 559:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 563:
Laurence Dreyfus: Bach's continuo group: players and practices in his vocal works.
[Book Review]
reviewer: Elcombe
p 567:
May Hofman, John Morehen: Latin music in British sources.
[Book Review]
reviewer: Bray
p 568:
Bonnie Blackburn: Music for Treviso cathedral in the late 16th century.
[Book Review]
reviewer: Roche
p 568:
Frits Noske: Sweelinck.
[Book Review]
reviewer: Cooper
p 571:
Greta Moens-Haenen: Das vibrato in der Musik des Barock.
[Book Review]
reviewer: Donington
p 621:
Paul Steinitz.
[Obituary]
author: Anderson
EMM Feb 1989 # 17.1
p 2:
Editorial.
author: Nicholas Kenyon
p 3:
Johann Sebastian Bach's orchestra: some unanswered questions.
author: Hans-Joachim Schultze
p 17:
The Dresden Hofkapelle during the lifetime of Johann Sebastian Bach.
author: Ortrun Landmann
p 33:
The editorial transmission of C.P.E. Bach's music.
author: Eugene Helm
p 43:
A chaconne by Georg Böhm: a note on German composers and French styles.
author: Peter Williams
p 55:
Türk, touch and slurring: finding a rationale.
author: Daniel Raessler
p 60:
Early fingering: some editing problems and some new readings for J.S. Bach and John Bull.
author: Mark Lindley
p 70:
The rules for `through bass' and for tuning attributed to Handel.
author: Jane Johnson
p 79:
Review: The Bach Compendium.
author: Joshua Rifkin
p 89:
Univ of Illinois, compiler: Census catalogue of manuscript sources of polyphonic music 1400-1550, vols iv-v.
[Book Review]
reviewer: Fallows
p 90:
Carmelo Comberiati: Late renaissance music at the Habsburg court polyphonic settings of the Mass Ordinary at the court of Rudolf II (1576-1612).
[Book Review]
reviewer: O'Regan
p 92:
Karol Berger: Musica ficta: theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino.
[Book Review]
reviewer: Curtis
p 94:
Kerala Snyder: Dietrich Buxtehude: organist in Lübeck.
[Book Review]
reviewer: Sadie
p 99:
Giuseppe Vecchi: Giulio Belli da Longiano.
[Book Review]
reviewer: Macy
p 139:
Performing Mozart and Beethoven concertos.
[Correspondence]
author: Richard Maunder
p 140:
Intention or inadvertence.
[Correspondence]
author: Robert Donington
p 140:
Quick Beethoven.
[Correspondence]
author: Barry Cooper
p 140:
`A tie is a tie is a tie': but is it.
[Correspondence]
author: Howard Ferguson
p 143:
Metronomic calculations.
[Correspondence]
author: Richard Taruskin
EMM May 1989 # 17.2
p 146:
Editorial.
author: Nicholas Kenyon
p 147:
Cries of Durham.
author: John Milson
p 161:
Musical performance in 16th century Italian literature: Straparola's `le piacevoli notti'.
author: Cathy Elias
p 175:
A liturgical role for Monteverdi's `sonata sopra Sancta Maria'.
author: David Blazey
p 184:
French harpsichord music in the first decade of the 18th century.
author: Carol Bates
p 198:
Repeat problems in keyboard settings of `canzoni alla francese'.
author: Robert Judd
p 216:
A harpsichord from Sorrento.
[Instruments]
authors: Laurence Libin, Kathryn Shanks
p 221:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 226:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 235:
Ellen Harris: Henry Purcell's Dido and Aeneas, score.
[Book Review]
reviewer: Wood
p 235:
Ellen Harris: Henry Purcell's Dido and Aeneas.
[Book Review]
reviewer: Wood
p 245:
Sandra Rosenblum: Performance practices in classic piano music: their principles and applications.
[Book Review]
reviewer: Fanning
p 247:
Peter Reidemeister, ed.: Basler Jahrbuch für Historische Musikpraxis, X, 1986.
[Book Review]
reviewer: Rankin
p 248:
Hans-Günter Ottenberg: C.P.E. Bach.
[Book Review]
reviewer: Deathridge
p 248:
Stephen Clark, ed.: C.P.E. Bach studies.
[Book Review]
reviewer: Deathridge
p 251:
Peter Hurford: Making music on the organ.
[Book Review]
reviewer: Elcombe
EMM Aug 1989 # 17.3
p 306:
Editorial.
author: Nicholas Kenyon
p 309:
The trecento fiddle and its bridges.
author: Howard Mayer Brown
p 330:
The performance of cantus firmi in Josquin's masses based on secular monophonic song.
author: Willem Elders
p 342:
The martyrdom of St Sebastian: the function of accidental inflections in Dufay's `O beate Sebastiane'.
author: Karol Berger
p 359:
Itinerancy to residency: professional careers and performance practices in 15th century sacred music.
author: Barbara Haggh
p 368:
Le célèbre Berteau (1735-1784).
author: Jane Adas
p 383:
Slide trumpet madness: fact or fiction.
[Instruments]
author: Herbert Myers
p 389:
The trombone, the slide trumpet and the ensemble tradition of the early renaissance.
[Instruments]
author: Keith Polk
p 397:
The `trompette des menestrels' in the 15th century `alta capella'.
[Instruments]
author: Ross Duffin
p 405:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 409:
Corpus Tropurum, vols i-vi.
[Book Review]
reviewer: Sandon
p 409:
Gabriel Silagi: Liturgische Tropen.
[Book Review]
reviewer: Sandon
p 409:
Gunilla Iversen: Research on tropes.
[Book Review]
reviewer: Sandon
p 409:
Ritva Jacobsson, ed.: Pax Et sapienta.
[Book Review]
reviewer: Sandon
p 413:
Brian Boydell: A Dublin musical calendar 1700-1760.
[Book Review]
reviewer: Burrows
p 413:
Stefano Toffolo: Antichi strumenti veneziani, 1500-1800; quattro secoli di luteria e cembalaria.
[Book Review]
reviewer: Selfridge-Field
p 415:
Harry Haskell: The early music revival: a history.
[Book Review]
reviewer: Stevens
p 415:
Nicholas Kenyon: Authenticity and early music: a symposium.
[Book Review]
reviewer: Stevens
p 419:
Raymond Leppard: Authenticity in music.
[Book Review]
reviewer: Donington
EMM Nov 1989 # 17.4
p 482:
Editorial.
author: Nicholas Kenyon
p 485:
Prologue: Daphne transformed.
author: Roger Savage
p 495:
`Il Corago' and the staging of early opera: four chapters from an anonymous treatise c.1630.
authors: Roger Savage, Matteo Sansone
p 515:
Vanbrugh's Queen Theatre in the Haymarket 1703-1709.
author: Graham Barlow
p 523:
The Haymarket opera in 1711.
authors: Judith Milhous, Robert Hume
p 539:
Righini in Florence: an artistic conflict.
author: William Holmes
p 551:
Signs of the times: a look at the late 18th century gesturing.
author: Nicholas Solomon
p 565:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 569:
James Tyler: The early mandolin: the mandolino and the Neapolitan mandoline.
[Book Review]
reviewer: Crawford
p 573:
Franklin Zimmerman: Henry Purcell: a guide to research.
[Book Review]
reviewer: Price
p 573:
John Barker: The use of music and recordings for teaching about the middle ages: a practical guide with comprehensive discography and selective bibliography.
[Book Review]
reviewer: Leech-Wilkinson
EMM Feb 1990 # 19.1
p 2:
Editorial.
author: Nicholas Kenyon
p 3:
Play into opera: Purcell's `the Indian Queen'.
author: Andrew Pinnock
p 22:
Theatres for opera and ballet during the reigns of Louis XIV and Louis XV.
author: Barbara Coeyman
p 38:
Harpsichords in the London theatres, 1697-1715.
authors: Judith Milhous, Curtis Price
p 47:
Italian opera in London, 1750-1775: management and finances.
author: Elisabeth Gibson
p 63:
An early Handel revival in Florence.
author: John Rice
p 73:
A late 18th century account book of the San Carlo Theatre, Naples.
author: Michael Robinson
p 83:
A neglected source of ornamentation and continuo realization in a Handel aria.
author: Patrick Rogers
p 91:
`The downfall of Shakespeare on a modern stage'.
[Iconography]
author: Iain Mackintosh
p 97:
A few thoughts on Lully's `hautbois'.
[Observations]
author: Rebecca Harris-Warrick
p 109:
Juan Bautista Pla and José Pla - two neglected oboe virtuosi of the 18th century.
[Observations]
author: Beryl Kenyon de Pascual
p 113:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 119:
Jeremy Yudkin: Music in medieval Europe.
[Book Review]
reviewer: Caldwell
p 121:
Don Harran: In search of harmony: Hebrew and humanist elements in 16th century musical thought.
[Book Review]
reviewer: Bujic
p 125:
Stanley Sadie, Anthony Hicks, ed.: Handel tercentenary collection.
[Book Review]
reviewer: Wood
p 129:
Eleanor Selfridge-Field: Pallade Veneta: writings on music in Venetian society 1650-1750.
[Book Review]
reviewer: Dixon
p 133:
Alison Crum: Play the viol.
[Book Review]
reviewer: Harwood
p 137:
Jeffrey Kite-Powell: A practical guide to historical performance: the renaissance.
[Book Review]
reviewer: Meconi
EMM May 1990 # 19.2
p 178:
Editorial.
author: Nicholas Kenyon
p 179:
Voices and instruments: soloists and ensembles in the 15th century.
author: Keith Polk
p 199:
Musical acoustics in the Middle Ages.
author: Dorothea Baumann
p 213:
Minstrel schools in the late Middle Ages.
author: Mariacarmen Gómez
p 218:
Writing, reading and memorizing: the transmission and resolution of retrograde canons from the 14th and early 15th centuries.
author: Virginia Newes
p 235:
Some aspects of the notation and performance of German song around 1400.
author: Lorenz Welker
p 253:
The wedding of Archduke Charles and Maria of Bavaria in 1571.
[Iconography]
author: Robert Lindell
p 271:
Josquin's `Missa panga lingua': a note on Agnus Dei III.
[Observations]
author: Richard Sherr
p 277:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 283:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 289:
Iain Fenlon, James Haar: The Italian madrigal in the early 16th century: sources and interpretation.
[Book Review]
reviewer: Sherr
p 292:
K. Adams, Dyke Kiel: Claudio Monteverdi: a guide to research.
[Book Review]
reviewer: Carter
p 293:
Cleveland Johnson: Vocal compositions in German organ tablatures, 1550-1650: a catalogue and commentary.
[Book Review]
reviewer: Dean
p 295:
Edward Huwes Jones: The performance of English song, 1610-1670.
[Book Review]
reviewer: Holman
p 297:
Donald Forster: Jean-Philippe Rameau: a guide to research.
[Book Review]
reviewer: Williams
p 299:
Jérôme de la Gorce: Berain, dessinateur du Roi Soleil.
[Book Review]
reviewer: Sadler
p 299:
Marie-Françoise Christout: Le ballet de cour au 17th siècle (incl English tr).
[Book Review]
reviewer: Sadler
p 350:
Blowing a trumpet.
[Correspondence]
author: Clifford Barlett
p 350:
Shaken not stirred.
[Correspondence]
author: Bathia Churgin
EMM Aug 1990 # 19.3
p 354:
Editorial.
author: Nicholas Kenyon
p 355:
The Vestal Virgin and the Fire-stealer: memory, creation and authenticity.
author: Pierre Boulez
p 359:
Instrumental music in the early 16th century mass: new evidence.
author: Leslie Korrick
p 371:
Two polyphonic `istampite' from the 14th century.
author: John Caldwell
p 381:
Six dances by Kellom Tomlinson: a recently discovered manuscript.
author: Robert Petre
p 393:
`And now about the Cauldron sing': music and the supernatural on the Restoration stage.
author: Steven Plank
p 408:
Handel, the Dead March and a newly identified trombone movement.
author: Donald Burrows
p 417:
What Samuel Pepys heard on 3 February 1661: English trumpet style under the later Stuart monarchs.
author: Peter Downey
p 431:
Farinelli revisited.
[Iconography]
author: Daniel Heartz
p 449:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 453:
Richard Crocker, David Hiley, ed.: The early Middle Ages to 1300.
[Book Review]
reviewer: Fallows
p 457:
Craig Wright: Music and ceremony at Notre Dame of Paris, 500-1550.
[Book Review]
reviewer: Haggh
p 463:
Don Harran: In defense of music: the case for music as argued by a singer and scholar of the late 15th century.
[Book Review]
reviewer: Woodley
p 467:
Wolfgang Horn, Thomas Kohlhase: Zelenka Dokumentation: Quellen und Materialien.
[Book Review]
reviewer: Talbot
p 467:
Wolfgang Horn: Die Dresdner Hofkirchenmusik 1720-1745: Studien zu ihren Voraussetzungen und ihrem Repertoire.
[Book Review]
reviewer: Talbot
EMM Nov 1990 # 19.4
p 514:
Editorial.
author: Nicholas Kenyon
p 515:
The Italian violin school in the 17th century.
author: Neal Zaslaw
p 519:
The use of instruments in sacred music in Italy 1560-1700.
author: Stephen Bonta
p 537:
The role of the violin in the resurgence of the Mass in the 17th century.
author: Anne Schnoebelen
p 545:
Antonio Veracini in context: new perspectives from documents, analysis and style.
author: John Hill
p 563:
The Roman repertory for violin before the time of Corelli.
author: Eleanor McCrickard
p 575:
The influence of the Italian violin school in 17th century England.
author: Peter Walls
p 588:
The violino piccolo and other small violins.
author: Margaret Downie Banks
p 599:
On the absence of keyboard continuo in Haydn's symphonies.
author: James Webster
p 609:
The sackbut in England in the 17th and 18th centuries.
author: Trevor Herbert
p 617:
Musical instruments at Isola Bella.
[Instruments]
authors: Laurence Libin, Kathryn Shanks Libin
p 629:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 633:
Neal Zaslaw: Mozart's symphonies: context, reception, performance practice.
[Book Review]
reviewer: Sadie
p 641:
Howard Mayer Brown, Stanley Sadie: Performance practice: music after 1600.
[Book Review]
reviewer: Boorman
p 641:
Howard Mayer Brown, Stanley Sadie: Performance practice: music before 1600.
[Book Review]
reviewer: Boorman
p 645:
Thomas Forrest Kelly: The Benevetan chant.
author: Falconer
p 649:
Cyrilla Barr: The monophonic lauda and the lay religious confraternities of Tuscany and Umbria in the late Middle Ages.
[Book Review]
reviewer: Sole
p 650:
Bruce Gustafson, David Fuller: A catalogue of French harpsichord music 1699-17800.
author: Ledbetter
p 684:
Robert Donington (1907-1990).
[Obituary]
author: Julie Anne Sadie
p 686:
Robert Donington (1907-1990).
[Obituary]
author: J.M. Thomson
EMM Feb 1991 # 19.1
p 3:
Editorial.
author: Nicholas Kenyon
p 4:
Introduction.
author: Neal Zaslaw
p 5:
Early violins: problems and issues.
author: Laurence Libin
p 9:
The birth of the orchestra in Rome - an iconographic study.
author: John Spitzer
p 29:
`Ad libitum' procedures in instrumental duos and trios.
author: Sandra Mangsen
p 43:
The string tremolo in the 17th century.
author: Stewart Carter
p 61:
Instrumentation and genre in Italian music, 1600-1670.
author: Eleanor Selfridge-Field
p 69:
Violin intonation: a historical survey.
author: Patrizio Barbieri
p 91:
Scarlatti's `tremulo'.
[Observations]
author: Barbara Sachs
p 95:
Words and music by Goscelin of Canterbury.
author: Richard Sharpe
p 99:
A Zenti harpsichord rediscovered.
[Instruments]
author: Denzil Wraight
p 103:
Salerooms; Instruments.
author: Jeremy Montagu
p 107:
Daniel Leech-Wilkinson: Machaut's Mass: an introduction.
[Book Review]
reviewer: Page
p 108:
Edward Lowinsky: Music in the culture of the renaissance and other essays.
[Book Review]
reviewer: Leech-Wilkinson
p 112:
Iain Fenlon, ed. The renaissance: from the 1470s to the end of the 16th century.
[Book Review]
reviewer: Dean
p 115:
Walter Kemp. Burgundian court song in the time of Binchois: the anonymous chansons of El Escorial MS V.III.24.
[Book Review]
reviewer: Slavin
p 153:
Sounding the trumpet.
[Correspondence]
author: Montagu
p 155:
Flemish keyboards.
author: James
EMM May 1991 # 19.2
p 162:
Editorial.
author: Nicholas Kenyon
p 163:
Josquin's `Misericordias Domini' and Louis XI.
author: Patrick Macey
p 179:
In support of `heresy': manuscript evidence for `a capella' performance of early 15th century songs.
author: Dennis Slavin
p 195:
Texting in the 15th century French chansons: a look ahead from the 14th century.
author: Lawrence Earp
p 213:
Textual symmetries and the origins of Heinrich Schütz's `Musikalischen Exequien'.
author: Gregory Johnston
p 227:
My Lady's Tears: a pair of songs by John Dowland.
author: Daniel Leech-Wilkinson
p 235:
Haydn's tempos in `The Creation'.
author: Nicholas Temperley
p 247:
Historical performance, metronome marks and tempo in Beethoven's symphonies.
[Observations]
author: Clive Brown
p 261:
The performance of Josquin's L'homme armé Masses.
[Observations]
author: Richard Sherr
p 269:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 274:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 281:
Harold Copeman: Singing in Latin, or prononciation explor'd.
[Book Review]
reviewer: Hillier
p 281:
Harold Copeman: The pocket singing in Latin.
[Book Review]
reviewer: Hillier
p 283:
Eleanor Selfridge-Field: The works of Benedetto and Alessandro Marcello: a thematic catalogue.
[Book Review]
reviewer: Dixon
p 285:
John Butt: Bach interpretation: articulation marks in the primary sources of J.S. Bach.
[Book Review]
reviewer: Elcombe
p 287:
Jerome Weber: A Gregorian chant discography.
[Book Review]
reviewer: Falconer
p 288:
Timothy Day: A discography of Tudor church music.
[Book Review]
reviewer: Milsom
p 317:
Tripping over the triplets.
[Correspondence]
author: Malcolm Bilson
p 319:
Destination Prague.
[Correspondence]
author: Poppy Holden
EMM Aug 1991 # 19.3
p 322:
Editorial.
author: Nicholas Kenyon
p 323:
George I, the Haymarket Opera and Handel's Watermusic.
authors: Donald Burrows, Robert Hume
p 345:
Musicians in the marketplace: the Venetian guild of instrumentalists in the later 18th century.
author: Thomas Bauman
p 357:
Beyond temperament: non-keyboard intonation in the 17th and 18th centuries.
author: Bruce Haynes
p 383:
Bartolomeo Christofori; a list and historical survey of his instruments.
author: Giuliana Montanari
p 399:
Giovanni Ferrini and his harpsichord `a penne e a martelletti'.
author: Luigi Tagliavini
p 409:
Late 19th century viol revivals.
author: John Rutledge
p 419:
The double, double, double beat of the thundering drum: the timpani in early music.
author: Edmund Bowles
p 437:
A counterblast on English trumpets.
[Observations]
authors: Andrew Pinnock, Bruce Wood
p 443:
English trumpets - a response.
[Observations]
author: Peter Holman
p 445:
Jeremy Yudkin: De musica mensurata: the anonymous of St Emmeram; complete critical edition.
[Book Review]
reviewer: Page
p 446:
Willem Elders: composers of the low countries.
[Book Review]
reviewer: Kirkman
p 450:
Morné Bezuidenhout: An Italian book of the late 13th century.
[Book Review]
reviewer: Falconer
p 451:
Anthony Rooley: Performance: revealing the Orpheus within.
[Book Review]
reviewer: Voss
p 492:
Violin intonation: more on tempered fifths.
[Correspondence]
author: Claudio di Veroli
EMM Nov 1991 # 19.4
p 498:
Editorial, Conference Mozart's music.
author: Nicholas Kenyon
p 501:
Performance and authenticity.
author: Lewis Lockwood
p 506:
Performance and authenticity, discussions.
authors: Richard Taruskin, Robert Levin, Lewis Lockwood
p 513:
The old and new Mozart editions.
author: Cliff Eissen
p 529:
The old and new Mozart editions, discussions.
authors: Cliff Eissen, Robert Levin, David Josephson, Marius Flothuis
p 533:
The neue Mozart Ausgabe: a retrospect.
author: Marius Flothuis
p 538:
Mozart performance in the 19th century.
author: George Barth
p 552:
Mozart performance in the 19th century, discussions.
authors: Laurence Dreyfus, George Barth, Richard Taruskin, Neal Zaslaw
p 557:
Mozart's Belmonte; Mozart and his singers.
author: Thomas Bauman
p 562:
Mozart's Belmonte; Mozart and his singers, discussions.
authors: Will Crutchfield, Thomas Bauman, Andrew Potter
p 565:
`Ich bin die erste Sängerin'; vocal profiles of two Mozart sopranos.
author: Patricia Lewy Gidwitz
p 580:
Mozart's Italian `buffo' singers.
author: Alessandra Campana
p 582:
Mozart's Italian `buffo' singers, discussion.
authors: Neal Zaslaw, Alessandra Campana, Daniel Heartz, Caryl Clark, Andrew Porter, Thomas Bauman
p 585:
Susanna's hat (headgear and hairstyle in Mozart's `le nozze di Figaro').
author: Daniel Heartz
p 591:
Introduction (to analysis and the performer of Mozart).
author: James Webster
p 593:
Subjectivity and objectivity in Mozart performance.
author: William Kinderman
p 601:
Mozart's first thoughts: the two versions of the sonatas in D major, K284.
author: László Somfai
p 610:
Mozart's first thoughts: the two versions of the sonatas in D major, K284, discussions.
authors: William Kinderman, László Somfai
p 615:
Topical content in Mozart's keyboard sonatas.
author: Leonard Ratner
p 619:
Topical content in Mozart's keyboard sonatas, discussions.
authors: William Kinderman, Leonard Ratner, Robert Levin
p 620:
20th century analysis and Mozart performance.
author: Carl Schachter
p 625:
20th century analysis and Mozart performance, discussions.
authors: Carl Schachter, Leo Ratner
p 629:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 635:
Julie Anne Sadie, ed.: Companion to baroque music.
[Book Review]
reviewer: Burrows
p 636:
Rob van Acht, Vincent van den Ende, Hans Schimmel: Dutch recorders of the 18th century in the collection of The Hague Gemeente Museum.
[Book Review]
reviewer: Montagu
p 643:
Paul Everett: The Manchester concerto Partbooks.
[Book Review]
reviewer: Cooper
p 687:
Christopher Monk (1921-1992).
[Obituary]
author: J.M. Thomson
EMM Feb 1992 # 20.1
p 2:
Editorial.
author: Nicholas Kenyon
p 5:
Introduction; Mozart's instruments.
author: Neal Zaslaw
p 7:
Mozart and the violin.
author: Peter Walls
p 26:
Mozart and the violin, discussions.
authors: Frederick Neumann, Peter Walls, Neal Zaslaw
p 31:
Mozart and the flute.
author: Jane Bowers
p 39:
Mozart and the flute, discussions.
authors: Bruce Haynes, Jane Bowers, Neal Zaslaw, Don Smithers
p 43:
Mozart and the oboe.
author: Bruce Haynes
p 59:
Mozart and the oboe, discussions.
authors: Don Smithers, Bruce Haynes, Jane Bowers, Robert Levin, Daniel Heartz, Marius Flothuis
p 64:
Mozart's Viennese orchestras.
author: Dexter Edge
p 89:
Mozart's Salzburg orchestras.
author: Cliff Eisen
p 105:
How original was Mozart? Evidence from the `opera buffa'.
author: John Platoff
p 119:
Mozart's sketches.
author: Ulrich Konrad
p 133:
Mozart on the modern stage.
author: Andrew Porter
p 138:
Mozart on the modern stage, discussions.
authors: Will Crutchfield, Andrew Porter, James Webster, Elisabeth Söderström, Robert Levin
p 139:
A life of Mozart singing.
author: Elisabeth Söderström
p 141:
Mozart's tempo indications.
author: Jean-Pierre Marty
p 142:
Dance rhythms in Mozart's arias.
authors: Wye Allanbrook, Wendy Hilton
p 151:
Christopher Page: The owl and the nightingale: musical life and ideas in France, 1100-1300.
[Book Review]
reviewer: Preece
p 152:
Adalbert Roth: Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV (1471-1484).
[Book Review]
reviewer: Wegman
p 153:
Giuseppina la Face Bianconi: Gli strambotti del codice estense.
[Book Review]
reviewer: Rifkin
p 154:
James Erb: Orlando di Lasso: a guide to research.
[Book Review]
reviewer: Carter
p 157:
Michael Talbot: Tomaso Albinoni: the Venetian composer and his world.
[Book Review]
reviewer: Cross
p 159:
Diack Johnstone, Roger Fiske: Music in Britain: the 18th century.
[Book Review]
reviewer: Barlett
EMM May 1992 # 20.2
p 195:
Editorial.
author: Neal Zaslaw
p 197:
Mozart's orchestras; applying historical knowledge to modern performances.
author: Neal Zaslaw
p 205:
Mozart's orchestras; applying historical knowledge to modern performances, discussions.
authors: Richard Taruskin, Neal Zaslaw
p 207:
Mozart's keyboard instruments.
author: Richard Maunder
p 221:
Improvised embellishments in Mozart's keyboard music.
author: Robert Levin
p 237:
Execution and expression in the (Mozart) sonata in E flat, K282.
author: Malcolm Bilson
p 245:
An interpreter's approach to Mozart.
author: Jacob Lateiner
p 253:
An interpreter's approach to Mozart, discussion.
authors: Marius Flothuis, Elisabeth Söderström, Jacob Lateiner, Nicholas Kenyon, Neal Zaslaw, Carl Schachter
p 255:
Mozart's orchestral brass.
author: Don Smithers
p 267:
Mozart's orchestral music on record.
author: Jane Glover
p 272:
Mozart's orchestral music on record, discussions.
authors: Neal Zaslaw, David Josephson, Baird Hastings, Jean-Pierre Marty, Marius Flothuis, Frederick Neumann, Malcolm Bilson, Robert Levin
p 275:
100 years of Mozart recordings.
author: David Hamilton
p 279:
The Requiem: mirror of Mozart performance history.
author: Bin Ebisawa
p 297:
Mozart as early music: a romantic antidote, discussions.
authors: Malcolm Bilson, Laurence Dreyfus, Neal Zaslaw, Robert Levin
p 297:
Mozart as early music: a romantic antidote.
author: Laurence Dreyfus
p 311:
Tradition and authority.
author: Richard Taruskin
p 327:
Ellen Rosand: opera in 17th century Venice: the creation of a genre.
[Book Review]
reviewer: Talbot
p 329:
John Caldwell: The Oxford history of English music; vol I, from the beginnings to c.1715.
[Book Review]
reviewer: Rastall
p 331:
Silke Leopold: Monteverdi: music in transition.
[Book Review]
reviewer: Haar
p 335:
Nanie Bridgman: Manuscrits de musique polyphonic, 15e et 16e siècles: Italie.
[Book Review]
reviewer: Fallows
p 336:
Wolfgang Schmieder: Thematisch-systematisches Verzeichnis der musikalischen Werke von J.S. Bach: Bach Werke Verzeichnis (BWV); 2 Ausgabe.
[Book Review]
reviewer: Rifkin
p 367:
Beyond temperament.
[Correspondence]
author: Albert Rice
EMM Aug 1992 # 20.3
p 371:
Editorial.
author: Tess Knighton
p 373:
Unscarred by turning time? The dating of Purcell's `Dido and Aeneas'.
authors: Bruce Wood, Andrew Pinnock
p 393:
The earliest notice of Purcell's `Dido and Aeneas'.
author: Mark Goldie
p 403:
Musicians in 18th century Venice.
[Iconography]
author: Denis Stevens
p 409:
New documents on the Bassano family.
author: Giulio Ongaro
p 417:
The bassanelli reconstructed; a radical solution to an enigma.
author: Charles Forster
p 427:
An 18th century singer's commission of `baggage' arias.
author: Daniel Freeman
p 434:
`Tenorlied, discantlied', polyphonic lied: voices and instruments in German secular polyphony of the renaissance.
author: Stephen Keyl
p 447:
Performing matters: Going beyond the limits: experiments with vocalization in the French chanson, 1340-1440.
author: Christopher Page
p 461:
The Faenza Codex: music for organ or lute duet.
[Observations]
author: Roland Eberlein
p 466:
Once again, the Faenza Codex, a reply to Roland Eberlein.
[Observations]
author: Timothy McGee
p 471:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 475:
Andrew Ashbee: Records of English court music, i-v.
[Book Review]
reviewer: Holman
p 477:
John Harper: The forms and orders of Western liturgy from 10th to 18th century: a historical introduction and guide for students and musicians.
[Book Review]
reviewer: Dixon
p 480:
Christopher Page: The Summa Musice: a 13th century manual for singers.
[Book Review]
reviewer: Chadd
p 481:
Bonnie Blackburn, Edward Lowinsky, Clement Miller, ed.: A correspondance of renaissance musicians.
[Book Review]
reviewer: Wegman
p 483:
Rudolf Rasch: De Cantiones Natalitiae en het kerkelijke muziekleven in de zuidelijke Nederlanden gedurende de 17de eeuw.
[Book Review]
reviewer: Forney
p 485:
Ruth van Baak Griffioen: Jacob van Eyck's Der Fluyten Lusthof (1645-c1655).
[Book Review]
reviewer: Barlow
p 525:
Dowland's lachrymal airs.
[Correspondence]
author: David Pinto
p 525:
The viol in the 19th century, a reply.
[Correspondence]
author: John Rutledge
p 525:
The viol in the 19th century.
[Correspondence]
author: John Catch
p 526:
Sammartini cantatas.
[Correspondence]
author: Bathia Churgin
p 527:
Beethoven's Broadwood.
[Correspondence]
author: Kenneth Mobbs
p 527:
Beethoven's Broadwood.
[Correspondence]
author: Michael Latcham
EMM Nov 1992 # 20.4
p 532:
Editorial.
author: Tess Knighton
p 533:
Minstrels in Spanish churches, 1400-1600.
author: Kenneth Kreitner
p 549:
The organ in 14th century Spain.
author: Kimberley Marshall
p 561:
The `a cappella' heresy in Spain: an inquisition into the performance of the `cancionero' repertory.
author: Tess Knighton
p 583:
Some precursors of the Spanish lute school.
author: Mariacarmen Gómez
p 595:
The earliest vihuela tablature: a recent discovery.
author: Antonio Corona-Alcalde
p 601:
The `Spanish Nation' in the papal chapel, 1492-1521.
author: Richard Sherr
p 611:
`Clavicordios' and clavichords in 16th century Spain.
author: Beryl Kenyon de Pascual
p 633:
A new look at humanism in 16th century lute and vihuela books.
author: Jack Sage
p 643:
A remarkable guitar by Lorenzo Alonso.
[Instruments]
author: Laurence Libin
p 649:
Performing matters: Performing early Spanish music.
author: Jordi Savall
p 655:
Recordings of Iberian music - a survey.
author: Owen Rees
p 659:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 663:
Peter Lefferts, ed.: Robertus de Handlo `Regula' and Johannes Hanboys `Summa'.
[Book Review]
reviewer: Page
p 666:
Anne Walters Robertson: The service books of the Royal Abbey of Saint-Denis: images of ritual and music in the middle ages.
[Book Review]
reviewer: Farmer
p 669:
Ekkehard Schulze-Kurz: Die Laute und ihre Stimmungen in der erste Hälfe des 17. Jahrhunderts.
[Book Review]
reviewer: Crawford
p 698:
Macario Santiago Kastner (1908-1992).
[Obituary]
author: Ivan Moody
p 701:
18-th century woodwind intonation.
[Correspondence]
author: Ardal Powell
p 701:
Cristofori's instruments.
[Correspondence]
author: Denzil Wraight
p 703:
Musicians in 18th century Venice.
[Correspondence]
author: Denis Stevens
p 703:
The dating of Dido.
[Correspondence]
author: John Buttrey
EMM Feb 1993 # 21.1
p 2:
Editorial.
author: Tess Knighton
p 5:
The Tuscan piano in the 1780s; some builders, composers and performers.
author: John Rice
p 29:
The check in some early pianos and the development of piano technique around the turn of the 18th century.
author: Michael Latcham
p 45:
`The Fairy Queen': a fresh look at issues.
authors: Bruce Wood, Andrew Pinnock
p 65:
`To soften the sound of the hoboy'; the muted in the 18th and early 19th centuries.
author: Janet Page
p 83:
Boyvin, Grigny, D'Anglebert, and Bach's assimilation of French classical organ music.
author: George Stauffer
p 99:
A Handel harpsichord.
author: Michael Cole
p 111:
Tim Carter: Music in the late renaissance and early baroque Italy.
[Book Review]
reviewer: Talbot
p 112:
Blake Wilson: Music and merchants: the laudesi companies of republican Florence.
[Book Review]
reviewer: Sole
p 114:
Alan Brown, Richard Turbet, ed.: Byrd studies.
[Book Review]
reviewer: Bowers
p 115:
Gregory Butler: Bach's Clavier-Übung III: the making of a print.
[Book Review]
reviewer: Ledbetter
p 115:
Russell Stinson: The Bach manuscripts of Johann Peter Kellner and his circle: a case study in reception history.
[Book Review]
reviewer: Ledbetter
p 117:
Curtis Price, Judith Milhous, Robert Hume: The impressario's ten commandments: continental recruitment for Italian opera in London, 1763-1764.
[Book Review]
reviewer: McVeigh
p 118:
Malcolm Rose, David Law: A handbook of historical stringing practice for keyboard instruments.
[Book Review]
reviewer: Segerman
p 171:
Mozart's orchestral brass.
[Correspondence]
author: Peter Downey
p 172:
More on the Faenza Codex.
[Correspondence]
author: Mark Lindley
p 173:
Beethoven's piano: the restorer replies.
[Correspondence]
author: David Winston
p 173:
Byrd's `Gradualia'.
[Correspondence]
author: Philip Brett
p 173:
Byrd's `Gradualia'.
[Correspondence]
author: Richard Turbet
EMM May 1993 # 21.2
p 178:
Editorial.
author: Graham Sadler
p 181:
Staging a tragédie en musique; a 1748 promptbook of Campra's Tancrède.
author: Antonia Banducci
p 191:
`Sous les doits de Chambonniere'.
author: David Fuller
p 203:
Tunings and transpositions in the early 17th century French lute air - some implications.
author: David Tunley
p 213:
Music and the self-fulfilling prophecy in Molière's Le mariage forcé.
author: John Powell
p 231:
Making connections: thoughts on Lully's entr'actes.
author: Lois Rosow
p 241:
The Concert Spirituel in the Tuileries palace.
author: Daniel Heartz
p 251:
Rameau in the recording studio; a survey of recordings of French baroque opera.
author: Nicholas Anderson
p 263:
Performing matters: The elusive world of the French baroque.
author: William Christie
p 269:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 273:
Thomas Forest Kelly, ed.: Plainsong in the age of polyphony.
[Book Review]
reviewer: Wegman
p 274:
John Ward: Music for Elisabethan lutes.
[Book Review]
reviewer: Spencer
p 277:
Eric Chafe: Monteverdi's tonal language.
[Book Review]
reviewer: Carter
p 333:
The western liturgy.
[Correspondence]
author: John Harper
p 334:
Spanish minstrels.
[Correspondence]
author: Richard Cheetham
p 335:
Genser's flutes.
[Correspondence]
author: Dale Highbee
p 335:
Handel's harpsichords.
[Correspondence]
author: Beryl Kenyon de Pascual
p 335:
The muted oboe.
[Correspondence]
author: Jeremy Montagu
p 335:
Tudor pitch.
[Correspondence]
author: John Milsom
EMM Aug 1993 # 21.3
p 338:
Editorial.
author: Tess Knighton
p 341:
A `maître d'orchestre' ... conducts: new and old evidence on French practice.
author: David Charlton
p 355:
From score into sound: questions of scoring in Lully's ballets.
author: Rebecca Harris-Warrick
p 365:
`Doucement' and `légèrement': tempo in French baroque music.
author: Lionel Sawkins
p 377:
Jacques Hotteterre le Romain and his father, Martin; a re-examination based on recently found documents.
author: Tula Giannini
p 397:
A link between opera and cantata in France: tonal design in the music of André Campra.
author: Greer Garden
p 415:
Vincent d'Indy and the Rameau `oevres complètes'; a case of forgery.
author: Graham Sadler
p 423:
A new French harpsichord source of the mid 18th century with an Eckard connection.
author: David Fuller
p 429:
Dots and strokes in Mozart.
author: Frederick Neumann
p 437:
The minuets of Haydn and Mozart: goblins or elephants.
author: William Malloch
p 446:
Byrd on record: an anniversary survey.
author: John Milsom
p 453:
Performing matters: The English `a cappella' renaissance.
author: Christopher Page
p 473:
Robert Philip: Early recordings and musical style: changing tastes in instrumental performance.
[Book Review]
reviewer: Langham Smith
p 474:
Anna Busse Berger: Mensuration and proportion signs: origin and evolution.
[Book Review]
reviewer: Bent
p 475:
Peter Allsop: The Italian trio sonata: from its origins to Corelli.
[Book Review]
reviewer: Dixon
p 477:
Jennifer Shennan, facs ed.: A work book by Kellom Tomlinson: commonplace book of an 18th century dancing master.
[Book Review]
reviewer: Thorp
p 479:
Nigel St John Davison, Evan Kreider, Herman Keahey, ed.: Pierre de la Rue: Opera omnia II-III.
[Book Review]
reviewer: Milsom
p 482:
G. Thibault, ed.: Chansonnier de Jean de Montchenu.
[Book Review]
reviewer: Slavin
p 486:
George Houle, ed.: Johannes Ockeghem: Missa Cuiusvis toni.
[Book Review]
reviewer: Fitch
p 507:
Howard Mayer Brown, 1930-1993.
[Obituary]
authors: David Fallows, Tim Crawford, J.M. Thomson
p 510:
More on dating `Dido'.
[Correspondence]
author: Martin Adams
p 510:
Mozart's originality.
[Correspondence]
author: David Charlton
p 511:
Early pianos.
[Correspondence]
author: Michael Latcham
p 511:
Mozart's originality, a reply.
[Correspondence]
author: John Platoff
p 511:
Nova Music.
[Correspondence]
author: Bruce Haynes
EMM Nov 1993 # 21.4
p 514:
Editorial.
author: Tess Knighton
p 517:
`Possente spirto': on taming the power of music.
author: Tim Carter
p 525:
The Gonzagas visit Venice.
author: John Whenham
p 547:
St Mark's before Willaert.
author: Iain Fenlon
p 565:
Monterverdiana 1993.
author: Denis Stevens
p 577:
Performing matters: `Col nobilissimo esercitio della vivuola': Monteverdi's string writing.
author: Peter Holman
p 593:
Dots and strokes in late 18th and 19th century music.
author: Clive Brown
p 613:
Two case studies in performance practice and the details of notation; 1: J.S. Bach and 2/4 time.
author: Peter Williams
p 625:
Christopher Page: Discarding images: reflections on music and culture in medieval France.
[Book Review]
reviewer: Bent
p 634:
Pieter Dirksen, ed.: The harpsichord and its repertoire: proceedings of the International Harpsichord Symposium Utrecht 1990.
[Book Review]
reviewer: Schott
p 636:
Kate Arnold-Poster, Hélène La Rue: Museums of music: a review of musical collections in the United Kingdom.
[Book Review]
reviewer: Sadie
p 637:
Dieter Kirsch, Lenz Meierott: Berliner tabulaturen in Krakau.
[Book Review]
reviewer: Crawford
p 661:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 669:
Mozart's originality, an erratum.
[Correspondence]
p 670:
Interpreting the `Roman de Fauvel'.
[Correspondence]
author: Hans Tischler
p 671:
A Handel harpsichord.
[Correspondence]
author: Mimi Waitzman
p 671:
False impressions.
[Correspondence]
author: Peter Holman
EMM Feb 1994 # 22.1
p 5:
Editorial.
author: Anthony Rooley
p 5:
Editorial.
author: Tess Knighton
p 7:
`La voce è grata assai, ma ...': Monteverdi on singing.
author: Richard Wistreich
p 21:
`There was not one lady who failed to shed a tear'; Arianna's lament and the construction of modern womanhood (Monteverdi).
author: Suzanne Cusick
p 43:
The office of the Holy Week at St Mark's, Venice, in the late 16th century, and the musical contributions of Giovanni Croce.
author: John Bettley
p 63:
Monteverdi's `Mass of Thanksgiving' revisited.
author: Jeffrey Kurtzman
p 87:
Performing matters: L'armonia sonora: continuo orchestration in Monteverdi's Orfeo.
author: Stephen Stubbs
p 101:
Performing matters: Two case studies in performance practice and the details of notation.
author: Peter Williams
p 115:
Monteverdi's Dido and Aeneas: questions of style and evidence.
author: Curtis Price
p 127:
A reply to Margaret Bent.
author: Christopher Page
p 135:
Peter Holman: Four and twenty fiddlers: the violin at the English court, 1540-1690 (New light on music at the Tudor and Stuart courts).
[Book Review]
reviewer: Doe
p 137:
David Schulenberg: The keyboard music of J.S. Bach (a guide to Bach's clavier music).
[Book Review]
reviewer: Ledbetter
p 139:
Tess Knighton, David Fallows, ed.: Companion to medieval and Renaissance music (historical excavation versus personal imagination).
[Book Review]
reviewer: Woodley
p 167:
manuscripts and printed music, 1991-1993.
[Salerooms]
author: Arthur Searle
p 175:
Early music in St Petersburg.
[Reports]
author: Tricia Holman
p 179:
21st annual conference on medieval and Renaissance music, 1993.
[Reports]
author: Kenneth Kreitner
p 180:
Victoria conference at Avila (musical instruments in the 16th century).
[Reports]
author: Michael Noone
p 181:
Monteverdian encounters (Holland Early Music Festival 1993).
[Reports]
author: Tim Carter
p 185:
Martinelli, not Monteverdi.
[Correspondence]
author: Denis Stevens
p 186:
Hotteterre's flutes.
[Correspondence]
author: David Lasocki
p 186:
Rameau's `Princesse de Navarre'.
[Correspondence]
author: Lionel Sawkins
p 187:
Hotteterre's flutes, a reply.
[Correspondence]
author: Tula Giannini
p 188:
Authentic percussion.
[Correspondence]
author: Jeremy Montagu
p 189:
Preserving historical instruments.
[Correspondence]
author: Jeremy Montagu
p 191:
Secular melodies in the Lumley partbooks.
[Correspondence]
author: David Humphreys
EMM May 1994 # 22.2
p 197:
Editorial.
author: Tess Knighton
p 199:
Questions of performance practice in Philip III's chapel.
author: Luis Robledo
p 221:
A census of monk musicians at El Escorial during the reigns of Philip II and Philip III.
author: Michael Noone
p 239:
Alternatim practice in 17th century Spain.
author: Bernadette Nelson
p 261:
Newly identified holograph manuscripts from late Renaissance Portugal.
author: Owen Rees
p 279:
Victoria, Soto and the Spanish archconfraternity of the Resurrection in Rome.
author: Noel O'Regan
p 297:
Performing matters: Sir Richard Terry and 16th century polyphony.
author: Timothy Day
p 309:
Peñalosa on record.
author: Kenneth Kreiner
p 321:
Mark Everist, ed.: Models of musical analysis before 1600 (analysing early music).
[Book Review]
reviewer: Fallows
p 322:
F.W. Sternfeld: The birth of opera (aspects of early opera).
[Book Review]
reviewer: Haar
p 325:
Susan Rankin, David Hiley, ed.: Music in the medieval English liturgy: plainsong and mediaeval music society centennial essays (liturgical music in medieval England).
[Book Review]
reviewer: Haggh
p 361:
Music in Spain during the 18th century (conference).
[Reports]
author: Álvaro Torrente
p 363:
David Jacques Way, harpsichord maker, 1918-1994.
[Obituary]
author: Scott-Martin Kosofsky
p 364:
Peter Whale. harpsichord maker, -1994.
[Obituary]
author: Nicholas Martin
p 365:
Singin' in the rain: yet more on dating `Dido'.
[Correspondence]
author: Bruce Wood
p 367:
Obrecht and chant traditions.
[Correspondence]
author: Jennifer Bloxam
EMM Aug 1994 # 22.3
p 372:
Editorial.
author: Tess Knighton
p 373:
Editing early music: the dilemma of translation.
author: Margaret Bent
p 393:
`At the mynde of Nycholas Ludford': new light on Ludford from the churchwardens' accounts of St Margaret's, Westminster.
author: David Skinner
p 417:
More about the measures.
author: Robert Mullally
p 441:
The world of the early sackbut player: flat or round.
author: Keith McGowan
p 469:
The dating of Purcell's `Dido and Aeneas'? A reply to Bruce Wood and Andrew Pinnock.
author: Andrew Walkling
p 483:
Performing matters: Sonority in the 18th century, `un poco più forte?' Willem Kroesbergen, Jed Wentz.
p 497:
William Waterhouse: The new Langwill index: a dictionary of musical wind-instrument makers and inventors (Langwill redivivus).
[Book Review]
reviewer: Boydell
p 499:
Mary Cyr: Performing baroque music (a baroque primer).
author: Keith Elcombe
p 533:
Magnano clavichord symposium (1993).
[Reports]
author: Derek Adlam
p 533:
Purcell conference (1993).
[Reports]
author: Emma Dillon
p 537:
Michael Morrow, 1929-1994.
[Obituary]
authors: J.M. Thomson, John Sothcott, David Fallows, Christopher Page
p 541:
Preserving historical Instruments.
author: Daniel Leech-Wilkinson.
p 541:
Preserving historical Instruments.
author: R.L. Barclay
p 542:
Preserving historical Instruments, a reply.
author: Jeremy Montagu
p 542:
Preserving historical Instruments.
author: Dale Carr
EMM Nov 1994 # 22.4
p 549:
Editorial.
author: Tess Knighton
p 551:
Palestrina, a musician and composer in the market place.
author: Noel O'Regan
p 575:
Reconsidering Palestrina.
author: Peter Phillips
p 587:
On a continuo organ part attributed to Palestrina.
author: Patrizio Barbieri
p 607:
Competence and incompetence in the papal choir in the age of Palestrina.
author: Richard Sherr
p 631:
`The praise of it endureth for ever': the posthumous publication of Palestrina's music.
author: Jerome Roche
p 641:
Tones, modes, clefs and pitch in Roman cyclic Magnificats of the 16th century.
author: Jeffrey Kurtzman
p 667:
Performing matters: The performance of Palestrina; some questions, but fewer answers.
author: Graham Dixon
p 677:
Richard Strohm: The rise of European music (towards Europe: the achievement of the 15th century).
[Book Review]
reviewer: Planchart
p 679:
Margot Fassler: Gothic song: Victorine sequences and Augustinian reform in 12th century Paris (the medieval sequence: a foretaste of heavenly song).
[Book Review]
reviewer: Page
p 683:
Jane Baldauf Berdes: Woman musicians of Venice: musical foundations, 1525-1855 (the Venetian `ospedali').
[Book Review]
reviewer: Macy
p 685:
Ian Spink, ed.: The Blackwell history of music in Britain, iii: the 17th century (from Jacobean to Restoration).
[Book Review]
reviewer: Morehen
p 688:
Ingebjørg Magnus, Birgit Kjellström: Musical motifs in Swedish church art: the region of Uppland up to 1625 (Iconography).
[Book Review]
reviewer: Knighton
p 709:
Conference on hearing the motet (1994, USA).
[Reports]
author: Michael Noone
p 710:
Galpin Society symposium.
[Reports]
author: Keith McGowan
p 711:
The British Clavichord Society (1994, Oxford, UK).
[Reports]
author: Virginia Pleasants
p 713:
Jerome Roche, 1942-1994.
[Obituary]
author: David Fallows
p 715:
How to make medieval music our own: a response to Christopher Page and Margaret Bent.
[Correspondence]
author: Richard Strohm
EMM Feb 1995 # 23.1
p 5:
Editorial.
author: Tess Knighton
p 9:
Bach and the flute: the players, the Instruments, the music.
authors: Ardal Powell, David Lasocki
p 31:
Quantz and the sonata in Eb major for flute and cembalo, BWV1031.
author: Jeanne Swack
p 55:
Quantz's `unegal': implications for the performance of 18th century music.
author: Claire Fontijn
p 65:
C.P.E. Bach and Friedrich Ludwig Dülon; composition and improvisation in late 18th century Germany.
author: Leta Miller
p 83:
Jacob Denner and the development of the flute in Germany.
authors: Martin Kirnbauer, Peter Thalheimer
p 103:
A `flûte allemande' in C and D by Jacob Denner of Nuremberg.
[Instruments]
author: Friedrich von Huene
p 115:
The case of the flutes in Holbein's `the Ambassadors'.
[Iconography]
author: Mary Rasmussen
p 125:
Performing matters: Sight-readings: notes on `a cappella' performance practice.
author: Donald Greig
p 151:
Ludwig Finscher, ed.: Die Musik in Geschichte und Gegenwart, Sachteil 1: A-Bog (a new edition of MGG).
[Book Review]
reviewer: Fallows
p 152:
Phillip Young: 4900 historical woodwind Instruments (a woodwind compendium).
[Book Review]
reviewer: Boydell
p 175:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 183:
Baroque investigations (6th biennial conference, Edinburgh, July 1994).
[Reports]
author: Irene Alm
p 184:
In pursuit of a dun-coloured horse (colloque internationale: the `roman de Fauvel').
[Reports]
author: Bonnie Blackburn
p 188:
Not known at this address: more on the dating of `Dido'.
[Correspondence]
authors: Bruce Wood, Andrew Pinnock
p 190:
Corrigenda to EM November 1994.
EMM May 1995 # 23.2
p 197:
Editorial.
author: Tess Knighton
p 199:
New light on Robert Cambert in London, and his `Ballet et Musique'.
author: John Buttrey
p 223:
Music and musicians of early Tudor Westminster.
author: Fiona Kisby
p 243:
Domenico Scarlatti and the Florentine piano.
author: David Sutherland
p 259:
The earliest paintings of the clarinet.
[Iconography]
author: Erich Hoeprich
p 269:
`Galimaufry' at Covent Garden; Purcell's `the Fairy Queen' in 1946.
author: Michael Burden
p 287:
Mozart's pedal piano.
[Instruments]
authors: Richard Maunder, David Rowland
p 299:
Performing matters: Sense and sensibility in late medieval music; thoughts on aesthetics and `authenticity'.
author: Rob Wegman
p 315:
John Butt: Music education and the art of performance in the German Baroque (what Bach's choirboys knew).
[Book Review]
reviewer: Ledbetter
p 316:
David Crook: Orlando di Lasso's imitation Magnificats for Counter-Reformation Munich (Lassus Magnificat settings).
[Book Review]
reviewer: Fitch
p 349:
A memorable Mozart weekend (October 1994).
[Reports]
author: Howard Schott
p 349:
San Marco conference (September 1994).
[Reports]
author: John Bettley
p 351:
Quatercentenary conferences in Duisburg (Palestrina, October 1994.
[Reports]
author: Noel O'Regan
p 355:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 361:
Dots and strokes - a controversy.
[Correspondence]
author: Frederick Neumann
p 362:
Dots and strokes - a controversy.
[Correspondence]
author: Richard Maunder
p 363:
Dots and strokes - a controversy.
[Correspondence]
author: David Montgomery
p 364:
Proportion in Monteverdi, a reply.
[Correspondence]
author: Jeffrey Kurtzmann
p 364:
Proportion in Monteverdi.
[Correspondence]
author: Roger Bowers
p 365:
J.S. Bach and left hand - right hand distribution.
[Correspondence]
author: Douglas Hollick
p 366:
J.S. Bach and left hand - right hand distribution, a reply.
[Correspondence]
author: Peter Williams
p 366:
Ludford, Sheppard, Fayrfax, a reply.
[Correspondence]
author: David Skinner
p 366:
Ludford, Sheppard, Fayrfax.
[Correspondence]
author: Richard Turbet
EMM Aug 1995 # 23.3
p 373:
Editorial.
author: Tess Knighton
p 375:
Music and ceremony during Charles V's 1519 visit to Barcelona.
author: Emilio Ros-Fábregas
p 393:
Instrumental music in Lerma, c.1608.
author: Douglas Kirk
p 411:
Roman polyphony at Tarazona.
author: Owen Rees
p 421:
Perfecting the perfect instrument; Fra Juan Bermudo on the the tuning and temperament of the `vihuela de mano'.
author: Wolfgang Freis
p 437:
Esteban Daza: a gentleman musician in Renaissance Spain.
author: John Griffiths
p 451:
Portuguese `mannerism': a case for an aesthetic inquisition.
author: Ivan Moody
p 461:
Playing in consonances; a Spanish Renaissance technique of chordal improvisation.
author: Miguel Roig-Francolí
p 473:
Performing matters: Spanish liturgical hymns: a matter of time.
author: Bruno Turner
p 485:
Peñalosa's hymn `O lux beata Trinitas' - a contrafactum.
[Observations]
author: Bruno Turner
p 487:
Newly discovered manuscript parts and annotations in a copy of Giovanni Gabrieli's `Symphoniae sacrae' (1615).
author: Richard Charteris
p 499:
Luis Hernández, ed.: Música y culto divino en el real monasterio de El Escorial (1563-1837).
[Book Review]
reviewer: Noone
p 501:
Paulino Capdepón: El P. Antonio Soler y el cultivo del villancico en El Escorial (1729-1783).
[Book Review]
reviewer: Torrente
p 502:
Christoph Wolff: Mozart's Requiem: historical and analytical studies, documents, score.
[Book Review]
reviewer: Jones
p 527:
Boston Early Music Festival and Exhibition 1995.
[Reports]
author: Howard Schott
p 530:
Valladolid conference on music and literature (1995).
[Reports]
author: Alvaro Torrente
p 533:
Early music on the Internet.
author: Donald Greig
p 535:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 538:
Thomas Binkley, 1931-1995.
[Obituary]
authors: David Fallows, Benjamin Bagby, Barbara Thornton, Wendy Gillespie
p 541:
The `a cappella' debate: the denial of the text.
[Correspondence]
author: Brian Gorman
p 542:
New light on Nicholas Ludford.
[Correspondence]
author: David Skinner
EMM Nov 1995 # 23.4
p 533:
`A flowing harmony': music on the Thames in Restoration London.
author: Julia Wood
p 549:
Editorial.
author: Michael Burden
p 550:
Purcell's organ at Westminster Abbey: a note on the cover illustration.
author: Dominic Gwynn
p 585:
`For the lustre of the Subject': music for the Lord Mayor's Day in the Restoration.
author: Michael Burden
p 605:
Manuscript music in Purcell's London.
author: Robert Thompson
p 621:
From Barnard to Purcell: the copying activities of Stephen Bing.
authors: Sara Boyer, Jonathan Wainwright
p 651:
`Fairest Isle(tm' - land of the scholar-kings.
author: Andrew Pinnock
p 667:
Performing matters: Continuo lutes in the 17th and 18th century England.
author: Lynda Sayce
p 685:
Purcell's sacred music on record - I.
author: Eric Van Tassel
p 695:
Martin Adams: Henry Purcell: the origins and development of his musical style.
[Book Review]
reviewer: Thompson
p 695:
Peter Holman: Henry Purcell.
[Book Review]
reviewer: Thompson
p 695:
Robert King: Henry Purcell: `a greater musical genius England never had'.
[Book Review]
reviewer: Thompson
p 697:
Rob Wegman: Born for the Muses: the life and Masses of Jacob Obrecht.
[Book Review]
reviewer: Urquhart
p 699:
David Buch: Dance music from the `ballets de cour' 1575-1651.
[Book Review]
reviewer: Coeyman
p 699:
Meredith Little, Carol Marsh: La danse noble.
[Book Review]
reviewer: Coeyman
p 699:
Rebecca Harris-Warrick, Carol Marsh: Musical theatre at the court of Louis XIV: le mariage de la Grosse.
[Book Review]
reviewer: Coeyman
p 721:
Authenticity in interpretation (Symposium, Jerusalem 1995).
[Reports]
author: Shai Burstyn
p 723:
The `ffantazia manner' (the fantasia in England, Viola da Gamba Society meeting 1995).
[Reports]
author: Lucy Robinson
p 725:
Festivals at Bari and Mantua (1995).
[Reports]
author: Dinko Fabris
p 727:
Margot Leigh Milner (1911-1995).
[Obituary]
authors: J.M. Thomson, Poppy Holden, Nicholas Kenyon
p 731:
Vanitas: on preserving and restoring old Instruments.
[Correspondence]
author: Michael Latcham
p 734:
Instrumental Iconography, a reply.
author: Eric Hoeprich
p 734:
Instrumental Iconography.
author: Martin Kirnbauer
p 734:
Instrumental Iconography.
author: Peter Downey
EMM Feb 1996 # 24.1
p 5:
Editorial.
author: Tess Knighton
p 7:
`Music & Poetry, mixed': Thomas Jordan's manuscript collection.
author: Lynn Hulse
p 27:
Masque and politics at the Restoration court: John Crowne's Calisto.
author: Andrew Walkling
p 65:
Musical images in a portrait of Teresa Blunt.
authors: Curtis Price, William Rasmussen
p 79:
Purcell's sacred music on record - II.
author: Eric Van Tassel
p 95:
Ornaments for Corelli's violin sonatas, op.5.
author: Neal Zaslaw
p 119:
18th century variations for Corelli's sonatas, op.5.
author: Robert Seletsky
p 133:
Performing Corelli's sonatas, op.5.
author: Peter Walls
p 145:
Performing matters: The performance of Palestrina: some further observations.
author: Noel O'Regan
p 157:
Bianca Antolini, et al.: La musica a Roma attraverso le fonti d'archivio (an archival study of music in Rome).
[Book Review]
reviewer: Fenlon
p 157:
Lino Bianchi, Giancarlo Rostirolla: Iconografia Palestrina (a Palestrina Iconography).
[Book Review]
reviewer: Fenlon
p 159:
J.S. Bach, Pamela Poulin, tr.: Precepts and principles for playing the thorough-bass or accompanying in four parts (Bach as harmony teacher).
[Book Review]
reviewer: Boyd
p 160:
Johann Friedrich Agricola, Julianne Baird, tr.: Introduction to the art of singing, (18th century singing treatise).
[Book Review]
reviewer: Ledbetter
p 160:
Pier Francesco Tosi, Johann Friedrich Agricola: Anleitung zur Singkunst, facs. (18th century singing treatise).
[Book Review]
reviewer: Ledbetter
p 162:
Katalin Komlós: Fortepianos and their music: Germany, Austria and England, 1760-1800.
[Book Review]
reviewer: Rowland
p 181:
Purcell and Elgar.
[Reports]
author: Michael Burden
p 182:
Holland Festival of Early Music, 1995.
[Reports]
author: Tim Carter
p 184:
Binchois `tout seul'.
[Reports]
author: Bonnie Blackburn
p 187:
Isolde Ahlgrimm, 1914-1995.
[Obituary]
author: Peter Watchorn
p 189:
C.P.E. Bach lost or Quantz found, a reply.
[Correspondence]
author: Jeanne Swack
p 189:
C.P.E. Bach lost or Quantz found.
[Correspondence]
author: Ralph Leavis
p 189:
Scarlatti and the fortepiano in Spain, a reply.
[Correspondence]
author: David Sutherland
p 189:
Scarlatti and the fortepiano in Spain.
[Correspondence]
author: Malcolm Boyd
p 190:
Handel Institute Awards 1996/97.
[Correspondence]
p 190:
Historical Instruments in recording.
[Correspondence]
p 190:
Villa I Tatti.
[Correspondence]
EMM May 1996 # 24.2
p 197:
Editorial.
author: Tess Knighton
p 199:
The early use of the sign ø.
author: Margaret Bent
p 227:
A re-examination of the evidence on absolute tempo before 1700 - I.
author: Ephraim Segerman
p 251:
`Behold our affliction': celebration and supplication in the Gonzaga household.
author: Graham Dixon
p 263:
On sounding the trumpet and beating the drum in 17th century England.
author: Peter Downey
p 279:
The origin of `Adeste fideles'.
author: Bennett Zon
p 291:
Performing matters: Phrasing in contention.
author: Anthony Pay
p 323:
Performing matters: Acting up a text: the scholarship of performance and the performance of scholarship.
author: John Butt
p 323:
Richard Taruskin: Text and act: essays on music and performance.
[Book Review]
reviewer: Butt
p 335:
Jean-Michel Vaccaro, ed.: Le concert des voix et des Instruments à la Renaissance (XXXIVe Colloque International d'Etudes Supérieures de la Renaissance, 1991).
[Book Review]
reviewer: Blackburn
p 337:
John Thomson, ed.: The Cambridge companion to the recorder.
[Book Review]
reviewer: Ehrlich
p 338:
Fenner Douglass: The language of the classical French organ: a musical tradition before 1800.
[Book Review]
reviewer: Butt
p 340:
Stewart Pollens: The early pianoforte.
[Book Review]
reviewer: Sutherland
p 363:
Loud and soft in the Baroque, a reply.
[Correspondence]
author: Willem Kroesbergen
p 363:
Loud and soft in the Baroque.
[Correspondence]
author: Marc Champollion
p 366:
Purcell and pitch, a reply.
[Correspondence]
author: Eric Van Tassel
p 366:
Purcell and pitch.
[Correspondence]
author: Peter Holman
EMM Aug 1996 # 24.3
p 373:
Editorial.
author: Richard Widdess
p 375:
Source and stream: early music and living traditions in China.
author: Stephen Jones
p 391:
The oral in writing: early Indian musical notations.
author: Richard Widdess
p 407:
Music and aesthetics: an early Indian perspective.
author: Jonathan Katz
p 423:
Arab-Andalusian music in Tunesia.
author: Ruth Davis
p 439:
Music in a Ugandan court.
author: Peter Cooke
p 455:
Middle Eastern song-text collections.
author: Owen Wright
p 471:
Performing matters: The llama's flute: musical misunderstandings in the Andes.
author: Henry Stobart
p 485:
O tempora! O mores!; a new recording of Obrecht's `Missa Maria zart'.
author: Fabrice Fitch
p 497:
Frederick Hammond: Music and spectacle in baroque Rome; Barberini patronage under Urban VIII.
[Book Review]
reviewer: Fenlon
p 498:
Rossana Dalmonte, ed.: Trent, its place in musical history.
[Book Review]
reviewer: Fenlon
p 500:
Manuel de Brito, Luísa Cymbron: História da música porteguesa (the history of music in Portugal).
[Book Review]
reviewer: Rees
p 503:
Daniel Melamed: Bach studies 2.
[Book Review]
reviewer: Ledbetter
p 503:
Michael Marissen: The social and religious designs of J.S. Bach's Brandenburg Concertos.
[Book Review]
reviewer: Ledbetter
p 503:
Russell Stinson, ed.: Bach perspectives, vol. 1.
[Book Review]
reviewer: Ledbetter
p 525:
American Musical Instrument Society jubilee meeting.
[Reports]
author: Beryl Kenyon de Pascual
p 526:
The Galpin Society visits Germany.
[Reports]
author: Virginia Pleasants
p 527:
The Schubert Institute at Finchcocks.
[Reports]
p 529:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 535:
Thomas Walker, 1936-1995.
[Obituary]
author: Margaret Bent
p 537:
Historic organs, to preserve or conserve? a reply.
[Correspondence]
author: Jeremy Montagu
p 537:
Historic organs, to preserve or conserve.
[Correspondence]
author: Martin Renshaw
p 538:
On sounding the trumpet and grinding the axe.
[Correspondence]
author: Peter Holman
p 540:
On sounding the trumpet and grinding the axe, a reply.
[Correspondence]
author: Peter Downey
p 540:
The theorbo in England.
[Correspondence]
author: Robert Spencer
p 542:
A forgotten Robert White recording.
[Correspondence]
author: Jason Smart
EMM Nov 1996 # 24.4
p 548:
Editorial.
author: Tess Knighton
p 551:
Bach's chorus: a `brief yet highly necessary' reappraisal.
author: Andrew Parrott
p 583:
From Weimar to Leipzig: concertists and ripienists in Bach's `Ich hatte viel Bekümmernis'.
author: Joshua Rifkin
p 604:
Performing matters: Recording Bach's early cantatas.
author: Ton Koopman
p 623:
Yet more ornaments for Corelli's violin sonatas, op.5.
author: H. Diack Johnstone
p 635:
Corelli's op.5: text, act ... and reaction.
author: John Holloway
p 645:
Corelli's op.5 sonatas: `violino e violone o cimbalo'.
author: David Watkin
p 665:
`Unerringly tasteful'?: harpsichord continuo in Corelli's op.5 sonatas.
author: Lars Ulrik Mortensen
p 681:
A re-examination of the evidence on absolute tempo before 1700 - II.
author: Ephraim Segerman
p 691:
Andrew Asbee: Records of English court music.
[Book Review]
reviewer: Skinner
p 691:
John Morehen, ed.: English choral practice, 1400-1650.
[Book Review]
reviewer: Skinner
p 693:
Peter Walls: Music in the English courtly masque, 1604-1640. Burden.
[Book Review]
p 694:
Michael Burden, ed.: Performing the music of Henry Purcell.
[Book Review]
reviewer: Thompson
p 696:
Iain Fenlon: Music, print and culture in early 16th century Italy.
[Book Review]
reviewer: Carter
p 723:
Musicology in practice; 23rd Conference on Medieval and Renaissance Music, University of Southampton, 5-9 July 1996.
[Reports]
author: Jonathan Kink
p 725:
Baroque music conference; 7th Biennial Conference on Baroque Musique, University of Birmingham, 4-7 July 1996.
[Reports]
author: Peter Allsop
p 727:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 731:
There's many a slip ..; on lip technique on English trumpets, a reply.
[Correspondence]
author: Peter Downey
p 731:
There's many a slip ..; on lip technique on English trumpets.
[Correspondence]
authors: Bruce Wood, Andrew Pinnock
EMM Feb 1997 # 25.1
p 5:
Editorial.
author: Tess Knighton
p 7:
An English motet of the 14th century in performance: two contemporary images.
author: Christopher Page
p 22:
The texts and music of `Zelo tui langueo/Reor nescia'.
p 35:
Bach's French overtures and the politics of overdotting.
author: Matthew Dirst
p 47:
A French overture revisited; another look at the two versions of Bach's BWV 831.
author: Ido Abravaya
p 63:
Reconstructing the Mannheim court theatre.
author: Paul Corneilson
p 83:
A manuscript source for Magnificats by Victoria.
author: Lucy Wojcicka-Hruza
p 101:
Performing matters: Modern Schubert interpretation in the light of the pedagogical sources of his day.
author: David Montgomery
p 121:
New publications in Dutch on music before 1700 and a newly discovered 15th century Dutch manuscript with songs.
author: Barbara Haggh
p 131:
Stephen Bicknell: The history of the English organ.
[Book Review]
reviewer: Harper
p 133:
Timothy McGee: Singing early music: the pronounciation of European languages in the late Middle Ages and Renaissance.
[Book Review]
reviewer: Alison Wray
p 137:
Lawrence Earp: Guillaume de Machaut: a guide to research.
[Book Review]
reviewer: Leech-Wilkinson
p 159:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 167:
The early fortepiano, a reply.
[Correspondence]
author: David Rowland
p 167:
The early fortepiano.
[Correspondence]
author: Katalin Komlós
p 168:
Obrecht's `Maria Zart': scholarly opinion versus subjective interpretation, a reply.
[Correspondence]
author: Fabrice Fitch
p 168:
Obrecht's `Maria Zart': scholarly opinion versus subjective interpretation.
[Correspondence]
author: Peter Phillips
p 172:
A viol error, certainly.
[Correspondence]
author: John Bryan
p 172:
Performing Corelli's op.5.
[Correspondence]
author: Peter Walls
EMM May 1997 # 25.2
p 180:
Editorial.
author: Andrew Wathey
p 185:
Groomed for service: musicians in the Privy Chamber at the English court, c.1495-1558.
author: Andrew Ashbee
p 199:
Royal minstrels in the city and suburbs of early Tudor London: professional activities and private interests.
author: Fiona Kisby
p 221:
Music at the parish church of St Mary at Hill, London.
author: Richard Lloyd
p 229:
The early Tudor court, the provinces and the Eton Choirbook.
author: Magnus Williamson
p 245:
Discovering the provenance and history of the Caius and Lambeth choirbooks.
author: David Skinner
p 269:
Performing matters: Spatial effects in English instrumental consort music, c.1560-1605.
author: Richard Rastall
p 291:
The recording history of the Eton Choirbook: a preliminary investigation.
author: Magnus Williamson
p 297:
Bach's chorus: who cares.
[Observations]
author: Andrew Parrott
p 303:
Bassoons, violins and voices: a response to Ton Koopman.
[Observations]
author: Joshua Rifkin
p 309:
Richard Sherr: Sistine Chapel music from around 1500.
[Book Review]
reviewer: Dean
p 311:
David Lasocki, ed: The recorder in the 17th century: proceedings of the International Recorder Symposium, Utrecht 1993.
[Book Review]
reviewer: Ehrlich
p 311:
Richard Griscom, David Lasocki: The recorder: a guide to writings about the instrument for players and researchers.
[Book Review]
reviewer: Ehrlich
p 333:
Holland Festival of Early Music, Utrecht 1996.
[Reports]
author: Rainer Baumgärtner
p 334:
Music and the Mediterranean.
[Reports]
author: Miguel Marín
p 335:
Musical iconography in Spain.
[Reports]
author: Christina Bordas
p 336:
Historical dance.
[Reports]
author: Anne Cottis
p 339:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 345:
Anthony Baines, 1912-1997.
[Obituary]
author: Jeremy Montagu
p 346:
Isobel Woods Preece, 1956-1997.
[Obituary]
author: Eric Cross
p 349:
The realities of the music publishing world.
[Correspondence]
author: Anne Schnoebelen
EMM Aug 1997 # 25.3
p 356:
Editorial.
author: Tess Knighton
p 357:
Monteverdi, two sonnets and a letter.
author: Anthony Pryer
p 373:
Another look at the `corrupt passage' in Mozart's G minor symphony, K550.
author: Cliff Eisen
p 383:
Mozart and the pianos of Gabriel Anton Walter.
author: Michael Latcham
p 403:
Urban musical culture in late medieval southern France; evidence from private notarial sources.
author: Gretchen Peters
p 412:
Two contributions to dulcian iconography; the dulcian and voices in Flanders.
[Iconography]
author: Beryl Kenyon de Pascual
p 421:
Two contributions to dulcian iconography; the Virgin of Montserrat.
[Iconography]
author: Beryl Kenyon de Pascual
p 429:
Quantz and the transverse flute; some aspects of his practice and thought regarding the instrument.
author: Edward Reilly
p 441:
New light on Quantz's advocacy of Telemann's music.
author: Steven Zohn
p 463:
Performing matters: Tempos and proportions in Brahms: period evidence.
author: Bernard Sherman
p 479:
Neal Zaslaw, ed.: Mozart's piano concertos: text, context, interpretation.
[Book Review]
reviewer: Jones
p 484:
Harold Copeman: Singing the meaning: a layman's approach to religious music.
[Book Review]
reviewer: Rees
p 513:
Pioneer harpsichordists on CD.
author: Howard Schott
p 519:
Piano concertos by Mozart and Beethoven.
author: Joseph Kerman
p 523:
Two conferences - Ockeghem and newly catalogued sources.
[Reports]
author: Barbara Haggh
p 529:
manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 533:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 539:
Michael Thomas (1922-1997).
[Obituary]
author: Charles Mould
p 541:
One-to-a-part.
[Correspondence]
EMM Nov 1997 # 25.4
p 548:
A love affair.
author: Tess Knighton
p 549:
Early Music, 100 issues.
author: John Mansfield Thomson
p 553:
The survivor speaks.
author: Arthur Boyars
p 555:
Time to talk back to treatises.
author: Nicholas Kenyon
p 557:
Early Music yesterday, today and tomorrow.
author: Howard Schott
p 559:
Early music: listening practice and living museums.
author: Curtis Price
p 561:
A sense of place.
author: Julie Anne Sadie
p 563:
Early music: observations and predictions.
author: Daniel Leech-Wilkinson
p 564:
Two early music revolutions.
author: David Fallows
p 567:
`Authentic' listening.
author: Margaret Bent
p 568:
In vino veritas.
author: Neal Zaslaw
p 569:
A political dimension.
author: Cezary Zych
p 571:
A listener's odyssey.
author: Clemens Goldberg
p 573:
25 years of early music in Italy.
author: Dinko Fabris
p 577:
Be in my video.
author: Fabrice Fitch
p 591:
Listening practice: Introduction.
author: Christopher Page
p 593:
For whom do the singers sing.
author: Bonnie Blackburn
p 611:
Listening to sacred polyphony c.1500.
author: Jeffrey Dean
p 638:
Listening to the trouvères.
author: Christopher Page
p 661:
Space s and contexts for listening in 15th century Castile: the case of the Constable's palace in Jaén.
author: Tess Knighton
p 678:
Did people listen in the 18th century.
author: William Weber
p 692:
In quest of the period ear (listening matters).
author: Shai Burstyn
p 702:
`Something utterly new': listening to Schubert lieder - 1: Vogl and the declamatory style.
author: Eric van Tassel
p 705:
The future of Schubert interpretation: what is really needed.
[Observations]
author: Malcolm Bilson
p 723:
Performance prerogatives in Schubert.
[Observations]
author: Robert Levin
p 728:
Page turns, players and ripeno parts: more questions of scoring in Bach's vocal music.
[Observations]
author: Joshua Rifkin
EMM Feb 1998 # 26.1
p 4:
Editorial.
author: Tess Knighton
p 6:
Who wrote Lassus's most famous piece.
author: Daniel Melamed
p 29:
A singer's book in the British Library.
author: Jeanice Brooks
p 51:
Polyphonic keyboard accompaniment in the early Baroque: an alternative to basso continuo.
author: Gregory Johnston
p 66:
A Hoggarth puzzle.
author: Ghislaine Kenyon
p 71:
A Florentine harpsichord; revealing transitional technology.
author: David Jensen
p 87:
`Da camera e da ballo - alla francese et all'italiana'; functional and national distinctions in Corelli's `sonata da camera'.
author: Peter Allsop
p 99:
Bach's vocal scoring: what can it mean.
author: John Butt
p 109:
Bach's choir, an ongoing story.
author: Ton Koopman
p 123:
`A sweet shrill voice'; the countertenor and vocal scoring in Tudor England.
[Performing Matters]
author: Simon Ravens
p 137:
Raymond Erickson, intr, Claude Palisca, ed: Musica enchiriadis and Scolica enchiriadis (Carolingian theory interpreted).
[Book Review]
reviewer: Caldwell
p 139:
Nicola Vicentino: Ancient music adapted to modern practice; Maria Maniates, intr., Claude Palisca, tr.
[Book Review]
reviewer: Blackburn
p 141:
François Reynaud: La polyphonie tolédane et son milieu des premiers témoignages aux environs de 1600.
[Book Review]
reviewer: Nelson
p 143:
Pieter Dirksen: The keyboard music of Jan Pieterszoon Sweelinck: its style, significance and influence.
[Book Review]
reviewer: Smith
p 145:
Laurence Dreyfus: Bach and the patterns of invention (reinventing Bach criticism).
[Book Review]
reviewer: Butt
p 147:
George Stauffer: Bach, the Mass in B minor.
[Book Review]
reviewer: Butt
p 149:
George Hill, Norris Stephens: Collected editions, historical series & sets & monuments of music: a bibliography.
[Book Review]
reviewer: Butt
p 166:
Paris - the new Musée de la Musique.
[Reports]
author: Eric Hoeprich
p 168:
Music in medieval Slovenia.
[Reports]
author: Bojan Buji('c
p 169:
Encontros de Música da Casa de Mateus.
[Reports]
author: Jeremy Summerly
p 171:
Utrecht Early Music Festival 1997.
[Reports]
author: James Chater
p 173:
Magnano Clavichord Symposium.
[Reports]
author: Virginia Pleasants
p 175:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 180:
Some memories of Haslemere (Carl and Cécile Dolmetsch).
[Obituary]
author: Layton Ring
p 181:
Robert Spencer, 1932-1997.
[Obituary]
author: Tim Crawford
p 181:
Ruth Dyson - a personal tribute.
[Obituary]
author: Virginia Pleasants
p 183:
Alan Kitching, 1906-1997.
[Obituary]
author: Donald Burrows
p 184:
George Malcolm, 1917-1997.
[Obituary]
author: Richard Henwood
p 185:
George Malcolm, 1917-1997.
[Obituary]
author: Nicholas Kenyon
p 188:
A la recherche du temps perdu (on Bach's BWV 831); a reply.
[Correspondence]
author: Ido Abravaya
p 188:
A la recherche du temps perdu (on Bach's BWV 831).
[Correspondence]
author: John Byrt
p 188:
Preserving old pianos.
[Correspondence]
author: Sally Fortino
p 189:
An English motet.
[Correspondence]
author: John Caldwell
p 190:
The succession of the earls of Arundel.
[Correspondence]
author: David Skinner
EMM May 1998 # 26.2
p 197:
Editorial.
author: Tess Knighton
p 198:
Dance in late 17th century London: Priestly muddles.
author: Jennifer Thorp
p 213:
`Actions, Manners, and Passions': entr'acte dancing on the London stage, 1700-1737.
author: Moira Geoff
p 231:
Dance in early Tudor England: an Italian connection.
author: Jennifer Nevile
p 247:
Torchbearers in the English masque.
author: Anne Daye
p 264:
Social dance in the 1668 `Feste de Versailles': architecture and performance context.
author: Barbara Coeman
p 287:
Dance notation systems in late 17th century France.
author: Ken Pierce
p 301:
The `passacaille' in Lully's Armide: phase structure in the choreography and the music.
author: Judith Schwartz
p 323:
Bad news, or not? Thoughts on Renaissance performance practice.
author: Kenneth Kreitner
p 335:
Louise Stein: Songs of mortals, dialogues of the gods; music and theatre in 17th century Spain.
[Book Review]
reviewer: Kreitner
p 337:
John Irving: Mozart's piano sonatas; contexts, sources, style.
[Book Review]
reviewer: Simon Keefe
p 338:
Bernard Harrison: Haydn's keyboard music; studies in performance practice.
[Book Review]
reviewer: David Rowland
p 339:
Mary Morrow: German music criticism in the late 18th century; aesthetic issues in instrumental music.
[Book Review]
reviewer: Simon Keefe
p 341:
Francine Lancelot: La belle dance; catalogue raisonné.
[Book Review]
reviewer: Simon Keefe
p 367:
Boston Early Music Festival 1997.
[Reports]
author: Howard Schott
p 369:
Baroque opera and dance in London.
[Reports]
author: Moira Geoff
p 373:
Hugh Gough (1916-1997).
[Obituary]
author: John Koster
p 374:
Minstrels in Tudor London.
[Correspondence]
author: Hugh Baillie
p 375:
Listening to sacred polyphony.
[Correspondence]
author: Honey Meconi
p 379:
On hexachords and the flights of time.
[Correspondence]
author: David Pinto
p 380:
Bach's chorus: a never ending story.
[Correspondence]
author: Joshua Rifkin
p 381:
Contradistinctions and contra-indications.
[Correspondence]
author: David Fallows
p 381:
Contradistinctions and contra-indications.
[Correspondence]
author: Trevor Stelwood
EMM Aug 1998 # 26.3
p 389:
Editorial.
author: Tess Knighton
p 391:
José Zaragosá's box: science and music in Charles II's Spain.
authors: Cristina Bordas, Luis Robledo
p 415:
The minuet: painter-musicians in triple time.
author: Anthony Rowland-Jones
p 433:
`O socii durate'; a musical correspondance from the time of Philip II.
author: Ignace Bossuyt
p 445:
Music for the gods? A dispute concerning Francesco Lucio's `Gl'amori di Alessandro Magno, e di Rossane'.
author: Beth Glixon
p 457:
Purcell's revisions to the funeral sentences revisited.
author: Robert Shay
p 469:
A unique cantus firmus usage in a 15th century English mass movement (by the composer John Bennet).
[Observations]
author: Jean-Marc Evans
p 479:
How to make a saint: on interpreting Hildegard of Bingen.
[Performing Matters]
author: Richard Witts
p 487:
Ignace Bossuyt: Flemish polyphony.
[Book Review]
reviewer: Fabrice Fitch
p 488:
James Grier: The critical editing of music; history, method, and practice.
[Book Review]
reviewer: Jonathan King
p 490:
John Harper: Welsh music history.
[Book Review]
reviewer: Owen Rees
p 515:
Music as heard (pre 1600 repertory).
[Reports]
author: Shai Burstyn
p 519:
Manuscripts and printed music.
[Salerooms]
author: Arthur Searle
p 524:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 531:
Nino Pirotta (1908-1998).
[Obituary]
author: Nicoletta Guidobaldi
p 533:
Exchanging Schubert for Schillings, a reply.
[Correspondence]
author: Robert Levin
p 533:
Exchanging Schubert for Schillings.
[Correspondence]
author: David Montgomery
p 535:
In vino veritas.
[Correspondence]
author: Robert Philip
p 537:
Listening to sacred polyphony.
[Correspondence]
author: Jeffrey Dean
p 539:
Listening to sacred polyphony, a reply.
[Correspondence]
author: Honey Meconi
p 539:
The application of counter-intelligence.
[Correspondence]
author: Simon Ravens
p 540:
Bach's chorus: stomach aches may disappear, a reply.
[Correspondence]
author: Joshua Rifkin
p 540:
Bach's chorus: stomach aches may disappear.
[Correspondence]
author: Christoph Wolff
EMM Nov 1998 # 26.4
p 549:
Editorial.
author: Michael Burden
p 551:
Dramatic dualities; Metastasio and the tradition of the opera pair.
author: Reinhard Strohm
p 562:
Reforming Achillus: gender, opere seria and the rhetoric of the enlightened hero.
author: Wendy Heller
p 583:
Staging an opera: letters from the Cesarian poet.
author: Roger Savage
p 596:
Opera or oratorio?: Metastasio's sacred opere serie.
author: Dom Neville
p 609:
`Twittering and trilling': Swedish reaction to Metastasio.
author: Michael Burden
p 623:
Metastasio on the Spanish stage; operatic adaptations in the public theatres of Madrid in the 1730s.
author: José-Máximo Leza
p 632:
A dynastic marriage celebrated.
[Iconography]
author: Roger Savage
p 637:
Bach's chorus: beyond reasonable doubt.
[Performing Matters]
author: Andrew Parrott
p 661:
John Harley: William Byrd: gentleman of the Chapel Royal (life and works).
[Book Review]
reviewer: Julian Grimshaw
p 662:
Janice Dockendorff: A new method for the one-keyed flute, baroque and classical.
[Book Review]
reviewer: Christine Garratt
p 666:
Albert Dunning, ed: Interno a Locatelli: studi in occasione del tricentenario della nascita di Pietro Antonio Locatelli (1695-1764).
[Book Review]
reviewer: Barbara Sachs
p 669:
Stanley Sade, ed: The new Grove dictionary of opera (early opera).
[Book Review]
reviewer: Michael Burden
p 699:
Domenico Scarlatti Festival in Boston 1998.
[Reports]
author: Howard Schott
p 700:
Bruges keyboard composition 1998.
[Reports]
author: Virginia Pleasants
p 702:
John Barnes 1928-1998.
[Obituary]
author: Charles Mould
EMM Feb 1999 # 27.1
p 5:
Editorial.
author: Iain Fenlon
p 7:
Marchetto da Padova and Giotto's Scrovegni Chapel frescoes.
author: Eleonora Beck
p 25:
Giaces de Wert at Novellara.
author: Iain Fenlon
p 42:
The Beggar's Opera and opéra comique en veaudevilles.
author: Daniel Heartz
p 55:
A sweet bird of youth: Caffarelli in Pistoia.
author: Jean Grundy Fanelli
p 65:
Heidegger and the management of the Haymarket Opera, 1713-1717.
authors: Judith Milhous, Robert Hume
p 87:
Guadagni in the dock: a crisis in the career of a castrato.
author: Patricia Howard
p 96:
Music and the royal procession in Maria Theresia's Vienna.
author: Janet Page
p 121:
Fabrice Fitch: Johannes Ockeghem: masses and models.
[Book Review]
reviewer: Andrew Kirkman
p 125:
Eugene Casjen Cramer: Tomás Luis de Victoria: a guide to research.
[Book Review]
reviewer: Owen Rees
p 126:
Hans David, Arthur Mendel, Christoph Wolff, ed: The new Bach Reader: a life of Johann Sebastian Bach in letters and documents.
[Book Review]
reviewer: David Ledbetter
p 129:
Valerie Walden: One hundred years of violoncello: a history of technique and performance practice, 1740-1840.
[Book Review]
reviewer: John Moran
p 155:
The 1998 Berkeley Festival and Exhibition.
[Reports]
author: Bernard Sherman
p 156:
Hildegard von Bingen conference.
[Reports]
author: Annette Kreutziger-Herr
p 158:
The Centro di Musica Antica `Pietà dei Turchini', Naples.
[Reports]
author: Irene Calagna
p 161:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 169:
Barbara Thornton, 1950-1998.
[Obituary]
author: Klaus Neumann
p 170:
Jean-Michel Vaccaro, 1938-1998.
[Obituary]
author: Frank Dobbins
p 171:
Jean Lionnet, 1935-1998.
[Obituary]
author: Graham Sadler
p 172:
Bach's chorus: a plea for mercy.
[Correspondence]
authors: Lionel Sawkins, Michael Burden, T Pamplin, Susan Wollenburg
p 172:
Bach's chorus: an amplification.
[Correspondence]
author: Christoph Wolff
p 173:
Bach's chorus: an appreciation.
[Correspondence]
author: Gavin Kirkpatrick
p 174:
Portrait of a man with a recorder (Giovanni Savoldo).
[Correspondence]
author: Anthony Rowland-Jones
EMM May 1999 # 28.2
p 180:
Editorial.
author: Peter Holman
p 183:
Iberian discoveries; six Spanish 17th century harpsichords (Fray Raymundo et Fray Antonio, Fray Pedro Luis de Bergaños, Ludovicus Muñoz, Fray Bartomeu Risueño, Domingo de Carvaleda, Roque Blasco).
author: Andreas Beurmann
p 211:
The prince and the piper; `Haut, bas' and the whole body in early modern Europe.
author: Keith McGowan
p 235:
A bridge to the past; investigating an old viol bridge at Haddon Hall.
author: Michael Fleming
p 244:
Appendix: what contribution does the wood make to the performance of the bridge.
author: Michael Fleming
p 249:
Timpani parts in German baroque music; the `Schlagmanieren' revisited.
author: John Cooper
p 269:
The reconstruction of an 18th century `basso' group.
author: Laurie Ongley
p 283:
Piano music and keyboard compass in the 1790s.
author: David Rowland
p 295:
Performing the instrumental music in the Segovia Codex.
[Performing Matters]
author: Jon Banks
p 311:
Stephen Bing's copies of Coprario fantasia suites.
[Observations]
author: Christopher Field
p 319:
Bernard Sherman: Inside early music; conversations with performers (playing and thinking).
[Book Review]
reviewer: Daniel Leech-Wilkinson
p 323:
Victor Anand Coelho, ed.: Performance on lute, guitar, and vihuela; historical practice and modern interpretation (performing on plucked strings).
[Book Review]
reviewer: Tim Crawford
p 349:
Counter arguments to `The application of counter-intelligence' by Simon Ravens.
[Correspondence]
author: Trevor Selwood
p 350:
Bach's chorus; not again.
[Correspondence]
author: Joshua Rifkin
EMM Aug 1999 # 29.3
p 356:
Editorial.
author: Tim Carter
p 358:
Recording Tarquinia: imitation, parody and reportage in Ingegneri's `Hor che 'l ciel e la terra e 'l vento tace'.
author: Laurie Stras
p 379:
`Her eyes became two spouts': classical antecedents of Renaissance laments.
author: Leofranc Holford-Strevens
p 395:
Lamenting Ariadne.
author: Tim Carter
p 407:
Weeping at the water's edge (Arianna).
author: Anne MacNeil
p 419:
Catherine de Médicis, `nouvelle Artémise': woman's laments and the virtue of grief.
author: Jeanice Brooks
p 437:
Re-voicing Arianna (and laments): two women respond.
author: Suzanne Cusick
p 451:
The `Scala degli Specchi' uncovered: Monteverdi, the Gonzagas and the Palazzo Ducale, Mantua.
[Performing Matters]
author: Paola Besutti
p 467:
17th century music prints at Mdina Cathedral, Malta.
author: Franco Bruni
p 481:
Andrew Ashbee, David Lasocki: A bibliographical dictionary of English court musicians, 1485-1714, 2 vols.
[Book Review]
reviewer: Roger Bowers
p 483:
Katherine Bergeron: Decadent enchantments: the revival of Gregorian chant at Solesmes.
[Book Review]
reviewer: Peter Jeffery
p 485:
Peter Williams: The chromatic fourth during four centuries of music.
[Book Review]
reviewer: Fabrice Fitch
p 507:
German Orpheus: C.P.E. Bach and musical culture in the late 18th century (C.P.E. Bach conference 12-14 February 1999).
[Reports]
author: Susan Wollenberg
p 508:
Francis (1917-1999) and June Baines (-1999).
[Obituary]
author: Jane Ryan
p 508:
Francis (1917-1999) and June Baines (-1999).
[Obituary]
author: Pam Munks
p 508:
Francis (1917-1999) and June Baines (-1999).
[Obituary]
author: Peter Holman
p 509:
Francis (1917-1999) and June Baines (-1999).
[Obituary]
author: Stephen Dodgson
p 510:
Guadagni in the dock.
[Correspondence]
author: Graydon Beeks
p 510:
Reply to Guadagni in the dock.
[Correspondence]
author: Patricia Howard
EMM Nov 1999 # 29.4
p 516:
Editorial.
authors: Tess Knighton, James Chater
p 519:
Marenzio and cardinal Luigi d'Este.
author: Marco Bizzarini
p 535:
Marenzio and the `villanella alla romana'.
author: Ruth DeFord
p 555:
Marenzio and Wert read Tasso: a study in contrasting aesthetics.
author: Jessie Owens
p 577:
`Such sweet sorrow: the `dialogo di partenza' in the Italian madrigal.
author: James Chater
p 600:
`An aristocratic dilettante': notes on the life and works of Antonio Bicci (1552-1614).
author: Piero Gargiulo
p 609:
Marenzio's sacred music: the Roman context.
author: Noel O'Regan
p 622:
Marenzio, Poland and the late polychoral sacred style.
author: Roland Jackson
p 633:
Performance practice in the `seconda prattica' madrigal.
[Performing Matters]
author: Rinaldo Alessandrini
p 641:
Marenzio on record.
author: Roberto Giuliani
p 655:
Marco Bizzarini: Marenzio, la carriera di un musicista tra rinascimento e controriforma.
[Book Review]
reviewer: Laura Macy
p 659:
Sally Harper, ed.: Bardic traditions and transcriptions.
[Book Review]
reviewer: Wyndham Thomas
p 660:
Alfred Planyavsky: The baroque double bass violone.
[Book Review]
reviewer: Ephraim Segerman
p 682:
Marenzio celebrations in 1999.
[Reports]
author: Marco Bizzarini
p 683:
1999 Boston Early Music Festival.
[Reports]
author: Howard Schott
p 686:
NEMA conference, from renaissance to baroque.
[Reports]
author: Jeremy Montagu
EMM Feb 2000 # 28.1
p 5:
Editorial.
author: Tess Knighton
p 9:
Is the quinton a viol? A puzzle unravelled.
author: Myrna Herzog
p 33:
Patronizing Handel, inventing audiences; the intersections of class, money, music and history.
author: David Hunter
p 50:
Escobedo's Missa Philippus Rex Hispanie: a Spanish descant of Josquin's Hercules Mass.
author: Anthony Fiumara
p 65:
An Italian oboist in Germany: double reed making ca 1750.
author: Samantha Owens
p 73:
Haydn and the English classical piano style.
author: Bas van Oort
p 91:
A contemporary example of harpsichord forgery.
[Observations]
author: John Koster
p 99:
Some new interpretations of the notes inégales evidence.
[Performing Matters]
author: John Byrt
p 115:
Julie Cumming: The motet in the age of Du Fay.
[Book Review]
reviewer: Margaret Bent
p 117:
Ernest Sanders: French and English polyphony of 13th and 14th centuries.
[Book Review]
reviewer: David Fallows
p 117:
James McKinnon: The temple, the church fathers and early western chant.
[Book Review]
reviewer: David Fallows
p 117:
Kenneth Levy: Gregorian chant and the Carolingians.
[Book Review]
reviewer: David Fallows
p 117:
Michael Talbot: Venetian music in the age of Vivaldi.
[Book Review]
reviewer: David Fallows
p 117:
Richard Sherr: Music and musicians in Renaissance Rome and other courts.
[Book Review]
reviewer: David Fallows
p 117:
Roger Bowers: English church polyphony, singers and sources from the 14th to the 17th century.
[Book Review]
reviewer: David Fallows
p 119:
Ardal Powers, ed.: Traverso, reprint 1989-1998.
[Book Review]
reviewer: David Fallows
p 143:
International Sweelinck Symposium, Utrecht, 27 Aug - 1 Sep 1999.
[Reports]
author: David Smith
p 144:
The 4th International Clavichord Symposium, Magnano, 8-11 Sep 1999, Lance Whitehead.
[Reports]
p 147:
International Conference New Directions in Josquin Scholarship, 29-31 Oct 1999.
[Reports]
author: Cynthia Cyrus
p 149:
Alessandro Scarlatti Festival, Palermo, 1999-2002.
[Reports]
author: Kate Bolton
p 150:
John Mansfield Thomson (1926-1999).
[Obituary]
author: Nicholas Kenyon
p 150:
John Mansfield Thomson (1926-1999).
[Obituary]
author: Tess Knighton
p 154:
John Mansfield Thomson (1926-1999).
[Obituary]
author: Howard Schott
p 154:
John Mansfield Thomson (1926-1999).
[Obituary]
author: Peter Campbell
p 155:
John Mansfield Thomson (1926-1999).
[Obituary]
author: Peter Phillips
p 156:
John Mansfield Thomson (1926-1999).
[Obituary]
author: Neal Zaslaw
p 157:
John Mansfield Thomson (1926-1999).
[Obituary]
author: Anthony Rowland-Jones
p 157:
John Mansfield Thomson (1926-1999).
[Obituary]
author: Arthur Boyars
p 157:
John Mansfield Thomson (1926-1999).
[Obituary]
author: Eric Van Tassel
EMM May 2000 # 28.2
p 164:
Editorial.
author: Ann Buckley
p 165:
Music and musicians in medieval Irish society.
author: Ann Buckley
p 193:
Medieval Ireland: music in cathedral, church and cloister.
author: Patrick Brannon
p 205:
`Through a glass, darkly'; steps towards reconstructing Irish chant from the neumes of the Drummond Missal.
author: Sara Gibbs Casey
p 217:
Fragments of liturgical chant from medieval Irish monasteries in continental Europe.
author: Martin Czernin
p 227:
A serendipitous encounter with St Kilian.
author: Theodore Karp
p 238:
`Now that the Lord hath readvanc'd the crown'; Richard Hosier, Durham Ms B.1 and the early Restoration anthem repertory at the Dublin cathedrals.
author: Barra Boydell
p 253:
Keyboard instruments in Dublin, c 1560-1860; `a much neglected section of Irish musical history'.
[Instruments]
author: Paul Nixon
p 271:
Reconstructing the music of medieval Ireland; Altramar's Crossroads of the Celts.
[Performing Matters]
authors: Jann Cosart, Angela Mariani, Chris Smith, David Stattelman
p 283:
Paula Higgins, ed.: Antoine Busnoys: method, meaning and context in late medieval music.
[Book Review]
reviewer: Fitch
p 286:
Jérôme de La Gorce, Herbert Schneider, ed.: Quellenstudien zu Jean-Baptiste Lully / l'oevre de Lully, études des sources.
[Book Review]
reviewer: Sadie
p 288:
Donald Burrows, ed.: The Cambridge companion to Handel.
[Book Review]
reviewer: Sadie
p 313:
Urban musicology.
[Reports]
author: Tim Carter
p 314:
Franco - Italian cross-currents.
[Reports]
author: Iain Fenlon
p 316:
Analysing Renaissance polyphony.
[Reports]
author: Ruth DeFord
p 319:
manuscripts and printed music, 1999.
[Salerooms]
author: Arthur Searle
p 325:
Andrea von Ramm (1928-1999).
[Obituary]
authors: David Fallows, Stefan Morent
p 327:
June Yakeley (1949-1999).
[Obituary]
author: Brian Jeffrey
p 329:
Barbarini Lupus.
[Correspondence]
author: Alison Adams
p 329:
Byrd's Suscipe quaeso (actual Tallis's).
[Correspondence]
author: Kerry McCarthy
p 329:
Spanish harpsichords.
[Correspondence]
author: Andreas Beurmann
p 330:
Initials in Scarlatti manuscripts.
[Correspondence]
author: Carl Sloane
p 331:
Handel's audience.
[Correspondence]
author: Winton Dean
p 332:
Handel's audience, a reply.
[Correspondence]
author: David Hunter
p 333:
Interpreting the `notes inégales' evidence.
[Correspondence]
author: David Ponsford
p 334:
Interpreting the `notes inégales' evidence, a reply.
[Correspondence]
author: John Byrt
EMM Aug 2000 # 28.3
p 340:
Editorial.
author: Tess Knighton
p 343:
Around the performance of a 13th century motet.
author: Christopher Page
p 359:
`Pictura et scriptura'; the Eton choirbook in its iconographical context.
author: Magnus Williamson
p 383:
A Renaissance composer writes to his patrons; newly discovered letters from Cristóbal de Morales to Cosimo I de' Medici and cardinal Allessandro Farnese.
author: Klaus Pietschmann
p 403:
Tomás Luis de Victoria's Roman churches revisited.
author: Noel O'Regan
p 421:
Music in court festivals of state: festival books as sources for performance practices.
author: Edmund Bowles
p 445:
François Couperin ad the Stuart court at Saint-Germain-en-Laye, 1691-1712: a new interpretation.
author: Edward Corp
p 455:
Bach's notation of tempo and early music performance: some reconsiderations.
[Performing Matters]
author: Bernard Sherman
p 469:
The Anton Walter fortepiano - Mozart's beloved concert instrument; a response to Michael Latcham.
[Observations]
author: Eva Badura-Skoda
p 474:
The Anton Walter fortepiano - Mozart's beloved concert instrument, a reply.
[Observations]
author: Michael Latcham
p 476:
Paul Merkley, Lora Merkley: Music and patronage in the Sforza court.
[Book Review]
reviewer: Dean
p 480:
Andrew Parrot: The essential Bach choir.
[Book Review]
reviewer: Elcombe
p 500:
Historical dance conference.
[Reports]
author: Jennifer Thorp
p 502:
Vivaldi's violins.
[Reports]
author: Howard Schott
p 503:
Investigating early pianos.
[Reports]
author: Beryl Kenyon de Pascual
p 505:
Berkeley festival.
[Reports]
author: Michael Zwiebach
p 507:
Counter tenor counterblast (reply to letter by Selwood, EM May 1999.
[Correspondence]
author: Simon Ravens
p 508:
Tallis's (not Byrd's!) Suscipe quaeso.
[Correspondence]
author: David Humphreys
p 509:
El Escorial polyphony.
[Correspondence]
author: José Sierra Pérez
p 509:
Gibbons keyboard music, a reply.
[Correspondence]
author: Howard Schott
p 509:
Gibbons keyboard music.
[Correspondence]
author: Carl Willetts
p 510:
Early music of Ireland, a reply.
[Correspondence]
author: Ann Buckley
p 510:
Early music of Ireland.
[Correspondence]
author: Peter Downey
EMM Nov 2000 # 28.4
p 516:
Editorial.
author: Peter Holman
p 517:
The catch club in 18th century England.
author: Brian Robins
p 531:
New light on Richard Mudge, 1718-1763; some aspects of social status and amateur music making.
author: Richard Platt
p 547:
The Oxford exercises in the 18th century.
author: Susan Wollenberg
p 557:
`The most musical spot for its size in the kingdom': music in Georgian Halifax.
author: Rachel Cowgill
p 577:
The Colchester partbooks.
author: Peter Holman
p 597:
Tea table miscellanies; the development of Scotland's song culture, 1720-1800.
author: Claire Nelson
p 621:
Elias Hall, the `faithful chronicler' of Oldham psalmody.
author: Sally Drage
p 637:
The accompaniment of concertos in 18th century England.
[Performing Matters]
authors: Peter Holman, Richard Maunder
p 653:
John Harley: Orlando Gibbons and the Gibbons family of musicians.
[Book Review]
reviewer: Bowers
p 654:
Ian Spink: Henry Lawes, cavalier song writer.
[Book Review]
reviewer: Rooley
p 655:
Arthur Searle: The Britisch Library Stefan Zweig collection, catalogue of the music manuscripts.
[Book Review]
reviewer: Fallows
p 655:
Jacqueline Gray, ed.: Obiter scripta (by Albi Rosenthal).
[Book Review]
reviewer: Fallows
p 656:
Bernhard Janz: Der Fondo Cappella Sistina der Biblioteca Apostolica Vaticana.
[Book Review]
reviewer: Fallows
p 656:
Joachim Braun: Die Musikkultur Altisraels / Palästinas.
[Book Review]
reviewer: Fallows
p 656:
Michael and Dorothea Jappe: Viola Bibliographie; das Repertoire f:ur die historische Bratsche von 1649 bis 1800.
[Book Review]
reviewer: Fallows
p 656:
Thomas Mathiesen, ed.: Thesaurus musicarum latinarum; canon of data files.
[Book Review]
reviewer: Fallows
p 677:
`Imagination and historical sense'; Waynflette lectures, Magdalen College, Oxford, 2000.
[Reports]
author: Mark Humphreys
p 678:
Ninth biennial conference on baroque music, Trinity College, Dublin, 2000.
[Reports]
author: Miguel Ángel Marín
p 679:
Bach performance practice; internationale Bachakademie, Stuttgart, 2000.
[Reports]
author: Eric Van Tassel
p 681:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 685:
Mozart's Walter fortepiano (see 2000-469).
[Correspondence]
author: Richard Maunder
p 685:
Mozart's Walter fortepiano, a reply.
[Correspondence]
author: Eva Badura-Skoda
EMM Feb 2001 # 29.1
p 3:
Editorial.
author: John Milsom
p 5:
Reflections on 50 years of early music (J.M. Thomson memorial lecture).
author: Neal Zaslaw
p 15:
On the manner of playing the adagio: neglected features of a genre (performing the Adagio).
author: David Ledbetter
p 29:
Free ornamentation in the solo sonatas of William Babell: defining a personal style of improvised embellishment ((performing the Adagio).
author: Charles Gower Price
p 57:
The hole truth and nothing but the truth: the resolution of a problem in flute iconography.
author: Mary Oleskiewicz
p 61:
Viols, violists and Venus in Grünewald's Isenheim altar.
author: Mary Rasmussen
p 76:
Juan Esquivel: an unknown Spanish master revisited (renaissance polyphony).
author: Clive Walkley
p 93:
A study in emulation: Philip van Wilder's `en despit des envyeulx' ((renaissance polyphony).
author: David Humphreys
p 109:
The Byrd edition - in print and on disc (renaissance polyphony).
author: Joseph Kerman
p 121:
Jim Berrow, ed.: Towards the conservation and restoration of historic organs; a record of the Liverpool conference, 23-26 August 1999.
[Book Review]
reviewer: Butt
p 123:
Cesare Fertonani: La musica strumentale di Antonio Vivaldi.
[Book Review]
reviewer: Roche
p 123:
Francesca Fanna, Michael Talbot: Cinquanta anni di produzione e consumi della musica dell'età di Vivaldi.
[Book Review]
reviewer: Roche
p 123:
Michael Talbot: The sacred vocal music of Antonio Vivaldi.
[Book Review]
reviewer: Roche
p 126:
Barthélemy de Montagut: Louange de la dance; in praise of the dance.
[Book Review]
reviewer: Walls
p 128:
Cristoph Woll: Johann Sebastian Bach the learned musician.
[Book Review]
reviewer: Ledbetter
p 147:
Byzantium and beyond (medieval and renaissance music conference, Oxford, 20-22 August 2000).
[Reports]
author: Bonnie Blackburn
p 149:
Le Jeune in perspective (Journées Claude Le Jeune, Château de Chambord, 19-22 October 2000).
[Reports]
author: Richard Freedman
p 150:
Millennial mega meeting (Toronto 2000: Musical Intersections, 1-5 November 2000).
[Reports]
author: Thomas Irvine
p 152:
The Spanish harpsichord and its music (1st Diego Fernández Festival of Spanish keyboard music, Levante Almeriense, 12-15 October 2000).
[Reports]
author: Beryl Kenyon de Pascual
p 153:
Bach's notation of tempo; a reply.
[Correspondence]
author: Bernard Sherman
p 153:
Bach's notation of tempo.
[Correspondence]
author: Klaus Miehling
p 156:
Encountering St Kilian.
[Correspondence]
author: Theodore Karp
p 156:
Mozart's fortepiano.
[Correspondence]
author: Marius Flothuis
p 157:
Editions, scholarship and performance.
[Correspondence]
author: Jeffrey Kurtzman
EMM May 2001 # 29.2
p 162:
Editorial.
author: John Milsom
p 165:
&'Mi chiamano Mimi ...' but my name is 'Quarti toni': solmization and Ockeghem's famous Mass.
author: Ross Duffin
p 187:
Angel musicians in the medieval stained glass of Norfolk churches (images and instruments).
author: Adrian Rose
p 218:
A Requiem Mass for Louis XV: Charles d'Helfer, François Giroust and the 'Missa pro defunctis' of 1775 (music in the ancien régime).
author: Jack Eby
p 235:
Performance traditions and motet composition at the convent school at Saint-Cyr (music in the ancien régime).
author: Deborah Kauffman
p 251:
Compositional choices in Henry Purcell's 'Three Parts upon a Ground' (performance in context).
author: Peter Holman
p 263:
The historiography of the Reformation, or the reformation of historiography (re-examining Tudor music).
author: Benjamin Davies
p 275:
A little-known keyboard plainsong setting in the Fitzwilliam Virginal Book: a key to Tallis's compositional process? (re-examining Tudor music).
author: Christopher Maxim
p 285:
Björn Tammen: Musik und Bild im Chorraum mittelalterlicher Kirchen, 1100-1500 (Angels and iconography).
[Book Review]
reviewer: Montagu
p 289:
Giacomo Baroffio, ed.: Iter liturgicum italicum (Locating Italian liturgies).
[Book Review]
reviewer: Chadd
p 291:
Sverker Jullander, ed.: GOArt research reports, vols. 1 & 2 (Göteborg keyboard studies).
[Book Review]
reviewer: Webber
p 292:
Annette Richards: The free fantasia and the musical picturesque.
[Book Review]
reviewer: Wollenberg
p 294:
David Rattray: Masterpieces of Italian violin making (1620-1850); important stringed instruments from the collection at the Royal Academy of Music (Viewing the violin).
[Book Review]
reviewer: Walls
p 321:
Festival Scarlatti, Palermo, Sicily, 16 September - 16 October 2000.
[Reports]
author: Lindsay Kemp
p 322:
Wissenschaftliches Symposium, 500 Jahre Ottaviano Petrucci 1501-2001 (500 years of Petrucci).
[Reports]
author: Leofranc Holford-Strevens
p 324:
C.P.E. Bach in Boston.
[Reports]
author: Howard Schott
p 327:
Anthony Goble (1957-2000).
[Obituary]
authors: Arne Richards, Isabel Knowland
p 328:
Claude V. Palisca (1921-2001).
[Obituary]
author: Thomas Mathiesen
p 330:
Malcolm Boyd (1932-2001).
[Obituary]
author: Robin Stowell
p 333:
Mozart's Walter fortepiano.
[Correspondence]
author: Malcolm Bilson
p 334:
Mozart's Walter fortepiano.
[Correspondence]
author: David Sutherland
EMM Aug 2001 # 29.3
p 338:
Editorial.
author: John Milsom
p 339:
Guest Editorial - Chopin as early music.
author: John Rink
p 343:
A newly discovered Gloria by Handel (music lost and found).
author: Hans Joachim Marx
p 355:
Robert Adam's instruments for Catherine the Great (images and instruments).
author: Laurence Libin
p 369:
The Arabic style of performing medieval music (re-examining performance practices).
author: John Haines
p 381:
Chopin, past and present (Chopin as early music).
author: Jim Samson
p 389:
Chopin and Pleyel (Chopin as early music).
author: Jean-Jacques Eigeldinger
p 399:
Frédéric Chopin, Antoine de Kontski and the carezzando touch (Chopin as early music).
author: Jonathan Bellman
p 408:
Chopin and the aesthetic of the sketch: a new prelude in E-fl minor (Chopin as early music).
author: Jeffrey Kallberg
p 425:
Wessel's Complete Collection of the Compositions of Frederic Chopin: the history of a title-page (Chopin as early music).
author: Christophe Grabowski
p 434:
The line of argument in Chopin's E minor Prelude.
author: John Rink
p 447:
Thomas Mathiesen: Apollo's lyre - Greek music and theory in antiquity and the middle ages (Explaining Greek music).
[Book Review]
reviewer: Holford-Strevens
p 451:
Jenny So, ed.: Music in the age of Confucius (Sounds of Bronze Age China).
[Book Review]
reviewer: Stock
p 452:
William Renwick, ed.: The Langloz manuscript - fugal improvisation through figured bass (Spontaneous fugue).
[Book Review]
reviewer: Yearsley
p 454:
John Humphries: The early horn - a practical guide (Early horns practically speaking).
[Book Review]
reviewer: Hiebert
p 455:
Jeanice Brooks: Courtly song in the late 16th century France (French courtly song).
[Book Review]
reviewer: Freedman
p 456:
Ashbee, Harley, ed.: The cheque books of the Chapel Royal - with additional material from the manuscript of William Lovegrove and Marmaduke Alford (Records of the Chapel Royal).
[Book Review]
reviewer: Leech
p 482:
John Toll (1947-2001).
[Obituary]
author: John Holloway
p 485:
2001 Boston Early Music Festival.
[Reports]
author: Howard Schott
p 489:
Gods, men and monsters (interdisciplinary symposium on monstrous in 17th and 18th french operas).
[Reports]
author: Gulliver Ralston
p 490:
Launching Handel's Gloria.
[Reports]
author: Lindsay Kemp
EMM Nov 2001 # 29.4
p 499:
Editorial.
author: John Milsom
p 499:
Editorial.
author: Tess Knighton
p 501:
New light on Ottavino Petrucci's activity, 1520-1538; un unknown print of the 'Motteti dal fiore' (Music lost and found).
authors: Teresa Gialdroni, Agostino Ziino
p 524:
New light on Ottavino Petrucci's activity, 1520-1538; appendix.
author: Gabriella Battista
p 535:
Italian wind instrumentalists at the Scottish royal court during the 16th century (Foreign musicians in Britain).
author: Alexander McGrattan
p 553:
The legacy of the 'stupendious' Nicola Matteis (Foreign musicians in Britain).
author: Simon Jones
p 571:
Musicians in the Catholic chapel of Catherine of Braganza, 1662-1692 (Foreign musicians in Britain).
author: Peter Leech
p 589:
Heinrich Albert's 'Arien' in print and performance (Texts & sources).
author: Stephen Rose
p 607:
Handel, Popora and the 'Windy Bumm'.
authors: Xavier Cervantes, Thomas McGeary
p 619:
A flourish for Handel.
author: Diack Johnstone
p 627:
Theophilus Hawney - a little known composer and his much travelled works.
[Observations]
author: Richard Charteris
p 635:
Anna Gatti, Mara Miniati, ed.: L'acustica e i suoi strumenti - la collezione dell'Istituto Technico Toscano (Acoustics and its instruments - the collection of the Istituto Technico Toscano).
[Book Review]
reviewer: Montagu
p 635:
Franca Falletti, Renato Meucci, Gabriele Rossi Rognoni, ed.: La musica e i suoi strumenti - la collezione granduchale del Conservatorio Cherubini.
[Book Review]
reviewer: Montagu
p 635:
Gabriele Rossi Rognoni, ed.: La musica alla corte dei granduchi - guida alla mostra (Music at the grand ducal court - guide to the exhibition).
[Book Review]
reviewer: Montagu
p 637:
Alfred Dürr: Johann Sebastian Bach - St John Passion - genesis, transmission, and meaning.
[Book Review]
reviewer: Humpreys
p 637:
Erc Chafe: Analysing Bach cantatas.
[Book Review]
reviewer: Humpreys
p 637:
Russell Stinton: Bach - the Orgelbüchlein.
[Book Review]
reviewer: Humpreys
p 637:
Russell Stinton: J.S. Bach's great 18 organ chorales.
[Book Review]
reviewer: Humpreys
p 640:
Bettina Hoffmann: Catalogo della musica solistica e cameristica per viola da gamba (cataloguing the viol).
[Book Review]
reviewer: Woodfield
p 641:
Daniel Mosser, a.o., ed.: Puzzles in paper - concepts in historical watermarks.
[Book Review]
reviewer: Thompson
p 643:
Claire Chevalier, Jos van Immerseel, ed.: 'Matière et musique' - the Cluny encounter - proceedings of the European encounter on instrument making and restoration.
[Book Review]
reviewer: Barclay
p 644:
Isobel Woods Preece: 'Our awin Scottis use' - music in the Scottish church up to 1603.
[Book Review]
reviewer: Bowers
p 647:
Maria Caraci Vela, Rodobaldo Tibaldi, ed.: Intorno a Monteverdi.
[Book Review]
reviewer: Stras
p 647:
Teresa Rossa-Barezzani, Mila De Santis, ed.: Marc'Antonio Ingegneri, opera omnia, II/ii, il secondo libro de' madrigali a quattro voci.
[Book Review]
reviewer: Stras
p 647:
Teresa Rossa-Barezzani: Marc'Antonio Ingegneri e la musica a Cremona nel secondo cinquecento.
[Book Review]
reviewer: Stras
p 648:
Margot Fassler, Rebecca Baltzer, ed.: The divine office in the Latin Midlle Ages - methodology and source studies, regional developments, hagiography.
[Book Review]
reviewer: Barrett
p 650:
Anne Piéjus: Le théatre des demoiselles - tragédie et musique à Saint-Cyr à la fin du grand siècle.
[Book Review]
reviewer: Kauffman
p 667:
Grünewald's Isenheim altarpiece, a reply.
[Correspondence]
author: Mary Rasmussen
p 667:
Grünewald's Isenheim altarpiece.
[Correspondence]
author: Uta Henning
p 669:
Mozart's Walter piano.
[Correspondence]
author: Richard Maunder
p 670:
Clavichord techniques.
[Correspondence]
author: Paul Simmonds
p 670:
The Arabic style.
[Correspondence]
author: Jeremy Montagu
EMM Feb 2002 # 30.1
p 3:
Editorial.
author: John Milsom
p 4:
Keyboard instrument building in London and the Sun insurance records, 1775-87.
[Instruments]
authors: Lance Whitehead, Jenny Nex
p 26:
The reception of the cantata during Leipzig church services, 1700-1750.
author: Tanya Kevorkian
p 46:
`Musical understanding' in the 15th century.
author: Rob Wegman
p 63:
Tinctoris on the effects of music.
p 68:
The Dublin virginal manuscript: new perspectives on virginalist ornamentation.
author: Desmond Hunter
p 82:
Once more into the void: Marc-Antoine Charpentier's `croches blanches' reconsidered.
author: Shirley Thompson
p 94:
Repeat signs and binary form in François Couperin's `Pièces de clavecin'.
author: Paul Cienniwa
p 104:
Out of the shadows: Binchois ascendant.
author: Alejandro Enrique Planchart
p 119:
David Ross Hurley: Handel's muse: patterns of creation in his oratorios and musical dramas, 1743-1751.
[Book Review]
reviewer: Diack Johnstone
p 120:
Suzanne Beicken (ed.): Treatise on vocal performance and ornamentation by Johann Adam Hiller.
[Book Review]
reviewer: Emma Kirkby
p 121:
Penelope Gouk: Music, science and magic in 17th century England.
[Book Review]
reviewer: Leta Miller
p 123:
Angelo Rusconi (ed.): Guido d'Arezzo, monacho pomposiano.
[Book Review]
reviewer: Emma Hornby
p 124:
Marie-Claude Canova-Green, Francesca Chiarelli (ed.): The influence of Italian entertainments on 16th and 17th century music theatre in France, Savoy and England.
[Book Review]
reviewer: Peter Walls
p 126:
Michael Wilson: The chamber organs in Britain, 1600-1830.
[Book Review]
reviewer: John Kitchen
p 127:
Estaire, Knighton, Bordas Ibáñez, Carreras: Aspectos de la cultura musical en la Corte de Felippe II.
[Book Review]
reviewer: Michael Noone
p 128:
Richard Freeman: The chansons of Orlando di Lasso and their protestant listeners: music, piety, and print in 16th century France.
[Book Review]
reviewer: Robin Leaver
p 130:
Thematic and library catalogues.
author: Peter Ward Jones
p 149:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 153:
François Lesure, 1923-2001.
[Obituary]
author: Dinko Fabris
p 154:
Igor Kipnis, 1930-2002.
[Obituary]
author: Howard Schott
p 155:
The Arabic style.
[Correspondence]
author: Sterling Scott Jones
p 157:
The Arabic style, reply.
[Correspondence]
author: John Haines
p 158:
Domenico Scarlatti's `tremulo', reply.
[Correspondence]
author: Howard Schott
p 158:
Domenico Scarlatti's `tremulo'.
[Correspondence]
author: Carl Sloane
EMM May 2002 # 30.2
p 163:
Editorial.
author: John Milsom
p 165:
`Sub obscuritate quadam ostendens': Latin canon in the early renaissance motet.
author: Charles Turner
p 189:
The annotator of the Lorraine chansonnier and his taste in accidentals.
author: Cynthia Cyrus
p 203:
Farinelli and the duke of Leeds: `tanto mio amico e patrone particolare'.
author: Thomas Mcgeary
p 215:
Senesino disobliges Caroline, princess of Wales, and princess Violante of Florence.
author: David Hunter
p 225:
The awkward idiom: hand-crossing and the European keyboard scene around 1730.
[Performing Matters]
author: David Yearsley
p 237:
In defence of the minuet and trio.
author: Christopher Hogwood
p 253:
The 'Handel' Gloria reconsidered.
authors: Clifford Bartlett, Anthony Hicks, Hans Joachim Marx, Michael Talbot
p 265:
Contemplating the Chantilly Codex (Tours 13-15 September 2001).
[Reports]
author: Barbara Haggh
p 271:
Matthew Spring: The lute in Britain: a history of the instrument and its music.
[Book Review]
reviewer: Anthony Rooley
p 273:
Caroline Wood, Graham Sadler: French baroque opera: a reader.
[Book Review]
reviewer: Lois Rosow
p 275:
Patrick Tröster: Das Alta-Ensemble und seine Hochrenaisance (1300-1550).
[Book Review]
reviewer: Kenneth Kreitner
p 276:
Robin Stowell: The early violin and viola: a practical guide.
[Book Review]
reviewer: Peter Walls
p 281:
Paul Murphy (ed.): José de Torres's treatise of 1736: general rules for accompanying on the organ, harpsichord, and the harp, by knowing only how to sing the part, or a bass in `canto figurado'.
[Book Review]
reviewer: David Ledbetter
p 281:
Robert Zappulla, Figured bass accompaniment in France.
[Book Review]
reviewer: David Ledbetter
p 282:
Ian Woodfield: Opera and drama in 18th century London.
[Book Review]
reviewer: Lowell Lindgren
p 284:
Ian Woodfield: Music of the Raj: a social and economic history of music in late 18th century Anglo-Indian society.
[Book Review]
reviewer: Raymond Head
p 285:
David Rowland: Early keyboard instruments: a practical guide.
[Book Review]
reviewer: John Kitchen
p 286:
Heidemar Volckmar-Waschk: Die `Cantiones Sacrae' von Heinrich Schütz: Entstehung - Texte - Analysen.
[Book Review]
reviewer: Stephen Rose
p 286:
Wolfram Steude: Annäherung durch Distanze: Texte zur älteren mitteldeutschen Musik und Musikgeschichte.
[Book Review]
reviewer: Stephen Rose
p 287:
Bruce Holsinger: Music, body, and desire in medieval culture: Hildegard von Bingen to Chaucer.
[Book Review]
reviewer: Nicky Losseff
p 311:
Michael Howard (1922-2002).
[Obituary]
author: Bruno Turner
p 313:
Grünewald's Isenheim altarpiece, reply.
[Correspondence]
author: Mary Rasmussen
p 313:
Grünewald's Isenheim altarpiece.
[Correspondence]
author: Michael Fleming
p 317:
Busnoy's chansons.
[Correspondence]
author: Fabrice Fitch
p 317:
Miguel Ferreira.
[Correspondence]
author: Peter Leech
p 317:
Performing Biber.
[Correspondence]
author: James Clements
p 317:
The Sun insurance records.
[Correspondence]
author: Joan Jeffery
EMM Aug 2002 # 30.3
p 323:
Editorial (Cristóbal de Morales).
author: John Milsom
p 325:
Within the circle of Charles V: new light on the biography of Cristóbal de Morales.
author: Alison Sanders McFarland
p 341:
Cristóbal de Morales in Toledo, 1545-6: ToleBC 25 and `new' works by Morales, Guerrero, Lobo, Tejeda and Ambiela.
author: Michael Noone
p 364:
Was Morales in Valencia?: new light on the origins of the `Missa Benedicta es, caelorum regina'.
author: Bernadette Nelson
p 381:
Vivaldi and the English viol.
[Instruments]
author: Michael Talbot
p 397:
The flageolet player: the ultimate amateur musician.
[Instruments]
author: Jane Girdham
p 411:
Grabu's `Albion and Albanius' and the operas of Lully: '... acquainted with all the performances of the French opera's'.
[Opera]
author: Bryan White
p 429:
Production practices at the Teatro di San Carlo, Naples, in the late 18th century.
[Opera]
author: Anthony Deldonna
p 447:
Sense and sound in Richafort's requiem.
[Performing Matters]
author: John Milsom
p 465:
Bruce Haynes: The eloquent oboe: a history of the hautboy, 1640-1760.
[Book Review]
reviewer: janet page
p 467:
Reinhard Strohm, ed.: The 18th century diaspora of Italian musicians.
[Book Review]
reviewer: Michael Talbot
p 468:
Donald Burrows, Rosemary Dunhill: Music and theatre in Handel's world: the familiy papers of James Harris, 1732-1780.
[Book Review]
reviewer: David Hunter
p 470:
Brian Robins, ed.: The John Marsh journals - the life and times of a gentleman composer (1752-1828).
[Book Review]
reviewer: Rachel Cowgill
p 471:
Gerald Gifford, compiler: A descriptive catalogue of the music collection at Burghley House, Stamford.
[Book Review]
reviewer: Peter Holman
p 472:
R M Thomson: A descriptive catalogue of the medieval manuscript in Worchester Cathedral Library.
[Book Review]
reviewer: David Chad
p 473:
Anne Martin: Musician for a while: a biography of Walter Bergmann.
[Book Review]
reviewer: Nicholas Kenyon
p 489:
Letter from Spain.
[Reports]
author: Tess Knighton
p 492:
Letter from Spain.
[Reports]
author: Michael Noone
p 493:
Bruges keyboard competition 2001.
[Reports]
author: Virginia Pleasants
p 494:
Keith Elcombe (1941-2002).
[Obituary]
author: David Fallows
EMM Nov 2002 # 30.4
p 500:
Editorial; dropping the pilot: farewell to Arthur Boyars.
authors: John Milsom, Nicholas Kenyon, Tess Knighton
p 502:
Swirling from one level of the affects to another: the expressive clavier in Mozart's time.
author: Michael Latcham
p 523:
Beethoven's Erard piano: its influence on his compositions and on Viennese fortepiano building.
author: Tilman Skowroneck
p 541:
The crozier of William Wykeham.
author: Jeremy Montagu
p 565:
Michele Todini's galleria armonica: its hitherto unknown history.
author: Patrizio Barbieri
p 584:
A re-examination of tempos assigned to the Earl of Bute's machine organ.
author: Beverly Jerold
p 593:
Finding closure: performance issues in the Agnus Dei of Ockeghem's Missa L 'homme armé.
author: Edward Wickham
p 608:
A gay-studies Handel.
author: Thomas McGeary
p 615:
Emilio Casares Rodicio, Alvaro Torrente, ed.: La ópera in España e Hispanoamérica.
[Book Review]
reviewer: Robinson
p 617:
Frederico Sardelli: Vivaldi's 'flutes'.
[Book Review]
reviewer: Zaslaw
p 619:
Catherine Massip: L'art de bien chanter: Michel Lambert (1610-1696).
[Book Review]
reviewer: Sadler
p 619:
Peter Jeffrey, ed.: The study of medieval chant: paths and bridges, east and west: in honor of Kenneth Levy.
[Book Review]
reviewer: Barrett
p 620:
Richard Rastall: Minstrels playing: music in early English religious drama, ii.
[Book Review]
reviewer: Wulstan
p 621:
Gerard Gillen, Andrew Johnstone, ed.: Irish musical studies, vi: a historical anthology of Irish church music.
[Book Review]
reviewer: Morris
p 621:
Kenneth Milne, ed.: Chris Church Cathedral Dublin: a history.
[Book Review]
reviewer: Morris
p 621:
Keri Dexter: 'A good quire of voices': the provision of choral music at St George's chapel, Windsor Castle, and Eton College.
[Book Review]
reviewer: Morris
p 623:
Rebecca Herissone: Music theory in 17th century England.
[Book Review]
reviewer: Wood
p 651:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 653:
Du Fay's canons, a reply.
[Correspondence]
author: Charles Turner
p 653:
Du Fay's canons.
[Correspondence]
author: Ruth DeFord
EMM Feb 2003 # 31.1
p 3:
Editorial.
author: John Milsom
p 4:
The Ars Subtilior soundclips - a statement.
author: The Orlando Consort
p 6:
Articulating Ars Subtilior song.
author: Daniel Leech-Wilkinson
p 20:
Playing the citation game in the late 14th century chanson.
author: Yolanda Plumley
p 41:
The cathedral band of León in 1548, and when it played.
author: Kenneth Kreitner
p 65:
Church and chamber - the influence of acoustics on musical composition and performance.
author: Katelijne Schiltz
p 81:
A new source of bass viol music from 18th century England.
author: Peter Holman
p 100:
In defence of danced minuets.
author: Jennifer Thorp
p 110:
David Wilson, ed.: Georg Muffat on performance practice - the texts from `Florilegium primum', Florilegium secundum', and Auserlesene Instrumentalmusik' - a new translation with commentary.
[Book Review]
reviewer: Wiebke Thormahlen
p 117:
Review: Reflections on the Reflexe label.
author: Fabrice Fitch
p 125:
Craigh Wright: The maze and the warrior - symbols in archtecture, theology, and music.
[Book Review]
reviewer: Dean
p 128:
Franco Bruni: Musica e musicisti alla cattedrale di Malta nei secoli XVI-XVIII.
[Book Review]
reviewer: Dixon
p 129:
Barbara Hagh, ed.: Essays on music and culture in honor of Herbert Kellman.
[Book Review]
reviewer: Knighton
p 131:
Mara Parker: The string quartet, 1750-1797 - four types of musical conversation.
[Book Review]
reviewer: Irvine
p 131:
Simon Keefe: Mozart's piano concertos - dramatic dialogue in the Age of Enlightment.
[Book Review]
reviewer: Irvine
p 145:
Renaissance flute days, Basel, Scola Cantorum Basiliensis, 6-8 September 2002.
[Reports]
author: Ardal Powell
p 147:
Medieval and Renaissance Music Conference, University of Bristol, 18-21 July 2002.
[Reports]
author: Peter Scott
p 149:
`Muzio Clementi Cosmopolita della Musica' - Clementi Conference, Rome, 4-6 December 2002.
[Reports]
author: Wollenberg
p 150:
Third International Festival of Spanish Keyboard Music `Diego Fernández', 11-13 October 2002.
[Reports]
author: Noone
p 151:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 156:
Charpentier's `croches blanches'.
[Correspondence]
author: Klaus Miehling
p 157:
Charpentier's `croches blanches', a reply.
[Correspondence]
author: Shirley Thompson
p 158:
Música Inédita.
[Correspondence]
author: Eric Southworth
p 158:
The expressive Clavier.
[Correspondence]
author: Michael Latcham
EMM May 2003 # 31.2
p 163:
Editorial.
author: John Milsom
p 165:
Beethoven's appoggiaturas - long or short.
author: Barry Cooper
p 180:
Self-reflexive songs and their readers in the late 14th century (Ars Subtilior).
author: Anne Stone
p 196:
Ars Subtilior repertory as performance palimpsest.
author: Donald Greig
p 210:
`My honourable Lord and Father ...' - 18th century English musical life through Bohemian eyes.
authors: Michaela Freemanová, Eva Mikanová
p 232:
`Suonatore del Principe' - new light on Viotti's Turin years.
author: Warwick Lister
p 248:
Handel at Oxford in 1733.
author: Diack Johnstone
p 262:
Five into four does go - the vocal scoring of Ockeghem's `Missa L'homme armé'.
author: Roger Bowers
p 266:
Gareth Curtis, ed.: 15th century liturgical music, iv - Early masses and mass pairs.
[Book Review]
reviewer: Alejandro Planchart
p 275:
David Yearsley: Bach and the meanings of counterpoint.
[Book Review]
reviewer: Humphreys
p 276:
David Wyn Jones: Musiv in 18th century Britain.
[Book Review]
reviewer: McGeary
p 276:
Deborah Rohr: The careers of British musicians, 1750-1850 - a profession of artisans.
[Book Review]
reviewer: McGeary
p 280:
Christine Martin: Vicente Martin y Solers Oper `Una cosa rara' - Geschichte eines Opernerfolgs im 18 Jahrhundert.
[Book Review]
reviewer: Robinson
p 281:
De clavicordio V - proceedings of the V International Clavichord Symposium, Magnano, 5-8 September 2001.
[Book Review]
reviewer: Schott
p 283:
Susan Orlando: The Italian viola da gamba - proceedings of the International Symposium on the Italian viola da gamba, Magnano, 29 April - 1 May 2000, Italy.
[Book Review]
reviewer: Fleming
p 284:
Linda Koldau: Die venezianische Kirchenmusik von Claudio Monteverdi.
[Book Review]
reviewer: Dixon
p 285:
Elisabeth Baldwin: Paying the piper - music in pre-1642 Cheshire.
[Book Review]
reviewer: Montagu
p 287:
Franco Piperno: L'immagine del duca - musica e spettacolo alla corte di Guidubaldo II duca d'Urbino.
[Book Review]
reviewer: Buji('c
p 288:
Emma Dillon: Medieval music making and the `Roman de Fauvel'.
[Book Review]
reviewer: Llewellyn
p 289:
Pieter Dirksen, ed.: Sweelinck studies - proceedings of the international Sweelinck Symposium, Utrecht 1999.
[Book Review]
reviewer: Schott
p 290:
Ignace Bossuyt: Het Weihnachts Oratorium, BWV 248, van Johann Sebastian Bach.
[Book Review]
reviewer: Dixon
p 312:
Mozart Society of America, Biennial Conference, Cornell University, Ithaca, New York, 27-30 March 2003.
[Reports]
author: Corneilson
p 314:
Festival Lodoviciano, Viadana.
[Reports]
author: Fabris
p 316:
Tempos on the Bute mechanical organ.
[Correspondence]
author: Klaus Miehling
p 317:
Tempos on the Bute mechanical organ, a reply.
[Correspondence]
author: Beverly Jerold
p 318:
Bach's singers.
[Correspondence]
author: Eric Altschuler
EMM Aug 2003 # 31.3
p 323:
Editorial; close readings - a memorial to John Stevens and Philip Brett.
authors: John Milsom, Iain Fenlon
p 327:
Some medieval songs.
author: Susan Rankin
p 347:
The art of repetition: Machaut's ballade 33 'Nes qu'on porroit'.
author: Ardis Butterfield
p 363:
Words and music in Machaut's motet 9.
author: Margaret Bent
p 391:
What happened to 'El Grillo'.
author: David Fallows
p 401:
An expressive detail in Josquin's 'Nimphes, nappés'.
author: Patrick Macey
p 413:
Byrd's treatment of verse in his partsongs.
author: Oliver Neighbour
p 425:
`Whom Music's lore delighteth': words and music in Byrd's 'Ye sacred Muses'.
author: Mike Smith
p 437:
Byrd, Sidney, and the art of melting.
author: John Milsom
p 451:
Fabricating magic: costuming Salieri's 'Armida'.
author: Caryl Clark
p 472:
Letter from Boston.
[Reports]
author: Schott
p 476:
Instruments.
[Salerooms]
author: Jeremy Montagu
p 478:
Bach's singers.
[Correspondence]
author: Richard Taruskin
EMM Nov 2003 # 31.4
p 483:
Editorial.
author: Tess Knighton
p 484:
Quantz's 'Quatuors' and other works newly discovered.
author: Mary Oleskiewicz
p 506:
`As it was in the beginning': organ and choir pitch in early Anglican church music.
author: Andrew Johnstone
p 527:
An 'abberation' reviewed: the reconciliation of inconsistent clef-systems in Monteverdi's Mass and Vespers of 1610.
author: Roger Bowers
p 541:
`S'a questa d'Este valle': Claudio Monteverdi and a 'mascherata' of 1607 in Mirandola.
author: Stefano Patuzzi
p 558:
Bach's art of church music and his Leipzig performance forces: contradictions in the system.
author: Martin Geck
p 573:
Bach's chorus: some new parts, some new questions.
author: Joshua Rifkin
p 582:
Lully, D'Anglebert and the transmission of 17th century French harpsichord music.
author: David Chung
p 607:
Anthony Burton, ed.: A performer's guide to music of the Baroque period.
[Book Review]
reviewer: Ledbetter
p 607:
Anthony Burton, ed.: A performer's guide to music of the Classical period.
[Book Review]
reviewer: Ledbetter
p 607:
Anthony Burton, ed.: A performer's guide to music of the Romantic period.
[Book Review]
reviewer: Ledbetter
p 608:
Melania Bucciarelli: Italian opera and European theatre, 1680-1720: plots, performers, dramaturgies.
[Book Review]
reviewer: Robinson
p 610:
Klaus Miehling: Handbuch der früneuenglishen Aussprache (1500-1800) für Musiker - 1 Grundlagen (1500-1710) - 2 1710-1800; Übersicht; Latein; Eigennamen; Anhang.
[Book Review]
reviewer: Holford-Strevens
p 612:
Anne-Emmanuelle Ceulemans, Bonnie Blackburn, ed.: Théorie et analyse musicales, 1450-1650 - Proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999.
[Book Review]
reviewer: Cyrus
p 612:
Nicoletta Guidobaldi, ed.: Regards croisés: musiques, musiciens et voyageurs entre France et Italie au 15th siècle.
[Book Review]
reviewer: Cyrus
p 615:
Christelle Cazaux: La musique à la cour de François I - mémoires et documents de l'École des Chartres.
[Book Review]
reviewer: Freedman
p 617:
Frederick Crane: A history of the trump in pictures; Europe and America.
[Book Review]
reviewer: Montagu
p 618:
Cristle Collins Judd: Reading Renaissance music theory: hearing with the eyes.
[Book Review]
reviewer: Fend
p 620:
David Bjork: The Aquitanian Kyrie repertory of the 10th and 11th centuries.
[Book Review]
reviewer: Barrett
p 621:
Stephen Crist, ed.: Bach perspectives, vol.5: Bach in America.
[Book Review]
reviewer: Schott
p 622:
Cesare Negri: La gratie d'amore: deutsche Erstübersetzung der ausgabe Mailand 1602.
[Book Review]
reviewer: Thorp
p 622:
Ian Payne: The almain in Britain, c.1549-c.1675 - a dance manual from manuscript sources.
[Book Review]
reviewer: Thorp
p 636:
Musique de Joye.
[Reports]
author: Ardal Powell
p 637:
The St Emmeram Codex.
[Reports]
author: Peter Wright